49 pages • 1 hour read
Colm TóibínA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
For much of Brooklyn, Eilis battles feelings of homesickness as she begins a new life away from her family. Her homesickness often manifests in intense feelings of sadness as well as a physical feeling of loss as she realizes how alone she is in the city. In Part 1, as Eilis prepares to depart for Brooklyn, her brother Jack mentions his own experience with homesickness when he moved to Birmingham, and Eilis wonders why he kept it a secret: “His saying that at the beginning he would have done anything to go home was strange. It struck her that he might have told no one [...] she thought how lonely that might have been for him” (40). Jack admits to Eilis that he felt intense loneliness and could only think of going home, and yet, from her point of view, his communications to home paint a different picture. She wonders why he never mentioned the homesickness and whether he suffered through it alone. His warning to her about it foreshadows her own battle with homesickness and her unwillingness to write home about it and worry her family.
The new world of Brooklyn is at first exciting to Eilis, and she revels in her new independence. However, as her first year lengthens, she becomes weighed down by the ache of separation. Her memories of home and her family now come with a physical pain: “All this came to her like a terrible weight, and she felt for a second that she was going to cry. It was as though an ache in her chest was trying to force tears down her cheeks” (69). Eilis feels the physical pain of losing her family and home by moving to Brooklyn. Her homesickness is a despondency that she cannot emerge from, burdened with feelings of loss that keep her in the past instead of the present. She even compares the feeling to that of losing a family member, “how she felt when her father died and she watched them closing the coffin, the feeling that he would never see the world again and she would never be able to talk to him again” (69). Leaving Ireland means leaving behind an entire world and everyone she loves in that world, and in this way it is like a death.
Eilis’ homesickness worsens to the point that it impacts her job performance and attracts the attention of Father Flood. Through bookkeeping classes, Eilis is able to recover and keep the feelings at bay, but even in her relationship with Tony, she is aware of the feeling creeping back in: “His saying that he loved her and his expecting a reply frightened her, made her feel that she would have to accept that this was the only life she was going to have, a life spent away from home” (149). Eilis’s feelings towards Tony are often unstable because of her recognition that a commitment to him is a commitment to a life away from her family and home. This kind of life will certainly be accompanied by bouts of homesickness and thoughts of split identities. She realizes that in choosing where to live her life, she is also choosing who to be—if she were to return to Ireland permanently, she would be a different person than she will be in Brooklyn. The feelings of homesickness are so powerful and severe, that they influence her perception of the relationship with Tony and make her factor these feelings into her decision to commit to him. A cure for homesickness is to return home, but to stay with Tony is to never do so.
Throughout Brooklyn, Eilis encounters many cultural differences between her life in the US and her life in Ireland. Eilis first notices this in the ways in which Mrs. Kehoe runs her boardinghouse: “What she loved most about America, Eilis thought on these mornings, was how the heating was kept on all night [...] The air was like toast, she said, even on winter mornings” (84). Keeping the heat on overnight—a choice that would seem wasteful in the economically straitened context of rural Ireland—represents much more to Eilis than the difference in temperature. It stands for a sense of abundance that feels liberating to her.
The differences she sees in the boardinghouse and at Bartocci’s are further explored during her nights out. Eilis’s social life, both in Brooklyn and in Enniscorthy, revolves around the weekly dances. In Brooklyn, these dances are put on by Father Flood to raise money for the parish, and when she attends, she immediately notices a stark difference from those she attends at home: “The dancers moved slowly, and they appeared to Eilis, in how they responded to the music, more elegant than the dancers at home. As the rhythms grew slower, she was surprised at how close some of them danced” (113). These dances are Eilis’s primary opportunity for social interaction and romance, and the style of dancing she sees here is emblematic of the greater social freedom she sees in America.
Eilis’s return to Enniscorthy cements her understanding of the cultural differences between the US and Ireland and forces her to reckon with how her time in Brooklyn has changed her. She returns home with new clothes, a tan, and a new confidence born of her exciting and challenging experiences. These combine to draw attention to her:
She noticed a woman studying her dress and her stockings and her shoes and then her tanned skin, and she realized with amusement as she moved towards Nancy’s house that she must look glamorous in these streets (216-17).
Eilis draws the attention of townspeople because she comes back a changed person, with the cultural impact of Brooklyn apparent in her presentation.
In addition to consistently feeling the weight of homesickness, Eilis must also often confront the pressures of her family’s expectations. At times, these expectations can be a positive force in her life, propelling her growth. As the youngest daughter in her family, she looks to her mother and sister for approval: “Eilis knew as she made her way home that her mother would indeed be happy that she had found some way of making money of her own, but that Rose would think working behind the counter of a grocery shop was not good enough for her” (7). At the beginning of Brooklyn, Eilis begins to gain more independence by starting a small job at Miss Kelly’s store, but she knows that Rose believes she can do much better. Rose’s expectation that Eilis should work in an office and not in a grocery store leads her to plan Eilis’s departure to Brooklyn for a better employment opportunity. It is the beliefs of her family, and not Eilis’s own wishes that propel her across the Atlantic.
Familial expectations follow Eilis to Brooklyn and begin exerting their influence in parts of Eilis’s life that do not concern her employment. Being so far from home, Eilis hesitates to write to her family about Tony, worried about their reaction. Her hesitation to share everything about him is directly linked to how she believes her sister will react: “When Rose replied to her, she asked what he did for a living. Eilis had deliberately left this out of the letter because she knew that Rose would hope that she would go out with someone who had an office job, who worked in a bank or an insurance office” (145). Tony is a plumber, and Eilis expects Rose to disapprove of this as a career for Eilis’s partner. Eilis therefore leaves this information out of the letter she writes to Rose introducing Tony. Rose wants Eilis to have a comfortable and successful life and to settle into an elevated class of professionals. Eilis feels this pressure, and it conflicts at times with her feelings toward and commitment to Tony.
While familial expectations for much of the novel are concerned with Eilis’s career and love life, they become more serious and harder to evade in the aftermath of Rose’s death. When Rose dies and Eilis returns to Enniscorthy to spend some time with her mother, she realizes that Jack’s hints that she should come home to be with their mother are actually a reflection of her mother’s wish for her to stay permanently: “And in her own letters, as in Eilis’s, she wanted it emphasized that, since Eilis was home, she had plenty of company and needed no more visitors” (215). Eilis’s mother makes it known in town that Eilis is back and does her best to not only ignore Eilis’s life in Brooklyn, but to also convince her to stay. Her hints, such as those in the letters, telling people that she needs no one because she has Eilis, demonstrate to Eilis that with Rose’s death, the responsibility to look after their mother falls to her. Her mother expects her to stay in Enniscorthy now and live with her, but Eilis, pulled back to Brooklyn for Tony, struggles to accept this. She struggles with an inner conflict spurred on by the expectations of different family members, as Rose wanted her to start a new life in America while her mother expects her to remain in Enniscorthy, creating intense personal turmoil for Eilis.
By Colm Tóibín
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