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Jokha AlharthiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At first, Zayid returns regularly to his village. Dressed in his military uniform, he hands out fruit. When Zayd dies, and he must pour his own coffee, he knows that the villagers will never “see him as a real officer” (113). Years after Zayid’s father’s murder, Abdallah remembers, the news arrived that Zayid had married. His bride was Hafiza’s daughter; Hafiza had a reputation similar to “her father’s sister, the slut” (113). Hafiza’s first baby was born with skin “several shades darker than her mother’s or grandmother’s” (113). Hafiza said the father is Zaatar, Marhun, or Habib. She sustained 40 lashes for adultery; Abdallah snuck in to watch the punishment. Less than two years later, Hafiza had another baby, this time with “very pale skin” (113) and so “the sentence changed” (113). Again, Hafiza is not sure of the father and earns the nickname “Everyone’s Bus” (114). Three years later, she had a third daughter and then began to take birth control pills.
Abdallah remembers how his father tied him up and hung him upside down in the well after he took his father’s rifle to shoot magpies. He remembers Masouda telling him how his mother died: after flinging a pebble and hitting “the jinni-woman’s son in the head” (114), she cut down a basil bush and, after two or three days of sickness, died. When Shanna (Sanjar’s wife) tried to “tempt [Abdallah] out on the farm” (115), she told him that his mother is still alive, wandering around at night dressed all in white.
After arranging Asma’s wedding things, Salima closes the door and sobs, feeling a “sudden longing for her father and mother” (116). Her mother had died around the time Khawla had been born, though she had never been the same after the death of her son Muaadh 10 years before. Muaadh had run away to join the Imam’s forces and had died in “the war of Jabal Akhdar” (116). His uncle, Shaykh Said, was allies with the opposing tribes and disowned his nephew.
The Imam’s forces had fought against the British and their colonial stooges, forming a poorly equipped guerilla army. One night, Muaadh stepped on a mine and “exploded into fragments” (117); there was not even a body. Shaykh Said refused to help with the funeral. Salima’s mother died with her son, though “no one knew she was dead” (117) and—only 10 years later—did her body cease “to play at being alive” (117).
Abdallah thinks about Muhammad playing with building blocks and the time the wife of Uncle Ishaq found Marwan with his wrists cut open. He remembers accompanying his father to Ibri. Habib and Suwayd travelled with them. Abdallah was “paraded for the benefit of the Shaykhs of Ibri” (119). On the journey home, Abdallah was attacked by a viper, but father killed the snake. Abdallah remembers watching a barber cut a man’s hair; all the barber knows is how to “shave it to the roots” (120). He remembers Bill, his English teacher. Abdallah was tired of the embarrassment “whenever [he] tried to reserve a hotel room or was invited to dinner at a restaurant” (121) in Muscat. Only English is spoken in many of these places, even though the country is Arabic speaking. Unlike Abdallah’s father, Bill smiled.
Ahmad remembers when Mayya discovered that London was in love with Ahmad; she smashed London’s cell phone and locked London in her room, but London “insisted on her love” (122). Abdallah does not know what hurts him more: that he allowed London to marry Ahmad; that he didn’t stand up for her love from the beginning; or that Ahmad harmed London. Or, perhaps, it is that “Mayya never knew love and so she did not know, when London fell in love, how to deal with her daughter” (122). He wonders whether his wife ever felt love, as he had done.
Asma wakes on her wedding day. She prepares coffee for her father and senses that something is wrong, noticing a “silent rebuke” (123) in her father’s eyes. Then, on her mother’s orders, Asma shuts herself in her room until the ceremony. She eagerly awaits her wedding, her chance to break out of the confines of the house. When younger, she was allowed out of the house during the date harvest. Now, Asma does not even “go out for the first day of the month of Dhu al-Hijja to sing with her friends” (124). She hears the house fill up with people.
Asma and her father have long bonded over a shared love of poetry. She remembers Marwan, the cousin of Mayya’s husband, whom she had met a few times. He had a “sense of tranquil purity” (126). She thinks about her fiancé, Khalid, the horse artist. Khalid grew up in Egypt, his father in exile after the defeat of Imam Ghalib al-Hina’i. Asma and Khalid had spoken occasionally, and she had even seen his paintings of horses. The paintings are “precise and detailed, capturing every nuance of a horse’s build” (127). They make Asma anxious. Marrying Khalid means moving to Muscat, where Asma hopes she will be able to finish her studies. Perhaps she may even attend university. Traditionally, the British colonial rulers were terrified of Omanis becoming educated. The “longing to know things” (128) consumes Asma.
When the truck with Asma’s wedding items leaves, Salima collapses. She has felt hunger for most of her life and, now old, she still feels “pangs of hunger” (129). She can still remember her visits from her mother, when “her eyes were always puffy” (129). One day, her mother brought her silver earrings, which she had bought after “a lot of difficulty and toil” (129). Salima’s mother pierced Salima’s ears, to make her every bit as grand as Shaykh Said’s daughters. Salima endured the “terrible pains” (130) because she saw her mother’s pride. By the time the swelling and infection subsides, however, Salima had grown to hate jewelry.
Abdallah remembers Zarifa squatting down, “her enormous breasts” (131) spilling onto her lap as she handled the Omani jelly-sweets. Zarifa ate “a large chunk” (131) despite her diabetes. When he was scared, Abdallah wanted Zarifa to hold him. He still worries that his dead father will return to blame Abdallah for Zarifa’s death. Zarifa had returned to al-Awafi; rumors said that Shanna had tried to lock her up as mad or that Zarifa simply missed the village. Abdallah was too busy to see her. The stock market crash, building a house, Muhammad’s autism, and learning English were all a distraction. He worries that his father will hang him upside down in the well again. Zarifa’s diabetes got worse. Both her legs were amputated. Her relatives left her in a hospital to die.
Azzan and Najiya meet in the desert. He worries that “people are always apart” (133) and recalls a poem about the life of Ibn al-Rumi, “the pessimist” (133). Azzan explains that “the poets who sang about the pleasure of possession weren’t lovers […] they were hunters” (133), as a true beloved is someone who cannot be owned. Najiya is disconcerted by Azzan’s words. All she wants is to be his lover and “she didn’t want anything else” (134). To her, he seems “tortured by cryptic feelings” (133).
Standing in front of the mirror, Asma examines her heavily made-up face. Her hands are painted with henna and she recalls when she first had to begin wearing a head wrap. Looking at her stomach, she thinks about the children she wants to have. She shivers with anticipation and wonders what Khalid is feeling. At sunset, women arrive at the house with trays of food. People sing and dance. They call for the bride, and Asma is presented to the guests. Emigrant Issa drives her in a red Mercedes to his home in Muscat, the guests following in buses. Salima stays behind, as is tradition, and she remembers her own wedding day. After leaving the home of Shaykh Said aged 13, she spent “the loveliest years of her life” (137) in her maternal uncle’s home. Soon, Shaykh Said told her that she is set to marry Azzan, a “green and heedless boy” (137). Her mother and uncle did not approve of the marriage, so on the wedding day, Shaykh Said sent his men to forcibly collect Salima and threatened to drag her through the main falaj outside the building. A few hours later, she was Azzan’s bride. From then on, Salima had the nickname ‘the Bride of Falaj’.
London asks Abdallah why her “grandmother died bewitched” (138). It was a sickness no one could explain, he tells her. As a doctor, London wants to find out more. She fell ill two weeks after Abdallah was born; her “skin turned blue and her pupils contracted” (138). London worries that the symptoms resemble poisoning; Salima once told her that many poisonous plants grow around al-Awafi. That night, Abdallah cannot sleep. He wonders whether he will ever know the truth.
As Asma gets married, Azzan is with Najiya. He stares into her face and recites poetry. She recognizes the poet and they talk about the poem. Azzan recalls a story about his mentor, Judge Yusuf. Eventually, Najiya asks whether Azzan is “happy and comfortable” (141). They fall into silence and Azzan remembers the words of Judge Yusuf. He shivers and Najiya asks him what the matter is. Azzan announces that he “must go” (142), and he leaves. He implores to Judge Yusuf that his “heart’s been snatched away and it sits high in the eagle’s nest” (142), so much so that he “cannot see anything” (142).
Zarifa told Abdallah that, as a baby, he “cried endlessly” (143). She had been assigned to raise him and sometimes she “packed [his] nose with snuff” (143) to make him sleep. She practiced many folk remedies for Abdallah’s various ailments. She would recount all of it, how she raised Abdallah “until the coming of The Great Anger” (143), which was a big argument between Zarifa and Abdallah’s father. Abdallah never learned why they argued, but Abdallah punished Zarifa by forcing her to wed Habib, “the most eccentric and aggressive slave” (143).
The buses from Asma’s wedding return to the village just before dawn. While others are exhausted, Mayya is wide awake, thinking about Khawla’s constant prayers to reunite with Nasir. Everyone but Khawla knows he is not going to return. Mayya holds London close, wondering whether London will be happy. Almost 20 years later, London will be dissolving a marriage contract and processing difficult emotions, “certain that she would never again be that person she had been before” (144). Putting Ahmad behind her will be difficult for London. She imagines her heart as a triangle, shaking under the attack of her memories and emotions. Her life is not like a film or book, in which the heroine can simply forget someone.
Returning from Asma’s wedding, Zarifa is in “a state of collapse” (146). Merchant Sulayman is waiting for her. Though exhausted, she “gave him what he wanted” (146). While he falls asleep immediately, she is kept awake by a “sense of unease” (146). She no longer takes pleasure from weddings. She remembers her mother, a medium who had been the zar’s Big Mama and helped to organize the exorcisms of the jinni. No one could stop Zarifa from attending the ceremonies. When Habib leaves, she thinks she is relieved, but he leaves Sanjar behind, who seems so much like his father. Still awake at dawn, Zarifa thinks about the grandmother she had never known, who died during childbirth. Her ancestors had been captured by slavers, even though slavery was ostensibly outlawed by the British. They were taken from Kenya to Zanzibar and then Oman. During the first leg of the journey, 60 slaves died. Their bodies were thrown overboard. Eventually, Ankabuta’s father was traded around Oman until she ended up in the home of Shayhk Said, then barely 16-years-old.
Asma and Khalid discuss poetry on their wedding night. He tells her that he fell in love with her at first sight. Before long, Asma begin realizes that Khalid might not be her ideal match. Khalid, she discovers, “knew exactly what he wanted and now he was getting everything he needed” (150). Asma is part of this, as she “fit his needs perfectly” (150); she has the profile to slot easily into his ideal life. Part of this is his encouraging her to pursue her education and then a career, as “her mature skills and accomplishments would advance his social status” (151). Asma absorbs this revelation “calmly and methodically” (151) and Khalid comes to love her “in his own fashion” (151). His affection is fleeting; sometimes, he can be distant for hours, days, weeks, and even months. Still, she loves him with “a startling, inexplicable thirst” (151). She learns to make peace with “Khalid’s art and self-absorption” (152). Eventually, they have 14 children together.
Abdallah remembers 1986, when his father first suffered a heart attack. He died in 1992. For six years, Abdallah lived “in constant terror at the thought of [his] father’s death” (153). At first, he was too angry to sleep. They took the body back to al-Awafi, where Abdallah heard Zarifa screaming in lament. Azzan instructed Abdallah on how to wash and prepare his father’s body. The body was buried. Back at the house, people gave their condolences to Abdallah. Coffee was served. In his memories of the time, Abdallah imagines his father’s body beginning to come alive once again.
Chapters 31-45 focus largely on the marriage of Asma to Khalid, son of Emigrant Issa. The wedding carries an important symbolic weight; of the three daughters, Asma is the one with the most idealized and romantic conception of marriage as an institution, though she is also the most well-read and the most cynical. While Mayya is married in order to have a child (and thus a vehicle through which she can vicariously prove her worth), and Khawla pines for a man who will likely never return, Asma has her own concerns. Poetry has told Asma that marriage should be a search for a soul mate, while her recent encounters with baby London have stirred her own maternal instincts. Though Asma’s engagement seems unexpected, she has known Khalid for some time and appreciates his skills as an artist. He is the ideal man to help her realize her vision of what marriage is meant to be.
However, there are differences between marriage as Asma had envisioned it and the realities of her marriage. Khalid is not like most of the men in Asma’s life. He is educated and a skilled artist. While she wants to love him, he regards her as little more than an ornament (at least at first). Khalid objectifies Asma, considering her an adornment to his own reputation. He can show off her intelligence, promoting her like a line of his resume that justifies his taste. Asma’s poems never mentioned such a marriage, but over time, Khalid and Asma develop real affection for one another. She learns to deal with the sudden emotional withdrawals which can strike Khalid, and he learns to appreciate Asma in her own right, especially once they have children. Projecting forward into the future, the narrative reveals that the two enjoy a long and happy marriage, complete with 14 children. It seems to be exactly the kind of marriage Asma had always wanted.
Asma’s marriage is not the only one depicted in the above chapters. Asma’s ultimately rewarding marriage is compared and contrasted with the other relationships depicted in the book. In the past, for instance, there is Salima, who was kidnapped and forced to marry Azzan. The circumstances of her wedding even led to an unfortunate, mocking nickname. There is also Zarifa who, as a slave, had little choice about who she married. When she fought with her master, he forcibly married her to Habib. Much her junior, Habib had a reputation as a disruptive and aggressive man. In both instances, the woman has little control over her circumstances, while in Zarifa’s case, marriage is explicitly used as a form of punishment.
There are also contrasts with future events concerning marriage. Abdallah recounts the disintegration of London’s marriage: after her fiancé beats her, she seeks a dissolution of the marriage contract. Such a move seems impossible in previous generations, when domestic violence was normalized, but it demonstrates that the idealized version of marriage is not necessarily a product of its time. Instead, all marriages and relationships are prone to disaster, tragedy, and—occasionally—love.