62 pages • 2 hours read
Costanza CasatiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains descriptions of murder, domestic violence, and anti-gay bias.
The narrative shifts forward 15 years. Clytemnestra now journeys to Arcadia and reflects on her complex relationship with her family. As she rides alone, she reminisces about her children and her life in Mycenae. Despite the physical and emotional toll of her past losses, she finds solace in her living children, who have become her reason for living. Upon reaching Arcadia, she reunites with her sister Timandra, who is now the queen of the region. Timandra greets her with warmth, but the encounter is tainted by the harsh realities of their lives. Timandra reveals a scar inflicted by their father, indicating the difficult relationship they shared with him. The sisters go on to discuss the complexities of their situations, which are bound by the constraints of their respective marriages.
At dinner, Clytemnestra meets King Echemus, Timandra’s husband, who tries to impress her with tales of his lineage and the palace’s history. The conversation shifts to the recent death of their father, Tyndareus, and Clytemnestra’s plans to attend his funeral in Sparta. Suddenly, Clytemnestra recognizes Chrysanthe, Timandra’s companion from Sparta, whom Clytemnestra once caught kissing Timandra. Later, in a private conversation, Clytemnestra learns that Timandra and Chrysanthe are still romantically involved. Clytemnestra reflects on her own experiences and advises Timandra to be discreet in order to avoid societal backlash. Timandra challenges Clytemnestra’s advice, pointing out the double standards between men and women and citing the example of Achilles and Patroclus. Despite her defiance, she agrees not to bring Chrysanthe to Sparta. Clytemnestra contemplates her father’s recent death and her mixed emotions toward him, acknowledging both love and hatred.
At the funeral, the children of Tyndareus gather around the pyre. Menelaus, now king, ignites the fire with a ceremonial torch. The atmosphere is filled with mixed emotions as the family confronts the loss. Phoebe is tearful yet silent, adhering to the Spartan custom that discourages outward expressions of grief during the burning of a body. Leda stands hardened and distant, lost in her own thoughts and possibly intoxicated. Timandra stands alongside Clytemnestra; both share a history of suffering under their father’s harsh rule. Timandra tells Clytemnestra of the brutal treatment she endured from Tyndareus when he learned of her relationship with Chrysanthe. Clytemnestra reflects on her own pain and inability to forgive Tyndareus for the violence he inflicted upon her family. She also observes her brothers, Castor and Polydeuces, noting the changes in them since their return from Colchis.
Later that night, Clytemnestra secretly visits Cynisca’s home and confronts Cynisca, who helped Agamemnon in his schemes against Clytemnestra years ago. In a tense and dark exchange, Clytemnestra reveals her long-held resentment and desire for revenge. She then kills Cynisca, fulfilling her vengeance even as her isolation and despair deepen. As Clytemnestra leaves the scene of the murder, she reflects on her broken promise to her mother not to seek vengeance. Loneliness and regret consume her, but her need for revenge burns unabated.
As Clytemnestra enters the city, all of the people, including children and enslaved people, show deference to her. Inside the palace, she is warmly greeted by Aileen, a servant whose confidence she has nurtured over the years. Clytemnestra then reunites with her daughters, Chrysothemis and Iphigenia, in the garden. Chrysothemis shows her mother the stones she has found, while Iphigenia demonstrates her dance skills. Clytemnestra then meets with her husband, Agamemnon, to discuss various matters, including a conflict with merchants who refuse to follow her commands due to her gender. Agamemnon, although generally indifferent, supports Clytemnestra’s authority. Their conversation also touches on family matters, with Agamemnon inquiring about Clytemnestra’s visit to Alea and her sister, Timandra.
Seeking to resolve the issue with the merchants, Clytemnestra and her guard, Leon, visit a tavern where the merchants gather. She confronts them about their disrespect toward her leadership. When the leading merchant refuses to take orders from a woman, Clytemnestra challenges him to physical combat, asserting that the strongest should rule. She easily overpowers him, reinforcing her position of power and earning the awe, or perhaps the fear, of the other merchants.
Clytemnestra’s administrative duties in the palace involve listening to and adjudicating the problems of her subjects, which range from personal grievances to land disputes. Her decisions and actions, particularly her past punishment of a nobleman’s son for raping a villager’s daughter, grant her a reputation for justice and a position of influence in the citadel. Clytemnestra also oversees the martial training of her son, Orestes, and other boys as well, teaching them the necessity of mastering the art of combat. However, Agamemnon refuses to allow her to train her daughters as well. One day, Iphigenia and Electra defend themselves against an aggressive boy named Kyros, injuring him. Agamemnon’s reaction reveals his desire that the girls should be punished for defending themselves.
In Clytemnestra’s interactions with her daughters, she always favors Iphigenia over Electra. While she loves all her children, she has a special bond with Iphigenia, but as a result, Electra feels marginalized and less valued by her mother, and this dynamic leads to tension and resentment. Meanwhile, as Clytemnestra reflects on her life choices and her hatred for Agamemnon, she feels torn between her duties as a ruler, her role as a mother, and her personal vendettas.
Clytemnestra often finds herself haunted by memories of her former husband, Tantalus, and their baby. These memories are described as a torment that is likened to a “rat chewing at the skin” (217. One day, Orestes informs Clytemnestra that he witnessed her guard, Leon, kissing Iphigenia. Clytemnestra compassionately asks Iphigenia about her feelings and intentions toward Leon. The conversation shifts when Electra, who has been eavesdropping, asks her mother who they are destined to marry. Clytemnestra responds that they will marry kings, due to their status as princesses of a powerful Greek city.
Clytemnestra then confronts Leon in the armory about his interaction with Iphigenia. Leon shows knowledge of Clytemnestra’s past and expresses empathy toward her silent suffering, but she dismisses his understanding as insufficient. Later, Aileen, Clytemnestra’s servant, confesses that Agamemnon has requested her presence, presumably for sexual purposes. Out of a desire to protect Aileen, Clytemnestra firmly instructs the woman to refuse this request. As a result, a tense confrontation occurs between Clytemnestra and Agamemnon. Agamemnon expresses his desire to be with Aileen, and Clytemnestra responds with a threat, referencing her vengeance-driven murder of Cynisca, a woman from a powerful family. In response, Agamemnon violently grabs Clytemnestra by the neck, but she declares that she would rather die than submit to him.
Clytemnestra and her son Orestes discuss trade in the megaron. An envoy interrupts them with news from the palace of Alea, revealing that Clytemnestra’s sister Timandra has deserted her husband, King Echemus, and is now pregnant with the child of King Phyleus. This news shocks Clytemnestra, who immediately inquires about Timandra’s friend Chrysanthe, only to learn that her whereabouts are unknown. Clytemnestra reflects on the past prophecy from her past that Leda’s daughters would marry twice, and possibly thrice. She shares a version of this prophecy with Orestes, omitting the fact that the prophecy also applies to her.
Clytemnestra’s departs for Sparta, accompanied by her guard, Leon. Before leaving, she has a brief, tense interaction with Agamemnon, who hints at her responsibility to resolve a family feud involving her brothers Castor and Polydeuces, and her sister Helen’s deteriorating relationship with Menelaus. Upon reaching Sparta, Clytemnestra is greeted by a cold, indifferent Menelaus, who informs her of the situation with her brothers and Helen. He tasks Clytemnestra with managing the situation; among other duties, she must host a Trojan prince during Menelaus’s absence.
Clytemnestra meets with Helen at the temple of Artemis, where Helen appears unexpectedly content and dismisses her sister’s concerns about her well-being. Helen reveals that the women her brothers took, Phoebe and Hilaeira, willingly came with them and are now pregnant, complicating the situation further. Inside the palace, Castor confirms the pregnancies of Phoebe and her sister, effectively preventing their return to Messenia.
Clytemnestra observes the decor in the dining hall and prepares for dinner with her brothers, Phoebe, Hilaeira, and Hermione. The arrival of Helen and the Trojan prince, Paris, shifts the atmosphere. Paris’s striking appearance and his story captivate everyone, especially Clytemnestra. Paris shares that he was left to die as a child due to a prophecy but was raised by a herder. As an adult, he returned to Troy, reclaimed his royal status, and has now come to Sparta on a diplomatic mission. During the dinner, Paris and Clytemnestra speak about Troy and Paris’s upbringing. Paris reveals that he was married to a mountain girl before his return to Troy, but she was not brought to the palace. His account of his life and reasons for being in Sparta intrigue Clytemnestra, who is both skeptical and fascinated by his tale.
Helen is fully absorbed with her interactions with Paris, and Clytemnestra, aware of Helen’s unhappy marriage to Menelaus, senses the potential implications of Helen’s amorous behavior. When Clytemnestra visits Leda, the older woman reflects on the circumstances of her marriage to Tyndareus, drawing parallels with Clytemnestra’s situation. Leda admits regretting her prior passivity, acknowledging that she could have done more to protect Clytemnestra. Later, Clytemnestra and Castor observe a ritual for the goddess Artemis and reflect on their own life choices. Castor’s remark about the inevitability of their fates resonates with Clytemnestra, who hints at her determination not to remain bound by her marriage to Agamemnon.
Clytemnestra bonds with her family in Sparta and enjoys walks with Phoebe and Hilaeira, who share stories of their homeland of Messenia. The evenings are filled with gatherings by the hearth, where Paris recounts his life stories and enchants everyone, especially Helen. However, the peaceful atmosphere is disrupted when Lynceus and Idas arrive, seeking to reclaim Phoebe and Hilaeira, who were promised to them but chose to be with Castor and Polydeuces instead. Idas and Lynceus cruelly confront Clytemnestra and her brothers in the megaron. Clytemnestra maintains her composure and informs them that the women are pregnant and thus will not be returned. This revelation angers the princes, and when Clytemnestra threatens them, they leave after promising future conflict.
Later, Clytemnestra and Helen share a private moment in the bathhouse, and Helen confesses that she has slept with Paris. This revelation shocks Clytemnestra, but she advises Helen to keep the relationship a secret. When Clytemnestra speaks with Castor, they share their mutual concerns about the future. Castor assures Clytemnestra of their resilience, but Clytemnestra still has underlying worries about the potential conflicts that Helen’s affair with Paris may cause.
Following her return to Mycenae, Clytemnestra encounters a new seer at the palace, Calchas, who has come from Megara at King Agamemnon’s request. Then, Leon brings devastating news that shatters the tranquility of the palace. Clytemnestra’s brother, Castor, has been murdered by Idas in an ambush. The mood in the palace is further darkened by the revelation that Helen has left Sparta with Prince Paris, heading for Troy. This act of betrayal is a catalyst for war. Agamemnon heatedly confronts Clytemnestra about Helen’s actions, emphasizing the gravity of the situation and the impact of the affair on the Greek alliance.
Preparations for war intensify, with various Greek leaders and their forces pledging allegiance to Agamemnon. The mobilization of such a massive army is unprecedented, and key figures like Achilles, Ajax, and Odysseus become involved. The rallying of Greek forces intensifies, and war with Troy is inevitable. Clytemnestra reflects on her complicated relationship with Agamemnon and her feelings about the war. Agamemnon departs with the Greek forces, leaving Clytemnestra with mixed emotions, including a secret hope that he will meet his death in battle.
An envoy arrives at Mycenae, informing Clytemnestra that Agamemnon wishes for her and her eldest daughter, Iphigenia, to come to Aulis. Agamemnon has planned a marriage between Iphigenia and the great warrior Achilles before the troops sail for Troy. Though initially hesitant, Clytemnestra agrees to go to Aulis, believing this event to mark a significant political alliance.
Upon arriving in Aulis, Clytemnestra and Iphigenia are struck by the stillness of the air and the lack of wind, which hinders the army’s ability to sail. Agamemnon greets them warmly, focusing on the upcoming nuptials. However, a sense of unease permeates the atmosphere, especially when Achilles is noticeably absent from the council of generals. The night before the wedding, Clytemnestra senses something amiss when Agamemnon visits them but abruptly leaves. She dismisses his behavior, choosing to focus on preparing Iphigenia for the wedding. The next morning, Odysseus calls Clytemnestra to his tent under false pretenses and has her bound and restrained. Realizing that she has been betrayed, she manages to free herself by injuring several guards.
Rushing to find her daughter, Clytemnestra arrives at the marketplace and witnesses a crowd engaged in a sacrificial song. Achilles stands motionless and silent as Iphigenia is dragged toward a sacrificial altar, pleading for her father’s intervention. In a desperate attempt to save her daughter, Clytemnestra fights her way through the crowd, but she is ultimately overpowered and subdued. As she loses consciousness, her last thoughts are of her daughter’s fate and the overwhelming sorrow of the situation.
In these chapters, Clytemnestra’s later life intertwines the personal with the political, the familial with the societal, and the psychological with the mythological. Woven with the dual themes of prophecy and tragedy, her story can be viewed as a microcosm of the Greek tragic tradition, reflecting its preoccupations with fate, hubris, the gods, and the plight of individuals who find themselves caught in the crossfire of divine and mortal games alike. Her tale thus encapsulates the ideological tension between agency and determinism, offering a commentary on the human desire to control one’s destiny in the face of an often indifferent universe. Fifteen years after the pivotal events that shaped her youth, Clytemnestra now undergoes a period of adaptation to her interwoven roles of mother and ruler, even as she remains haunted by the betrayals in her past. Her journey to Arcadia and the interactions with her sister Timandra underscore the enduring impact of their Spartan upbringing, which emphasizes resilience and strength despite the limitations of a strict upbringing that prizes stoicism and duty above all else. The web of relationships is further highlighted by Timandra’s secret love, pointing to the thematic undercurrents of rebellion against societal norms and the persistence of hidden lives beneath the surface of public personas.
Clytemnestra’s role as a ruler further highlights the theme of Moral Ambiguity and the Pursuit of Power, for she takes decisive actions to subvert those who would oppose her. For example, she deals harshly with the rebellious actions of the merchants, who feel emboldened enough by the male-dominated society to challenge her authority. However, as she reasserts her dominance over those who would dominate her, the conflict with the merchants demonstrates her broader struggle for respect and autonomy, which becomes a recurring theme throughout the narrative. Clytemnestra’s story can therefore be interpreted not as a departure from the patriarchal system, but as an exploration of a woman’s pursuit to find her place within it. Her assertive confrontation with the merchants, her strategic prowess, and her embodiment of traditionally masculine roles of ruler and protector reveal a search for agency that operates within the existing power structures rather than transcending them. By asserting her authority over the merchants, she defies traditional gender norms and establishes her ability to command respect and maintain control in a society where men traditionally hold power. By adopting the patriarchal language of power and dominance, Clytemnestra masters the inequalities of the existing social system to gain fresh advantages.
Throughout these tense interactions, the weight of tragedy and prophecy ties together the various themes in Clytemnestra’s story and reflects the broader ethos of Greek tragedy, highlighting the theme of Catharsis as a Mechanism for Emotional Release. In this category of literature, characters often grapple with their foredoomed fate, and such narratives wind inexorably toward their tragic conclusions despite the characters’ best efforts to avoid their destined paths. This sense of inescapable destiny is a hallmark of the genre, and Casati draws upon this narrative tradition to heighten the dramatic tension and enhance her readers’ ultimate catharsis in accordance with the patterns set forth by ancient Greek playwrights. Significantly, Casati introduces the self-fulfilling about the daughters of Leda and creates situations that compel each character to unwittingly contribute to the realization of this sinister fate. The inevitability of the characters’ destinies casts a long shadow over their choices and actions, and even as Clytemnestra exercises her will through acts of vengeance, such as her murder of Cynisca, she remains ensnared within the larger tapestry of fate that the prophecy weaves. Her actions, while seemingly within her control, are paradoxically also part of a greater path toward the fulfillment of that destiny.
This intertwining of personal agency and predestined tragedy mirrors the broader pattern of Greek tragedy, in which hubris often leads to a character’s downfall. The protagonists of Greek tragedies often attempt to assert their will against the gods and fate, only to find that such resistance accelerates their doom. Because Clytemnestra’s own journey is marked by her complex relationship with Agamemnon and her thirst for retribution, her inner resolutions underscore this common theme of tragic inevitability. Her narrative arc also carries ideological implications about the nature of power, justice, and the human condition in accordance with the ethos of Greek tragedy. For instance, power is a precarious attribute that can isolate as much as it empowers, and her pursuit of justice blurs the lines between vengeance and righteousness, reflecting the subjective nature of justice. Her story therefore encapsulates the human struggle for agency in a world seemingly ruled by fate, and her experiences highlight the tragic human desire to claim a semblance of significance amidst cosmic indifference.
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