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One of the most important themes in this novel is that of following your own path and pursuing your dreams. At 14 years of age, Tao is on the cusp of manhood and is realizing he will likely never be able to achieve his dreams within the hierarchy of his clan. When Kala tells him the story of his birth and orphaning, Tao accepts that he must strike out on his own if he is going to live the life he wants for himself. He tells Kala, “I am happy now […] If I cannot be a Chosen One, I will live away from the clan […] I will be a man in my own way” (49). Despite his disability, Tao believes in his own strength and abilities. He values his dreams and is willing to step outside of the confines of society to pursue them.
Importantly, Tao thrives on his own. His instincts serve him well. For example, Tao adopts Ram as a companion because he sees the wolf dog as loyal and helpful, despite his clan’s dictate that wolf dogs should be avoided and killed. In stepping away from these beliefs and following his own, Tao gains an important relationship in his life as well as an enhanced ability to navigate and survive his environment. His pursuit of his artistic dreams pays off too as Graybeard recognizes his strength and passion and is moved to teach him.
The hero figures of this novel all exist on the outskirts of their society and follow their own paths and moral codes. Tao, the protagonist, is the most obvious example of this, but the trait is also seen in Graybeard and Kala. Tao’s adoptive mother, Kala, rescues orphaned and abandoned children despite the disapproval of the elders. Graybeard’s nomadic lifestyle shows a more literal form of following your own path; the shaman travels a circuit from clan to clan, serving the needs of the people, healing those he can, and bringing hope and spiritual relief. When Tao and Graybeard’s paths intersect, Graybeard chooses to splinter further from the mores he’s been respectful of and teaches the young man in whom he sees so much potential.
The decisions of these three characters to step outside of the boundaries of their society bring the novel to its happy conclusion. Tao is well-equipped to serve the peoples of his area in the wake of Graybeard’s death, but he would not be able to do so without the choices made by his mother, Kala, and Graybeard. Tao’s path led him into fertile hunting grounds that provided for his clan, into training to perform the sacred rituals of his people, and into new ways of being that will benefit the communities he now serves. The Valley People, for example, will likely be more successful hunters with the help of the wolf dogs. Tao’s innate artistic abilities and training will fill the hunters with confidence. Tao’s dreams were deemed as impossible by everyone in the beginning of the book, but he believes in himself, follows his passions, and finds himself exactly where he hoped to be at the end of the novel.
Boy of the Painted Cave draws a stark contrast between characters who are capable of independent thought and those who are not. This is seen clearly in the interactions and conflicts between Tao and the clan’s leader, Volt, as well as the other hunters. The novel opens with the conclusion of a dispiriting, unsuccessful hunt that has the men returning nearly empty-handed to a hungry clan. As Tao quickly discovers, the hunters are limited in their territories by the clan’s superstition and fear of evil spirits. A fertile and abundant land, the Slough, lies nearby, but the people would rather go hungry than venture into an area that has been deemed cursed and taboo. As an independent thinker, Tao quickly recognizes that the clan’s fears are unfounded. If he adhered to the clan’s thoughts about the Slough, he would likely have starved in his cave or had to return and beg re-admission to the clan. Instead, he thinks for himself and makes use of the Slough, sustaining himself, Ram, Kala, and the rest of the clan.
The Slough is an important symbol of independent thought in the novel, as Tao reflects on the dissonance between what it has to offer and the way the clan views it. Before he enters for the first time, Tao reflects on the Slough’s reputation: “The elders said it was peopled by demons. The hunters never went there, and the women would not dig its roots or harvest its berries lest they become cursed by the evil spirits” (32). For a moment, Tao almost lets the taboo hold him back, but he follows his curiosity and forges onward. He finds plentiful food and natural resources and feels “a new lightness” (33). Tao’s acceptance of Ram demonstrates another instance in which is ability to think for himself. His clan’s taboos would have had him chase off or kill the wolf dog, but Tao’s capacity for independent thought allowed him to identify the wolf dog’s harmlessness and need for help. In helping Ram, he earned the wolf dog’s loyalty and a valuable companion in hunting. Several times, Ram helps defend Tao from larger, more dangerous animals.
Other characters in the novel also demonstrate the importance of thinking for yourself. Though Tao’s mother is dead throughout the book, Tao learns more about her through stories told by other people. She is represented as a person who loved to create, gave freely to others, and insisted on thinking for herself. Even her decision to keep Tao as a baby shows she thought for herself and refused to be restrained or manipulated by what others thought was right. Tao owes his life to her ability to think for herself. She saw innate value in him and held onto him with love and compassion. After she died, Volt decided that Tao would be placed in the wild to be eliminated by predators. Kala defied this order and saved Tao, showing that she, too, can think for herself. Volt, on the other hand, shows the dangers of not thinking for yourself. Volt’s strict, almost fanatical adherence to tradition and taboo leaves his people at risk of starving. Tao, having learned the benefits of hunting with wolf dogs, suggests the method to Volt. Volt’s response is, “We will have no evil wolf dogs at this camp! […] They are a curse of demons. We will hunt like men, not like evil spirits” (42). Tao knows there is no point asking these men to think for themselves so devoted are they to the idea of evil spirits. The clan suffers for these close-minded beliefs.
The theme of doing what you think is right works with the previous two themes and is a complex one. All the characters in the novel do what they believe is right; this includes Volt, but because Volt is not capable of thinking critically about his beliefs and way of life, his decisions often do more to harm the clan than to benefit it. This theme underscores the importance of the previous themes of thinking for yourself and following your own path because without the ability to think critically about what you are doing and why, your “right” decisions may cause more harm than good. Though Tao exemplifies this theme, it is interesting to consider Graybeard’s development within the theme as well. At their first meeting, Graybeard destroys Tao’s drawings. After more time spent with Tao, Graybeard says that he may continue making images but must destroy them. He rejects Tao’s initial request for lessons in painting, but after thinking overnight, Graybeard says that he will teach Tao. As the novel progresses, Graybeard teaches Tao more and more things, including sacred rituals and skills that Tao had not dreamed of learning. As Graybeard gets to know Tao, he becomes surer that Tao should be the next Chosen One. His hopes for Tao grow over the course of their friendship. He begins the relationship telling Tao, “You press too hard, boy […] you are not a Chosen One. I have already done more than I should” (88). By the end of the novel, however, Graybeard tells Tao, “I have trained you […] And I will give the word so that the clan people will know. You will make the spirits of the longhorns live in the Secret Cavern” (128). Graybeard knows that his actions are “wrong” in the laws of the clan, but he believes that breaking the taboos is the right thing to do.
Another important example of doing what you think is right is Tao’s decision to face Saxon rather than accept Kala’s help and escape in the night. Part of his decision is fueled by the consequences to Kala if he does flee; he says, “They would kill you for this,” and does not accept Kala’s reasoning that, “I am an old woman. You have many summers yet” (146). Even though Tao is very afraid and knows no one has survived facing Saxon, he says, “If I live, they will know I have spoken the truth. If I do not, then it does not matter” (146). Tao follows his own moral and ethical code when he decides to accept the fearful and unjust punishment of the clan. He knows he has done nothing wrong, but he values doing the right thing and chooses to stay and face Saxon rather than flee and prove the clan right.
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