logo

69 pages 2 hours read

Fyodor Dostoevsky

Crime and Punishment

Fiction | Novel | Adult | Published in 1866

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Part 6Chapter Summaries & Analyses

Part 6, Chapters 1-2 Summary

Raskolnikov considers what to do now that Katerina Ivanovna has died, Dunia wishes to spend more time with him, and Svidrigailov seems to know too much about his crimes. Razumikhin comes by and criticizes Raskolnikov for abandoning his family: Raskolnikov’s mother worries that her son has entirely forgotten about her. Raskolnikov’s behavior disgusts Razumikhin, though he mellows when Raskolnikov pleads with him to help his family if anything should happen. Razumikhin agrees and then reveals that Dunia received a mysterious, upsetting letter. Razumikhin also provides an update on Porfiry’s investigation: Porfiry has a complicated psychological explanation for the painter confessing. As that moment, Porfiry knocks on the door.

Porfiry enters Raskolnikov’s apartment and immediately launches into a speech about the dangers of cigarettes. Raskolnikov suspects that Porfiry’s odd behavior is a ruse to force him to confess, even though Porfiry apologizes for his behavior at their previous meeting. Porfiry praises Raskolnikov, and admits that all the little clues that led him to suspect Raskolnikov mean nothing next to the painter’s confession. Still, Porfiry knows that the painter could not have committed the murders—in truth, the painter is part of an old religious society that believes in the importance of suffering above everything else, so he has made himself suffer at the hands of the authorities. Porfiry knows that Raskolnikov is the real murderer, but he will not arrest Raskolnikov yet. Instead, he gives Raskolnikov several days to make a confession of his own free will because he likes Raskolnikov. Porfiry encourages Raskolnikov to confess and to learn the value of suffering.

Part 6, Chapters 3-5 Summary

Raskolnikov goes quickly to see Svidrigailov. He is worried that Svidrigailov has power over him, though he does not understand what just happened in the conversation with Porfiry. He feels repulsed by Sonia. As he walks, Raskolnikov wonders whether Svidrigailov told Porfiry everything, but decides that this is not the case. He finds Svidrigailov listening to a singer in the back room of a restaurant. Svidrigailov eventually invites Raskolnikov to sit and drink with him.

Raskolnikov aggressively tells Svidrigailov to leave Dunia alone, threatening to kill Svidrigailov if he refuses. Svidrigailov should know by now, Raskolnikov points out, that Raskolnikov is capable of murder. Svidrigailov pretends to want to hear about Raskolnikov’s theories. Then, he talks about his love of women, which disgusts Raskolnikov, who is about to leave when Svidrigailov mentions Dunia. When Raskolnikov agrees to stay, Svidrigailov launches into a detailed story about his dead wife, Marfa, who saved him from a debtor’s prison. She agreed to marry Svidrigailov despite his philandering. Svidrigailov admits that he openly courted Dunia and other servants until Dunia told him to stay away from her. The 50-year-old Svidrigailov insists that he no longer needs Dunia, telling a story about forcing himself on a 15-year-old. Raskolnikov feels appalled and worried in equal measure. Svidrigailov walks away, but when he notices that Raskolnikov is following him, he boards a carriage. Raskolnikov abandons his pursuit, not noticing that Svidrigailov exits the carriage at the other end of the street.

Svidrigailov convinces Dunia her to meet him in his apartment, telling her that he knows her brother’s dark secret. He tells her that her brother killed two women. Dunia does not believe him and her anger and confusion make her feel faint. Svidrigailov says that he can help Raskolnikov avoid punishment, but only if Dunia agrees to marry him. Dunia tries to run from the room but Svidrigailov has locked the door. He threatens to rape her, threatening to reveal her brother’s guilt if she goes to the authorities. Instead, Dunia pulls out a gun, points it at Svidrigailov, and accuses him of killing his wife Marfa. Svidrigailov dares Dunia to fire. She shoots, but only grazes Svidrigailov’s temple. He rushes to grab her, but instantly realizes that Dunia will never love him and lets her go. He takes the gun and leaves.

Part 6, Chapters 6-8 Summary

Svidrigailov walks the streets in the rain. That evening, he goes to Sonia’s apartment. He offers Sonia 3,000 rubles if she promises she will go with Raskolnikov to Siberia (where he will be exiled for his crimes). Svidrigailov speaks of his plans to go to America. Then, he visits the house of the 15-year-old, tells the teen’s confused family that he will be gone for some time, and he gives them a large sum of money. Next, Svidrigailov goes to a hotel to sleep. He suffers from feverish nightmares about finding a cold little girl in his room and trying to comfort her. He also dreams that the city is flooded. Svidrigailov wakes up before dawn, walks through the streets, asks a soldier on guard duty to tell people that Svidrigailov went to America, and then shoots himself in the head.

Raskolnikov goes to visit his mother. She has read his article on the nature of crime. Though she did not understand all of it, she was nevertheless impressed. Raskolnikov, however, is now disgusted with his earlier ideas. Even though his mother thinks he is a genius, he does not agree with her. He asks his mother whether she will always love him. With tears in his eyes, he tells her that he needs to leave. She cries and begs Raskolnikov to stay, but he refuses.

Dunia is waiting for Raskolnikov at his apartment. He admits to her that he has thought about killing himself, but he knows that he could never follow through with it. Dunia urges her brother to confess, hoping that he can then atone for his sins. Raskolnikov becomes upset, suddenly unable to see why he should be punished for killing a disreputable woman who was a blood-sucking parasite. Dunia is shocked by this resistance. As Raskolnikov looks into his sister’s eyes, he realizes how much pain he has put his family through. He and Dunia walk out, take one final look at each other, and then go in different directions.

Raskolnikov goes to Sonia’s apartment and tells her that he is now ready to wear the wooden cross that once belonged to the dead woman. Sonia makes Raskolnikov pray with her before he departs.

Raskolnikov walks to the police station. He worries about the aftermath of his confession, particularly the prospect of public humiliation. On his way through a market, he thinks back to Sonia’s idea that he should kneel at a crossroads and beg for forgiveness. Raskolnikov examines the city around him, taking in every detail, determined to remember his final moments as a free man. He reaches the crossroads and kneels, but when the crowd gathers and mocks him, Raskolnikov loses his nerve and cannot bring himself to make a public confession.

Then, Raskolnikov notices Sonia, who has been following him. Her presence inspires him, so he stands up and marches to the police station. But, before he can confess, Raskolnikov learns about Svidrigailov’s suicide. He is so shocked that he leaves the police station without confessing to anything. Seeing Sonia outside waiting for him, he turns around, enters the police station, and finally gives a full confession to the crimes.

Part 6 Analysis

The magistrate Porfiry comes to understand and empathize with Raskolnikov. Seeing that the murderer is hounded by his guilt, Porfiry recognizes Raskolnikov’s humanity—something that even Raskolnikov spends most of the novel denying exists. This kind of empathy makes Porfiry an excellent detective; it is what makes him conclude that despite the confession, the painter could not have murdered Aliona Ivanovna. Porfiry’s goal is the rehabilitation of the criminals he catches. Rather than simply capture Raskolnikov and subject him to punishment, Porfiry asks Raskolnikov to make a genuine confession. A public declaration of responsibility will go a long way to repairing Raskolnikov’s mind and atoning.

Both Raskolnikov and Svidrigailov have huge, life-changing epiphanies in these chapters. After a life of sexual predation, Svidrigailov reaches a moment of clarify after Dunia shoots him to protect herself from rape. Suddenly realizing that no one loves him and that he will never legally answer for his crimes, he makes a last-ditch effort to atone. He gives away money to the family of the girl he raped and pays Sonia to promise to continue being a beacon of hope for Raskolnikov even during his coming exile. But this is not enough. Svidrigailov is irredeemable, and his suicide is a satisfying punishment. Conversely, Raskolnikov finally decides to confess. He agrees to wear the wooden cross that belonged to his murder victim as a symbol of guilt, and even takes Sonia up on her quirky suggestion of publicly prostrating himself at a crossroads. The imagery of a man displaying himself on a cross while a crowd mocks him connects Raskolnikov to the procession of Jesus to his crucifixion. The novel’s valorizing of holy suffering—torment that is spiritually cleansing—comes from the pain of crucifixion Jesus is described undergoing.

Sonia becomes a guiding light for Raskolnikov. He draws strength from her sincerity and love. Even when he is in two minds about an idea, even when he forgets to follow through on a plan, her presence is enough to help him return to the right path. He nearly leaves the police station without making a confession and he only returns when he sees her. She plays a pivotal role in helping Raskolnikov take the first step toward redemption.

blurred text
blurred text
blurred text
blurred text