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Following his encounter with Don José, the narrator travels on to Cordova where he examines the manuscripts held at a convent of Dominican monks. He explores the town during the evenings, and partakes in the popular pastime of watching the women of the town bathe in the river from atop a quay. The women assemble on the riverbanks and wait until the toll of a church bell sounds to mark nightfall before stripping. This way, the observers are never able to discern more than the barest shapes and outlines as the women complete their ablutions. The narrator heard tell that a former bell ringer was once bribed to ring the church bell early, before dusk had truly fallen, prompting the women to bathe in full view of the men atop the pier. In the narrator’s time, however, the bellringer is known to be incorruptible.
One evening as the narrator is smoking on the quay, he notes a beautiful woman he would soon learn to be Carmen sitting nearby. He extinguishes his cigar out of courtesy, but she tells him there’s no need as she enjoys the smell of tobacco and smokes herself when she can procure her preferred type. The narrator is able to provide her with one such cigarette, and they settle into companionable conversation. He introduces himself as French, and invites her to join him at a café to eat ice together. He also impresses her with his repeater, an expensive pocket watch equipped with a complicated mechanism capable of sounding out the time so as to allow the watch to be read in low light.
She tells him that she is Roma and named “Carmencita,” a diminutive version of Carmen, and offers to read his fortune. The narrator used to dabble in sorcery during his university days, and retains an interest in the supernatural, and so agrees. They head first to the café, and the narrator privately analyzes Carmen’s looks through a racist and misogynistic lens, concluding that she is an unconventional but alluring beauty. Carmen again expresses interest in his gold repeater, and they leave the café for her lodgings so that the fortunetelling can be done privately.
Her home is a single, sparse room kept by a girl who leaves after Carmen speaks to her in Romanes. The narrator is impressed with Carmen’s skill as a fortune teller, but they are interrupted partway through the reading when a furious Don José bursts into the room. The narrator prepares to defend himself with a wooden stool as Don José and Carmen argue in Basque, a language the narrator can’t understand. The narrator is clearly the subject of their disagreement, and Carmen gestures several times in a way that clearly communicates her desire for Don José to murder the narrator. However Don José recognizes the narrator from their previous encounter and refuses to harm him, instead escorting him out of the house and directing him back toward the main town. The narrator is put out, particularly when he realizes upon undressing that his repeater is missing— presumably stolen by Carmen.
The narrator doesn’t return to Carmen’s residence or inform the police of the theft, instead leaving the town as soon as his work is complete. He spends several months traveling through Seville and Andalusia, but must then pass back through Cordova to return to Madrid. By this time, the narrator has conceived a dislike for the town, but must nonetheless stay several days there to complete his business.
When he returns to visits the Dominican convent, the monks are shocked and delighted to see him. His distinctive repeater had been found among other stolen items in the possession of a captured Don José, leading the monks to assume that the narrator had been robbed and murdered by the bandit. The monks insist that he accompany Father Martinez to the prison so that the Corregidor can return the repeater. The narrator protests that he’d rather lose it than give evidence condemning the thief, but the monk reassures him that Don José has already been sentenced to death for multiple counts of murder. Because he is of the nobility, Don José will be garroted rather than hanged, although the narrator notes that in the present day both nobles and commoners alike are now afforded the privilege of death by garotte.
The narrator visits Don José, whose execution is set for two days hence, and brings him a bundle of fine cigars. Don José thanks him but returns part of the gift, saying that he’ll not have the time to smoke them all. The narrator asks if he could get Don José’s sentence commuted by applying pressure to any of his own friends, or by bribing any of the involved officials, but Don José asks instead that the narrator pay to have a mass said for his soul, and the narrator agrees.
Don José asks somewhat tentatively if the narrator would arrange for a mass to be said for someone who had wronged the narrator. The narrator promises to do so, the implied recipient being Carmen, although he reassures Don José that there is no one in the country whom he considers to have wronged him. Finally, the narrator agrees to deliver a small silver pendant of Don José’s to an old woman, presumably his mother, in Navarre. He is to tell her that Don José has died, but nothing of the manner of his death. The narrator visits again the following day, and learns the full tale of Don José and Carmen’s entanglement as told in Chapter 3.
The second chapter can be examined in two parts. The first is the narrator’s encounter with Carmen and Don José’s intervention. The second is the narrator’s return to Cordova and his meeting with the condemned Don José in prison. The tone of the two sections is very different, as are the contexts and interactions between the two characters. It is likely that these two sections were separate episodes published individually in the initial serialized release. In the compiled novella they form a single chapter, creating more fluidity between the encounters.
The first part of this chapter introduces Carmen. Prior to the arrival of Don José, she is charming and engaging toward the narrator, with no indication of ill intent or violent tendencies. It is only upon Don José’s intervention that she begins advocating murder, showing the changeability and untrustworthiness of her character. The mood immediately and dramatically shifts for the worse upon Don José’s entrance, reflecting how the toxic and doomed romance between the two characters brings out the worst in both. It is evident there is discord in their relationship, and a power struggle decides the narrator’s fate.
The novella explores Power Imbalances in Relationships and Society through the characters. Don José and Carmen struggle to maintain the upper hand. As the novella will show, if unintentionally, Don José holds the power as a white man. He has the power to imprison Carmen, and eventually, as her husband, to kill her. Carmen uses her attractiveness and cunning to take back power when she can, both from Don José and from other men in the novella. The text also portrays power imbalances through the narrator’s wealth, which contrasts with Carmen’s poverty. The narrator has power in society, which he suggests when offering to pressure authorities into commuting Don José’s sentence through bribes or influence. His privilege is encapsulated by the symbol of the repeater that so captivates Carmen.
This section of the novel continues to depict Exoticism and Racial Prejudice. Don José refuses to harm the narrator out of respect for the bond of hospitality and gratitude established in the prior chapter, while Carmen feels no such compunctions. This illustrates the difference between Don José’s system of honor as a Basque Spaniard and Carmen’s lack of honor as Roma. The narrator others Carmen by painstakingly describing her physical appearance and attributes, rather than seeing her as a whole person. The novella also exoticizes Carmen by associating her with witchcraft, the devil, and the supernatural.