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At the Roof Garden Dance Hall, a man eating alone in the corner has the air of a classic gangster and a Colt pistol concealed in his pocket. He wears a fancy watch that he continually checks, obviously waiting on someone who is late, and he holds a photograph of Bruno. The man and Bruno had an altercation once before, and he is withholding turning Bruno in for theft in return for a favor. Bruno is angry that he is being blackmailed, but the man reminds him of what his fate could be if he were caught and arrested. He tells him to keep the money he stole from the newsies saying it was a poor effort. He begins to discuss the power of the newspaper in the community. Whoever controls the paper holds a lot of influence; therefore, he must control the newsies. His boss wants control of The World to control the narrative about himself. The police have been bought off, and all that is left is the paper. They plan to meet again tomorrow at 10 o’clock. The man is cruel to Bruno. He leaves in a cab headed for the Waldorf Hotel.
Maks begins the day after a sleepless night. Mama is already up setting the fire, and she, too, appears to have spent the night worrying, so Maks helps with the chores. Their rent is due, and they do not have the money. Mama has dressed Willa in hand-me-downs, and Maks notices she is smiling for the first time. Maks will visit Emma, reassuring her that the family is consulting a lawyer for help, and then report all the details to Papa at the factory. Maks gathers his brothers to help them wash, eat, and get ready for school. Mama whispers to Maks that he should ask her to stay with them permanently. Willa tells the boys she is going home and not returning. Maks tells Willa of his mother’s proposal that she come to live with them. Her reaction is a mixture of shock and anger that turn to sorrow. She finally breaks and, through tears, tells Maks that her mother died and her father abandoned her. As she sobs, Maks says, “This city, people always dying. Last year, in our building, seven people died. Kids, a mother, a father. Agnes’ school told her it’s bad water, bad milk, bad dirt, bad smoke. Ain’t nothing you done bad” (99). Not knowing how to deal with her emotions, Maks turns his attention towards getting the food to Emma.
The Tombs has imposing guards standing watch outside as many people have gathered awaiting admittance. A short, poorly dressed man with wild facial hair catches Maks’s eye. He does not fit in with the others. Maks visits his newsie friend Chimmie. Newsies are gathered at The World awaiting their papers. Willa asks how the children live. Some have homes, but most are homeless like her, sleeping in drainpipes and something called a rope house. Maks’s friends nickname Willa Joan of Arc and agree Bruno is a problem that will need to be addressed sooner than later. Chimmie gives them the address for detective Bartleby Donck. They return to The Tombs, and Maks goes in alone and is searched multiple times before being allowed admittance. The way the cells are stacked on one another reminds Maks of animal cages. The prison is full of chaotic sounds, mostly of women crying out in anguish. The guards are unkind, and the doors are kept closed to prevent suicide. Emma is laying on the floor of her cell almost unrecognizable to Maks. She is filthy and overwhelmed at his presence. They hold hands through the cell bars as Maks tells her they are doing all they can to help. She explains that a watch was stolen and the chain was found under her pillow. She swears she did not take the watch and does not know who would have set her up to be accused. She devours the food he brought since the prisoners are not fed. Maks promises Mama will come soon. He does not want to leave her and asks the guard if she can get a better cell. Mockingly, the guard says, “You want ’em, you grease palms” (116). Maks has no spare money for a bribe.
Willa left The Tombs while Maks was inside fearing the Plug Ugly Gang would find her, and she walks through the city, past the East River, where she works sorting through garbage. She flashes back to her childhood, thinking of her mother’s love and comfort and when she began to fall ill. Willa cares for her mother and works extra hard to help the family. Her mother gives Willa her wedding ring as she is dying. Willa’s father is often gone, and he is cold and unkind to her. After her mother’s death, she feels responsible, and her father makes her feel even worse. He leaves one day, never to return, and Willa is forced to move out after another immigrant family takes over their flat. She stays near home hoping for her father to return, but when he does not, she becomes a beggar. This had been her life for five months before she met Maks. Willa emerges from her memories and decides to go inside the Geless home asking for a bath.
Maks often has moments when he sees through the grime and sadness of the city to its heart, its people. As he washes and fills water pails, he watches as his community greets the day. He also notices the polluted sky. Walking his brothers to school, he again takes in the landscape. The city is awake, full of vendors trading their wares and newsies selling the latest headlines. It is a place that is very much alive, yet still tinged with sorrow. There are beggars digging through the trash for food and children sleeping on the streets. Finding hope in the community is a recurring motif for the protagonist. A large part of his coming-of-age journey is to appreciate the life he has been given despite all its hardships. In passing through the streets on his quest to defeat the gang and save Emma, he sees his community in its distinctiveness, a medley of cultures. The air is polluted, and the streets are afoul, yet the people are beautiful, and their will to live and not just survive but thrive is inspiring to Maks.
These chapters highlight the particular struggle of children against the forces of poverty and corruption. Maks is fighting to hold his family together as the patriarch of his family is unable to lead in the time of crisis. Willa may have found a loving home, but her trauma is preventing her from fully connecting with Maks and his family. Emma, still just a child, is being held without food in a filthy, dank women’s prison under false accusations of theft. Even Bruno the bully is shown to be struggling against forces of corruption and greed at the mercy of people who are only using him as a pawn in their schemes. This knowledge allows the reader to become sympathetic to the bully as he, too, is in a fight for survival. All these characters are forced into making adult decisions even though they are still quite young. The narration also shifts in these chapters to reveal more of the interior life of the characters of Maks, Willa, and Bruno and the heavy emotional burdens they all carry.
The title of the novel takes on deeper significance in these chapters as all the children of the city have been orphaned in some way. While the strict definition of an orphan is a child whose parents have died, all the children in the Lower East Side appear to have been left behind in some way. Willa has been left physically alone to fend for herself on the streets. However, the systems of power have metaphorically orphaned all the children of the city by not protecting them from malnutrition, abuse, discrimination, and corruption. Instead of building infrastructure to support the needs of the future of society, they have left them to carve out a meager life of survival of the fittest on the streets. Willa’s flashback reveals how she has come to be the anxious, fearful child Maks knows. The memory is heavy with the sadness of a child attending to her dying mother only to then be cast aside by her father. When Maks accidentally finds her wrapped in garbage, sleeping in an alley, she has reached the depths of despair, holding onto the last shreds of her dignity in the form of a tree branch. She has lost her family and any sense of safety and security. Bruno, too, is a child without parental support. Although his origins are still a mystery, it has become clearer why he has taken to bullying other boys for their newspaper sales earnings. He has resorted to a life of theft to eke out an existence on the streets and found himself in the clutches of an intimidating mobster, becoming a slave to his corruption. Instead of finding a path out of poverty and misfortune, he finds himself slipping deeper into their clutches as his mysterious pistol-wielding boss orders his next actions. Emma, too, is being held prisoner, both physically and emotionally. The cold, austere Tombs prison is a depressing sight, and its cage-like cells echo the same cramped conditions seen in the tenement housings. A safe escape from this place feels as impossible as freedom for Bruno or a contented, calm life for Willa. Society has neglected to protect its most vulnerable members.
By Avi