40 pages • 1 hour read
Craig ThompsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Recalling memories is the basis of the novel as Craig reminisces on his life. He writes the novel as an adult looking back on his childhood and the experiences he had in these crucial time periods of his life. Memories are like dreams to Craig, and often he wonders if the things he remembers are even real: “that memory is so dreamlike—too eery and beautiful to be real” (538). Craig’s memories occur in three stages: his childhood, his adolescence, and his young adulthood after moving away from home. The memories that Craig has as a child influence the decisions he makes as a teenager, and all of these memories culminate to influence him for the rest of his life. Each holds a special significance for Craig, and each contributes to the person that he becomes.
Craig does not have a happy childhood. Although his memories are interspersed with brief periods of joy, most are shrouded in trauma, darkness, and neglect. Craig is bullied by everyone around him: his peers, his school and church teachers, his parents, and himself. Craig has deeply rooted feelings of guilt over the choices he made regarding his brother as a child: “I was a pathetic older brother. I neglected my protective role in dangerous situations” (18). He also feels guilt because of his religion. Craig hears from his parents and his church that he will be punished and sent to Hell if he does not live by the Bible’s word. Many of the things Craig takes interest in seem to contradict what he learns from the Bible, and it creates confusion in him. For instance, Craig draws a picture of a naked woman when he is on the verge of puberty, and his parents shame him. On top of this, his teacher publicly shames him when she finds a drawing he did of his bullies eating feces, telling him his mother and God would both “be disgusted with this” (28). Craig constantly clashes with the world around him, and the memories he forms in his childhood turn him into a hesitant, insecure, and guilt-ridden teenager.
Craig’s first love is a significant experience in his life, and this is evidenced by the fact that he chose to write an autobiographical graphic novel detailing his experiences with Raina. He represents his memories with Raina in an almost dreamlike fashion. Raina opens up an entirely new world to Craig, and the memories he forms with her are filled with love, innocent sexuality, and taking pleasure in the simplest things, like snow. Raina also teaches Craig about responsibility and family, which inspires him to reach out to his brother and begin rebuilding their bond upon his return. The quilt that Raina sews for Craig represents the many memories they share (“They’re all patterns that remind me of you” [183]), and because of this, when they break up, Craig is unable to fully part with it. Instead, he ties it up in a bag and puts it in the cubby hole. This is significant because it speaks to the impact this particular memory has on Craig’s development.
Years later, when Craig returns to revisit his memories, he views the blanket and his relationship with Raina in a whole new way. Evolved and matured, he comes to cherish his sacred memories with Raina, even sleeping with the quilt on that particularly cold night. By the end of the novel, Craig is a changed person. He takes a walk with his brother, and they discuss the nature of memory and how it is unreliable. Craig takes comfort in knowing that Phil shares the same childhood memories as he does. His memories continue to influence him, but he can look back on his experiences more objectively and learns to move on from the things that once held him back.
The central conflict of Blankets all takes place within Craig’s mind. Craig is raised in a strict and devout Christian household. He attends church regularly, believes everything he hears at Sunday school, and accepts the bullying and ostracization he experiences at school and church camp as punishments from God for his sins. As a child, Craig has little doubt in what he is taught, although he does question his Sunday school teacher one day when she tells him “[God]’s already drawn it for us” (138). He wants to reflect God’s beauty in his drawings, and he is told that doing so is selfish and unnecessary. By the time Craig is a teenager, he spirals into a state of total guilt and self-repression. He burns all of his drawings and retreats into himself to avoid any further temptation to sin. It is not until Craig is a young adult that he reconciles his religion and his passions.
Craig learns from everyone around him that the things he wants to do and the desires he has are inherently wrong. As a result, Craig lives in a state of constant fear and guilt. When he experiences these moments of deep guilt, he draws himself surrounded by apostles, sometimes Jesus as well, staring at him and judging him. Craig himself is cowering in a corner.
When Craig meets Raina, the lines between morality, chastity, and desire start to blur. First, she writes to him and inspires him to start drawing again because he has “found [his] muse” and “her words….cried for a response” (143). He feels a strong urge to be close to her physically, but his religion is screaming in his head that his urges are wrong. An image of Christ hangs on the wall in Raina’s room, and when he falls asleep with her on their first night, the image is drawn to show Jesus turned away, shaming and rejecting Craig. To add to his guilt, Craig was sexually abused by his babysitter as a child, and he associates sex with fear and trauma.
Over the two weeks he spends with Raina, he slowly begins to see religion and God differently. Eventually, the two make love and after that, Craig can no longer align biblical teachings with the life that he lives. He undergoes a period of deep soul searching and discovers that he still believes in God and the teachings of Jesus but is no longer Christian and does not adhere to the strict and mass-produced ideologies that it subscribes to. He comes to see the bible and Christ’s teachings as open for interpretation and takes great joy in knowing that many of the words in the bible are OR’s that can be taken multiple ways: “I like ‘OR’s. Doubt is reassuring” (563). The conflict within Craig between his religion and his passions is finally resolved.
The autobiographical experiences that Craig chronicles in Blankets shed light on what it means to be different in a world that demands conformity. From a very young age, Craig clashes with the world around him and the people in it. He only gets along with his brother Phil occasionally, he fears his parents, his teachers do not respect or like him, and his peers seem to outright reject him. They call him slurs, identifying him by his race, his skinny appearance, and his short stature. Furthermore, Craig is confused by the teachings of his Christian religion, which tell him that the things he draws are morally wrong. In his adolescence, Craig manages to find a group of friends he can relate to and even a girl he falls in love with. Despite this growth, he remains at conflict with his religion, his parents, and the rest of his peers. It is not until Craig is an adult that he accepts his place in the world as a unique person and no longer feels the need to conform or meet societal expectations.
A few key experiences in Craig’s adolescence propel his growth and cause the shift towards self-acceptance that he experiences as a young adult. First, Craig meets Raina at church camp. Raina is different from other teenagers, and Craig falls for her almost immediately. The more time he spends with Raina, the more his inhibitions loosen. Gradually, he opens himself up emotionally and physically to her because of her patient and understanding nature. Rather than rejecting Craig for his differences, Raina celebrates and embraces them. She asks him to paint a picture for her on her bedroom wall, and Craig is taken aback by the request. When Raina pushes Craig to open up physically, he realizes that “for once [he] was more than content being where [he] was” (432) and for once feels no guilt over his desires and actions.
By the time Craig reaches young adulthood, he loves himself and appreciates the unique perspectives and talents that he brings to the world. He relishes the idea of doubt and interpreting biblical teachings in multiple ways. He looks back on his relationship with Raina with absolute fondness and even dreams of having sex with her one cold night when he is wrapped in her blanket years later. He wakes up feeling like “the residual dream [was] more appealing than reality” (572) but ends his novel with a scene of himself happy and independent, noting “how satisfying it is to leave a mark on a blank surface” (581). Craig once saw himself as an outcast, a walking mistake, and as someone who had no chance of conforming to the will of God or of ever being loved by people. Because of the experiences he has in his youth and the sexual awakening he has with Raina, he no longer feels chained down by his differences but instead feels free because of them.