53 pages • 1 hour read
Charles FrazierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Caught in a period of bad weather, Inman’s mood falters. He uses up all the medicine given to him by the old goatherder and, though he has physically healed, he is still hungry and his thoughts remain dark. His senses have not dulled, however, and he notices that someone is following him. Spotting a “little hog-eyed man” (288), he threatens to shoot the stranger. The man surrenders; his name is Potts and he suggests to Inman that food can be found at the home of a local woman. Inman follows Potts’s suggestion.
At the house, he finds a young woman. She has a baby and invites Inman into the house, refusing his offer to pay her for any food. She prepares a meal and Inman eats quickly. The woman’s name is Sara. Her husband was killed in the war. Seeing how much she will struggle without her husband, Inman offers to kill the pig outside. He will butcher it for her as payment for the food. Sara accepts, but insists that she will mend and clean his clothes in return. In the meantime, she dresses Inman in her dead husband’s clothes and gives him a basin to wash himself. She asks him to sleep beside her, but he must refrain from touching her. Inman accepts this offer. As she tells the story of her husband, he tries to comfort her. Sara explains her sadness that her daughter will never know her father.
The next day, Sara wakes Inman early. She urgently warns him that there is someone coming to the house. Spotting the Federal soldiers, Inman hides in the forest. From his hiding place, he sees Sara struggling to send the pig into the woods to hide it. The soldiers raid the house. They demand any valuables. When they find nothing, they take Sara’s baby, strip it naked, and lay it on the cold ground to make her talk. Eventually, they accept that she has nothing. They take the pig and the chickens, then leave.
After, Inman tells Sara to prepare for the butchering of the pig. He follows the soldiers to retrieve the pig. There are three soldiers; Inman shoots one and waits for the other two. He kills these men, collects the animals, executes the soldiers’ branded horses, hides the bodies, and then returns to Sara. They slaughter the pig, providing them with meat and lard. After, Inman and Sara sit down to a meal. For the first time in many years, Inman shaves his face, removing his thick beard. That night, he sleeps beside Sara again. In the morning, he resumes his journey.
In fall, Ada and Ruby harvest the apples from the orchard. They make cider, which Ruby plans to trade for beef. While she is away, Ada cuts wood. She burns a section of brush, then pauses her chores to write a letter to her cousin, Lucy, who lives in Charleston. She explains how much she has changed. Then, Ada milks the cow.
As night falls, she waits for Ruby to return. Instead, Stobrod arrives. He is not alone; he is with his friend Pangle, a young banjo player who has a mental impairment. They need to escape Teague and his “killers” (319), he explains, as they sit beside the fire. Stobrod tells the story of how Pangle found the banjo in a raid on the house of a rich man. Since they found the banjo and taught themselves to play music, Pangle and Stobrod have spent their lives drinking, sleeping, and playing music. They have “become a duo” (323).
Ruby returns. She has only a small amount of beef but it is shared among the four people. The men play while the brisket cooks. After they eat, Stobrod asks his daughter for help. He and Pangle are planning to abandon the outliers, but he needs food for himself and Pangle, as well as somewhere to stay. They may also need money. Ruby tells her father than he should be ashamed to come to her for help, especially for the same things that he never provided during her childhood. Nonetheless, she allows Ada to make the final decision.
Before Ada decides, Ruby reiterates that Stobrod was a horrible father. She recounts how she was often left alone for several months, even though she was only eight years old, because her father was busy making liquor. Ada is vague in her answer, so Stobrod and Pangle leave “with only vague hopes of compromise” (330). Later, she stares at the night sky. She thinks about the letter from Inman, reciting a line from Stobrod’s song, asking him to return to her.
Inman comes across a woman who is mourning the death of her daughter. He stops his journey and builds “a little casket” (333) for the dead girl. As Inman eats a meal with the mourning mother, the deliciousness of the food brings him to the point of tears. The woman has a photograph of her family, taken before the war. She is the only survivor.
In the following days, Inman struggles through the rain. When the storm is particularly intense, he hunkers down for the night and reads to himself from a travelogue. He remembers the area near his home by “the slope of Cold Mountain” (337). The next day, the weather clears. His journey is easier. When he stops at a spring to replenish his water supply, he looks up and sees “a trio of hanging skeletons” (338).
Inman begins to ascend the mountain. The environment is becoming increasingly familiar. One morning, he wakes and hears a bear nearby. The elderly mother bear is with her cub and, when she detects Inman’s scent, she moves to defend herself and her cub. The bear charges at Inman. He dodges and the bear crashes past him, over the ledge of a cliff. The mother bear is dead; Inman knows that the cub will not survive alone. He kills the cub and eats it, “so as not to waste the meat” (342).
The fog begins to clear, lifting Inman’s mood. He recognizes his surroundings and spots Cold Mountain in the distance. He eats the meat, noting the familiarity of the creeks and ridges.
Stobrod and Pangle have abandoned the outliers. They are hiding in a different place and they have acquired a new companion, who is identified only as a boy from Georgia of “no more than seventeen years” (346). The trio is struggling after eating a deer that was left dead too long and that was not cooked enough. Shivering from the cold, the men are barely sure of their location.
Ada and Ruby have arranged to provide supplies for the trio. They leave these supplies at a designated place on Cold Mountain; Stobrod is forbidden from visiting the farm. After collecting the supply package, the men prepare the food and set a fire. They warm themselves and drink liquor before moving to a safer spot higher up the mountain. Still stricken with diarrhea, the Georgian teen wanders into the woods. Stobrod falls asleep while talking with Pangle.
The Home Guard arrives, led by Teague. Stobrod and Pangle are grilled for information, as Teague demands to know the location of the cave where the outliers are hiding. Stobrod tries to avoid the question but Pangle is too naïve, telling Teague exactly how to reach the cave. Teague and the Home Guard soldiers sit down beside the fire. They help themselves to the food and liquor. Eventually, Teague demands music from Stobrod and Pangle. Their playing impresses Birch, who dubs them “holy men” (355). Teague is less impressed. He orders his men to shoot Stobrod and Pangle.
Inman’s time with Sara demonstrates his morality and his alienation, while enabling both to bond over The Effects of Trauma. Both Inman and Sara have suffered during the war: He has been traumatized by the same violence that killed Sara’s husband and left her alone to raise their baby. In their brief time together, they form a mutual understanding of platonic support. Sara asks Inman to lay beside her on the bed in her husband’s clothes, just so that she can pretend to be near her husband for one last time. Inman agrees, understanding the extent to which Sara needs this delusion. He offers her compassion in a hostile world, which she repays with food, shelter, and fresh clothes. During their time together, Inman is literally cleansed. He cuts away his beard, revealing an old version of himself (a pre-war Inman) that he barely recognizes.
Contrasted with this compassionate friendship, however, is Inman’s pursuit of the Federal troops. Notably, these troops are not members of Teague’s Home Guard. They are from the other side, demonstrating the extent to which violence has permeated both sides of the conflict. They abuse Sara and torture her baby, then take everything she has, effectively leaving her and the child to starve over winter. Inman cannot tolerate this injustice. He pursues the men and kills them with relative ease. Then, he kills their horses (since they are branded, they cannot be sold) and hides the evidence of the violence. Inman is desensitized to this degree of violence. He becomes Sara’s righteous vengeance, inflicting the pain against the cruel men who have almost ruined her life. To Sara, this is brutal and horrifying. To Inman, it is just another instance of violence in a violent world. Whether building coffins or observing skeletons, Inman cannot escape the violence around him. All he can do is to try to help others whenever he can as a subtle affirmation of the last vestiges of humanity that remain within him.
While Inman is coming to terms with the inescapable presence of violence in his life, Ada is able to recognize the degree to which she has changed, reflecting The Power of Transformation in her own life. Her relationship with Ruby is the catalyst for this change, as she has learned how to survive on the farm through Ruby’s guidance. Ada is aware of this change and proud of it, writing to her cousin in Charleston and noting that she seems barely recognizable from the woman who risked starving to death on her farm in the wake of her father’s death. When Ruby is away, Ada carries out all the tasks that she was assigned and then waits for Ruby to return. Importantly, Ada wants Ruby to recognize her competence. Like a proud pupil, she seeks Ruby’s approval so she waits beside the bonfire with an air of expectation. Ada is satisfied by the extent to which she has grown as a person, and she thanks Ruby for this in her way, demonstrating her thanks through her competence.
Throughout Cold Mountain, the characters refer to Teague with a sense of fear and awe. His capacity for violence is beyond doubt, with the characters being so scared of him that they fear his imminent arrival at all times. As the book draws to a conclusion, however, Teague’s presence becomes more keenly felt. He meets Stobrod and Pangle, demanding to know the location of the outliers’ cave. By this time, Stobrod and Pangle (as well as the Georgian boy) have abandoned the outliers. They have removed themselves even further from society, rejecting the men who most openly reject social convention. Teague does not care. He is fully lost in the violence and amorality of his position and his existence.
In a bitter parody of the sharing of food and drink displayed earlier in the novel, Teague sits down with Stobrod and Pangle in a seemingly friendly manner. He eats with them, drinks with them, and then orders them to be shot with the same dispassionate tone. Violence has become Teague’s world and, thanks to his position of authority, he exists beyond any form of limitation or imposition. He is an institutional avatar of the violence of the war, the harbinger who exists to terrify the local population and drag deserters back into the traumatizing violence (when he permits them to live, at least). Teague is constantly lurking on the periphery of everyone’s thoughts, with the capacity to instantaneously and dispassionately destroy a person’s life.
By Charles Frazier
American Civil War
View Collection
Memorial Day Reads
View Collection
Memory
View Collection
Military Reads
View Collection
National Book Awards Winners & Finalists
View Collection
National Book Critics Circle Award...
View Collection
New York Times Best Sellers
View Collection
Romance
View Collection
School Book List Titles
View Collection
Sexual Harassment & Violence
View Collection
The Past
View Collection
Valentine's Day Reads: The Theme of Love
View Collection
War
View Collection