39 pages • 1 hour read
Transl. Seamus HeaneyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Riders go out into the countryside to tell the good news of Beowulf’s triumph, and many joyful guests come to Heorot. (The narrative is careful to tell us that no one held anything against Hrothgar for not achieving this victory, as he was still a good king.) Minstrels compose songs about Beowulf, and also sing a fitting old song about the legendary Sigemund, the dragon-slayer, whose feats were similar.
Hrothgar gives a speech thanking Beowulf and adopting him as an honorary son. Beowulf regrets that he couldn’t finish Grendel off, but assures the crowd that the monster is “hasped and hooped and hirpling with pain,/limping and looped in it” and will soon be dead (65). The guests admire Grendel’s dangling arm. The envious Unferth lurks, shamed, in the background.
Everyone sets to refurbishing Heorot, which was almost destroyed in the battle between Beowulf and Grendel. The people hang the hall with tapestries woven with golden thread and repair structural damage. At last, everyone gathers for a huge victory feast, and Hrothgar’s brother Hrothulf joins them. However, the narrator gives us a hint of future discord: “Inside Heorot/there was nothing but friendship. The Shielding nation/was not yet familiar with feud and betrayal” (67).
Beowulf is presented with gifts: golden flags and banners, armor, a beautiful sword, and fine horses. His men are also given treasures and gold in recompense for the life of their devoured comrade.
The minstrel performs the song of Hildeburh, a princess whose son and brother were killed in a fight with the Danes at the hall of her husband, the Frisian King Finn. In the song, the Finns eventually brokered a truce with the Danes, but the Danes grew resentful and eventually rebelled again, this time successfully. It’s a poem about war, allegiance, death, and eventual Danish triumph—all subjects close to the hearts of the hearers.
Queen Wealhtheow comes to where Hrothgar is sitting with Unferth (who, we learn in an aside, is under a cloud for killing his own brothers). Wealhtheow toasts Hrothgar and the Geats, and advises Hrothgar to consider where his deepest allegiances lie. She is gratified that his brother Hrothulf will take good care of their sons if Hrothgar dies before him.
The Queen presents Beowulf with even more gifts, and tells him that he will always be remembered. She asks him, as well, to be good to her sons. The feast ends, and the revelers retire to bed—the men fully armed and ready to fight at a moment’s notice, as is their custom.
It’s a good thing the men have gone to bed armed, because their monster troubles are not over. Grendel, it transpires, had a mother, and that mother is lurking at the bottom of their swamp, plotting revenge for her murdered son.
Like Grendel before her, she raids Heorot, and carries away both Hrothgar’s close friend Aeschere and Grendel’s severed arm. Beowulf, quartered elsewhere, isn’t around to help. In the morning, Hrothgar summons Beowulf and tells him that there have indeed been tales of two monsters roaming the countryside:
One of these things,
as far as anyone ever can discern,
looks like a woman;
the other, warped
in the shape of a man, moves beyond the pale
bigger than any man, an unnatural birth
called Grendel by the country people
in former days. They are fatherless creatures (95).
He goes on to explain that, in the dark of night, the waters of the swamp (or “mere”) where the monsters live burn and flicker. Go find that mere and defeat Grendel’s mother, Hrothgar tells Beowulf, and we will give you even more treasure.
Beowulf tells Hrothgar not to grieve, saying that revenge is better than mourning, and vows to kill Grendel’s mother right away. Beowulf, Hrothgar, and “a force of shield-bearers” ride out on her bloody trail (97). It isn’t long before they discover Aeschere’s severed head. Nearby they find the mere, seething with blood and swarming with horrible water-serpents. The monsters flee into the depths at the sound of the men’s battle-horn, though an archer manages to kill one of them and the warriors marvel at its grotesque body.
Beowulf suits up in elaborate armor, and arms himself with a sword lent to him by Unferth, of all people (though this means Unferth loses even more face for not taking on Grendel’s mother himself). This sword is Hrunting, and has its own storied history: It’s never lost a battle. Beowulf reminds Hrothgar of his promise to treat Beowulf like a son, and recites what is essentially his will: If Beowulf dies, Hrothgar should take care of Beowulf’s men, send his treasure-hoard to Hygelac, and give Unferth his own sword in recompense for Hrunting. Then, he dives into the mere.
It takes him a full day to reach the bottom. Grendel’s mother senses his approach and leaps out to seize him. Though his armor protects him from her claws, she manages to drag him into her lair, where a swarm of monsters attacks him all at once. He tries to fight them off with Hrunting, but finds that the sword can’t injure them. So, returning to his old strategy, he flings the sword aside and fights the monsters with his bare hands.
Grendel’s mother has no interest in a fair fight, and pounces on Beowulf with a knife. Again, his armor protects him. Looking around the lair, he spots a gigantic sword:
an ancient heirloom
from the days of the giants, an ideal weapon,
one that any warrior would envy,
but so huge and heavy of itself
only Beowulf could wield it in a battle (107-109).
This sword works: with one mighty swipe, he decapitates Grendel’s mother. With this foe defeated, Beowulf looks around the lair, spots Grendel’s dead body, and beheads it, too. Back on dry land, Beowulf’s friends see the waters surging and fear he’s been devoured.
Down in the lair, a strange light gleams, and the blade of Beowulf’s new sword begins to melt. He carries its hilt and Grendel’s head back to the surface, finding along the way that all the other monsters have dissipated at the death of Grendel’s mother. Beowulf’s friends are overjoyed to see him. They hoist Grendel’s head on a spear and take turns carrying it back to Heorot; it’s awfully heavy and unwieldy.
Beowulf and his companions haul Grendel’s head into Heorot, shocking the queen and the court. Beowulf tells Hrothgar of his deeds and presents him with the hilt of the huge sword. Hrothgar examines the hilt, which is engraved with the story of
how war first came into the world
and the flood destroyed the tribe of giants.
They suffered a terrible severance from the Lord;
the Almighty made the waters rise,
and drowned them in the deluge for retribution” (117).
Hrothgar praises Beowulf, comparing him favorably to King Heremod, a bloodthirsty king who killed his own allies and (worst of all) “gave no more rings/to honour the Danes” (119). He then gives Beowulf an extended piece of advice on power, reminding him that it’s easy for strong men to forget that all their gifts come from God, and can easily be taken away—a fate that especially befalls those who fall victim to their own pride. Hrothgar gives his own successful but monster-troubled reign as an example of the vagaries of life. Beowulf and all of Heorot feast and retire. The next day, Beowulf orders Hrunting to be returned to Unferth, making no mention of the fact that it didn’t do him any good: he was, the poem tells us, “a considerate man” (125).
Beowulf and the Geats prepare to return to their own land. Beowulf makes a speech thanking Hrothgar for his kindness and swearing his ongoing allegiance, as well as offering help with any other monster problems that might pop up. Hrothgar replies that Beowulf is a great man, worthy to be the King of the Geats himself if Hygelac happens to die young. The two men embrace, and Hrothgar bursts into tears under a sudden premonition: “nevermore would they meet each other/face to face” (129). After this affectionate farewell, Beowulf and his men sail their treasure-loaded ship back to Hygelac’s stronghold.
Hygelac and his queen Hygd welcome Beowulf and his men home. The poem’s speaker tells us that Hygd was a particularly good and generous queen, and tells the counter-story of Queen Modthryth, who used to gorily execute any man who looked her in the eye. However, she mellowed out after her marriage to Offa, and later became a good queen through her devotion to him.
Hygelac throws the customary feast to welcome Beowulf, and asks him to tell the story of his adventures. Beowulf talks about the pleasure and friendship he found at Heorot, mentioning Hrothgar’s daughter Freawaru, who’s going to be married to Ingeld, a member of the Heathobard clan. While this is a marriage intended to heal an old feud, Beowulf worries that it won’t be enough to patch up the sense of injury.
He goes on to vividly picture the scene of such a marriage, imagining old warriors reminded of the past stirring up trouble until a fight breaks out and Ingeld’s love for Freawaru sours. He does not totally trust the Heathobards’ intentions towards the Danes.
Returning to his own story, he retells his victories over Grendel and Grendel’s mother, adding a few vivid details we haven’t heard before, like that Grendel kept “a roomy pouch,/a strange accoutrement, intricately strung/and hung at the ready, a rare patchwork/of devilishly fitted dragon-skins” in which to carry away his prey (143). He then presents Hygelac and Hygd with all the treasure Hrothgar gave him. The armor is especially meaningful: It had belonged to Hrothgar’s older brother.
The poet praises Beowulf’s correct behavior, and delivers the surprising information that the Geats had previously not esteemed Beowulf much, considering him a bit of a weakling. Now, this mistaken impression has been rectified. Hygelac presents Beowulf with more treasure, land, a hall of his own, and a throne.
This second section of the poem dives deeper into questions of social order and allegiance. We see how the warrior clans hold themselves together, and how they’re threatened from within.
Many of the events of these pages center on allegiance and feud. Grendel’s mother—a creature so defined by her own blood allegiance that she has no name of her own—symbolizes these issues. Her gory revenge against her son’s killers echoes the poem’s many hints of other vengeful violence to come. Grendel’s mother, like Grendel himself, reveals both a very human ugliness and a cultural fear.
Grendel’s mother is also an image of monstrous womanhood. In this world, safe femininity—like Wealhtheow’s—sustains social bonds, while dangerous femininity can rip the world apart. The tale of the bloody queen who’s civilized by the love of a good husband represents this culture’s desired solution to this problem: the submission of the female to the male. However, Grendel’s mother’s grievance is not so easily subdued, and it’s the very energy that starts anarchic blood feuds between clans.
This section also delves into the importance of storytelling. Its many poems-within-the-poem provide examples of virtue and vice and foreshadow the eventual demise of both Hrothgar’s and Beowulf’s kingdoms through the kind of violence embodied in Grendel’s mother. Storytelling’s engagement with the past gives it the power to predict the future.
Minstrels and poets hold an honored position in this culture: they capture, reflect, and preserve the values and the histories that make these people who they are. The modern reader may reflect that storytelling does indeed have this power: we are hearing these ancient stories within an ancient story 1000 years after their composition.
Finally, it’s worth considering Beowulf’s persistent trouble with swords. He can’t seem to keep one, and when he does, it gives out on him—as when the blade of the giant sword melts after he uses it. The poet explains that Beowulf is too powerful for his weapons, and breaks them with his strength. However, this is only part of the picture.
The swords are images of human skill and ingenuity, and Beowulf’s power transcends the merely human. This is precisely his danger. When Hrothgar gives him advice, he warns Beowulf that a man so richly favored by God can easily forget that his powers come from God and not from himself.
In spite of all the pagan trappings, this is a very Christian view of sin: Pride, envy, and wrath endanger the stability of this world. The copious foreshadowing suggests that those dangers will not remain dormant.