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50 pages 1 hour read

Henry Winkler

Being Henry: The Fonz . . . and Beyond

Nonfiction | Autobiography / Memoir | Adult | Published in 2023

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Chapters 4-6Chapter Summaries & Analyses

Chapter 4 Summary

Winkler names the woman at the boutique. Her name is Stacey Furstman Weitzman, and she would eventually become his wife of over 40 years. He has Stacey describe her life when she met him. She was a divorced single mother to a four-year-old boy named Jed and worked as an assistant to a publicist named Joan Luther. As the daughter of a renowned and affluent dentist, she was comfortable with famous people. Her friend Joseph Magnin started his own boutique, the one she was in when she met Winkler, and encouraged her to start her own publishing company.

Stacey liked Winkler when she met him. She found him kind and lively, and agreed to have soda with him. They quickly began bonding and he asked if she wanted to see his house. She accepted, and they started seeing each other more, with Winkler meeting Stacey’s son, Jed. They went on a date to see the film Walkabout together, which Winkler saw once before and enjoyed. Stacey was more familiar with Winkler’s fame when they arrived at the theater.

When they returned to her house, a man named Terry that Stacey was seeing before she met Henry appeared in the bushes. She turned him down. She says that she chose Henry because he was down-to-earth and gentlemanly; after the date, she wrote down that she was going to marry him.

Winkler writes that he befriended MGM development executive Lynn Arost and her psychiatrist husband Frank Dines. He worried about whether they would like Stacey, but they did, with the couples’ children being friends and Winkler and Stacey becoming the godparents of Lynn and Frank’s son.

During the filming of the fourth season of Happy Days, Winkler asked Ron how he was feeling about the show’s focus on Fonzie, as Richie Cunningham was supposed to be the main focus. Ron replied that he felt hurt and angered by ABC’s focus on Fonzie over the rest of the cast but was not angry at Winkler and didn’t blame him for it, especially because Winkler had not changed or become arrogant. They expressed their support for each other and their wish to uphold their friendship.

Winkler says their friendship remained strong over the years, with Winkler being the godfather of Ron’s daughter Bryce Dallas Howard, a successful actress. Winkler reflects on how he did not want to marry a woman with a child, but changed his mind when he met Stacey and got to know Jed. He soon became another parent to Jed and became attached to Stacey’s Yorkshire terriers Percy and Amanda. He remembers his Irish setter Dervin, who he had at the age of 10 until his parents gave her away to live on a farm.

Stacey states that their family kept a balance between working life and personal life. However, Stacey acknowledges that Henry’s acting was the top priority for him, and she accepted it.

Chapter 5 Summary

Winkler recalls attending a summer camp called Secor Lake. Campers were put in tribes and, if one had their shoulder tapped, they could not talk for a week. If caught talking four times, that camper could not join a tribe. Winkler says he was never able to join a tribe because he could not help but talk, especially because it was a way he dealt with his anxiety. He also attended a summer school in Switzerland called Lycée Jaccard. Although he did not learn French there as his father wanted, Winkler was grateful to be able to travel Europe.

Winkler had also learned how to waterski at his family’s country house upstate as a child and worked as a water-skiing instructor at a summer camp in Pennsylvania. When Winkler told Garry about this skill, Garry implemented it into an episode of Happy Days, with a stunt double of the Fonz water-skiing over a shark. Winkler says that the story arcs in the show were not always great. Later on, a college student named Sean Connolly would coin the phrase “jumping the shark” because he disliked that episode and felt that the show had passed its peak (74).

In the fifth season, at the behest of Garry’s then eight- or nine-year-old son Scott, the show introduced an alien named Mork from the planet Ork. They cast a young street comedian named Robin Williams, whom Winkler instantly knew would be a success. He and the audience found Williams’s performance hilarious, and his character would soon get his own spin-off show, Mork & Mindy. Winkler also attended one of Williams’s stand-ups with Stacey.

Winkler recalls his difficulties when being open with Stacey about his insecurities. In 1978, Winkler and Stacey married at his childhood synagogue and held the reception at the St. Regis. Winkler talks about film roles he took while working on Happy Days, such as the boyfriend of the titular protagonist in the 1975 film Katherine, which starred Sissy Spacek, and a 1977 film based on James Carabotsos’s autobiography, Heroes, which also starred Sally Field and Harrison Ford. He enjoyed filming those movies and remembers them fondly. However, he writes that while he was a natural playing Fonzie, it was clear in Heroes that he was trying to be that character and was not doing as well as he could have.

With the success of Heroes, Universal Studios sent Winkler on a publicity tour in Europe around the same time as his honeymoon with Stacey. A reporter from the National Enquirer had tried to get pictures of the couple and attempted to talk to Jed and Stacey’s parents on the flight, enraging Stacey. Winkler compromised, promising them pictures from Paris on the condition that they leave them alone for the rest of the trip and never try to engage with Jed again.

The honeymoon went well. Winkler was happy that the show was being aired in Europe and that Europe loved Fonzie. In London, Winkler saw the Royal Shakespeare Company and admired their acting. He recalls meeting highly esteemed thespian Sir Laurence Olivier and shaking his hand. He also remembers seeing the work of Olivier’s Marathon Man costar Dustin Hoffman, whose work Winkler found stunning.

Winkler concludes the chapter with a story of Ron Howard expressing his desire to direct, which Winkler supported. Howard directed and acted in Grand Theft Auto, which was a Hollywood success, and directed Night Shift with Winkler and Michael Keaton.

Chapter 6 Summary

In early 1980, Winkler and Stacey learned they would have a baby, which was due in September. Shortly after, Winkler learned that he won a Telegatto award in Italy for Happy Days. He visited Italy with Stacey and loved it there. During the trip, he accidentally sat with his publicist in a woman’s suite. He learned that the woman was the daughter of his father’s employer Baron Von Gruedl and that she had lost her whole family in the Holocaust. Winkler called his father and had him talk to her.

On September 30, 1980, Winkler and Stacey’s daughter Zoe Emily Winkler was born. The family moved to a bigger house in Toluca Lake, where Henry continued to grow as a father to Jed and cultivated his lifelong love for plants and gardening. He adopted two new dogs, Waffles and Tootsie Annamarie, after Percy died and Amanda became older and more lethargic.

Winkler shares a story of receiving a call from a police officer in Indiana while working at Stage 19 on the Happy Days set. A frustrated and distressed 17-year-old actor was standing on a ledge and contemplating suicide. Winkler assured him he still had time to get his start and spoke to him until the boy changed his mind and the police officer got him safely off the ledge. CBS Entertainment head Bob Daly and Nancy, his wife at the time, invited Winkler and Stacey to attend a Christmas Party at McLaren Hall, which housed abandoned, neglected, and abused children. Visiting the children strongly impacted the couple.

Stacey and Nancy joined the children’s nonprofit organization United Friends of the Children (UFC). Their work led McLaren Hall to build a library and bring in computers for the children. Winkler started visiting children with disabilities at Rancho Los Amigos Hospital and attending events at the Special Olympics. Winkler also admired Bob Daly’s hard work getting to his position after growing up with a single mother and his humility after reaching success. The two have remained friends.

During the eighth season of Happy Days. Ron told Winkler he was leaving the show to become a full-time director. He felt that ABC did not care about or respect him. Henry understood this and supported his decision but felt sad and worried about who he and his character would connect with. The had Richie Cunningham leave for the army in the eighth season. Scott Baio joined the show in the fifth season as Charles “Chachi” Arcola and befriended Winkler. Their characters become friends on the show. Winkler admired Baio’s charisma, cooperative attitude, and humility, all of which he credits for the show lasting three more seasons after Ron’s departure.

Winkler talks about Ron casting him in his film Night Shift. He played the mild-mannered Chuck while Michael Keaton, then a mostly small-screen actor, was cast as his wild work partner Bill. This film led Ron Howard to direct more films.

Winkler shares the story of Ron Howard’s brief return in the final season of Happy Days. Richie Cunningham returns from the army and announces his decision to enter screenwriting. Winkler remembers crying both as Fonzie and himself when parting with Ron and his character for the last time. Winkler writes that Ron Howard made a name for himself outside the show. However, Winkler struggled to find work and an acting identity outside of the Fonz.

Chapters 4-6 Analysis

This section explores Winkler’s work on Happy Days and the growth of his relationship with Stacey. It follows a common pattern found in celebrity memoirs, in which the celebrity grows more in their work and develops their personal relationships and career. The narrative illustrates the growth of Winkler’s fame as the Fonz and both the positive and negative aspects in his life.

Winkler details significant changes and his growth as a person. Though at one point he couldn’t imagine marrying a woman with children, he married Stacey and became a father to her son Jed. Ron Howard’s leaving Happy Days sparked emotion. The section concludes with the end of an era: Winkler details his parting with Ron and the rest of the Happy Days cast in the finale. The section’s conclusion leaves things uncertain, with Winkler trying to find work and a career identity outside of the Fonz.

Winkler accomplishes multiple milestones on Happy Days, including “jumping the shark” (74). Many people see the latter as a shift in the show’s writing and plot, which some do not like and others find humorous. Winkler also achieves milestones in his personal life. He falls in love with Stacey, working to support her and their family while struggling to be intimate emotionally and navigate his lingering insecurities. The narrative develops Stacey, presenting her perspective. She and Jed become an additional support system for Winkler.

Navigating the Entertainment Industry continues to be a prevalent theme in the text. These chapters detail Ron Howard’s conflict with ABC and his anger with the network for neglecting his character. Winkler, in agreeing with and supporting him, characterizes himself as a caring friend rather than a fame-seeker. The section climaxes in Chapter 6, with Ron Howard leaving the show and becoming a full-time director.

Winkler struggled with type-casting. Not wanting to be overshadowed by the Fonz, he continued to attend most press interviews and public appearances as himself and pursued other acting roles while working on the show. Though he starred in other projects, he admitted that he struggled with other roles in a way he never did with the Fonz.

Winkler used his fame for good. When talking an adolescent actor out of dying by suicide, he used his communication and people skills. He also drew on his own vulnerability and experience of not getting his big break until he was 28. Winkler comes across as heroic, such as when describing how he worked with children with disabilities. He paints himself as a humble team player. For example, he relays his experiences with various actors and crew members in his work and marvels at the talent and work ethic of many of them.

The Importance of Self-Acceptance remains a key theme. The section ends with Winkler facing the end of Happy Days and a life beyond the Fonz. His anxieties continue to be an obstacle in both his personal and professional life. They limit his ability to be emotionally intimate with Stacey and get out of his own way.

The Fonz is a motif representing Winkler’s fame and public self. He is a beloved character that Winkler is a natural at playing and also a type to whom he does not want to be tethered to. After Happy Days ended, Winkler worried that he would never get the public to see him as anyone other than the Fonz, and that it would limit available roles. This was a key source of insecurity.

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