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88 pages 2 hours read

Pam Muñoz Ryan

Becoming Naomi Leon

Fiction | Novel | Middle Grade | Published in 2004

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Themes

Self-Identity, Belonging, and Becoming

For Naomi León, finding her sense of identity is navigated through themes of becoming and belonging. Naomi’s character development, plot development, and dialogue are used to explore this theme.

Blanca Paloma’s arrival catalyzes Naomi’s personal development. Her questions awaken Naomi’s search for identity and challenge her assumptions about who she is. When Naomi takes Blanca to eat with the other children in the library, Blanca comments that it’s like a school club. Naomi reveals her lack of self-esteem and sense of belonging when she internally observes, “I just thought it was where all the leftover kids ate” (57). Blanca also teaches Naomi the power of asking questions, which becomes one of the ways Naomi learns to use her voice and stand up for herself. When she learns that Naomi doesn’t know a lot about her mother and father Blanca says, “You should ask [...] ask lots of questions and you’ll get lots of answers” (55). On her first day, Blanca finds out more about the students who eat lunch in the library than Naomi has ever known. Naomi takes a mental note as she observes, “Blanca was right about asking lots of questions” (58).

Naomi doesn’t feel like she belongs at school because she is quiet and feels like an outsider—even among the outsider kids who eat in the library. Mr. Marble calls the library “The Sanctuary” (10) and Naomi adds it to her list of splendid words, but the safety and belonging that the word implies doesn’t occur to her until after her trip to Mexico. Mr. Marble welcomes Naomi back wholeheartedly and proclaims, “Now we have our little nest of library chicks all back in their usual places [...] All is right with the world” (241-42). His statement points to the chapter’s title, “A Brood of Chicks,” and to the sense of belonging that Naomi realizes has been there all along.

As the novel opens, Naomi lacks a sense of identity because she doesn’t know much about her parents, especially her father. Sometimes, she feels like she sticks out and doesn’t belong with Gram and Owen because she doesn’t look like “the Oklahoma lot” (11). Instead, Naomi “[takes] after the Mexican side of the family” (11). To resolve her questions about her identity, Naomi asks Gram questions about her mother and father, especially after she overhears her teacher saying things about her mother and father that she never knew. When Gram takes the children out later, Naomi pointedly asks: “What’s rehab and halfway house? Is Skyla sick? And what about our father? I thought he didn’t want us but he did!” (78). Both Naomi’s questions and the precarious situations caused by Skyla’s return prompt Gram’s honesty. Gram’s honesty emboldens Naomi, and she asks more questions. Blanca’s words have already had an impact. Blanca ended her conversation with Naomi about questions and family by saying, “you deserve to know about your own life right?” (55). Her classmate’s question fuels Naomi’s confidence to ask questions about her family.

When the family travels to Oaxaca, Naomi finds even more answers to her questions, which helps her to develop a greater sense of identity. Meeting her father’s aunt Teresa is one of many pivotal moments for Naomi. Her great aunt mainly speaks Zapotec, an Indigenous language. This information provides Naomi with more information about her cultural identity. Although they don’t speak the same language, Naomi feels the warmth and love emanating from her aunt. Teresa holds Naomi’s face in her hands and says, “she can see the face of [Naomi’s] father and [Naomi’s] face” (172). After their visit, she also learns that the animals she carves are like the ones her father makes, and Naomi swells with pride and joy.

Clothes play a symbolic role in Naomi’s search for identity, helping her to become her own individual and feel as though she belongs. When she attempts to connect with her mother, she wears the clothes Skyla bought for her, because she hopes it will make Skyla love her. In Mexico, Naomi leaves those clothes and that attitude behind. Before visiting Teresa, Naomi spends time in the mirror admiring “the Mexican girl looking back at [her]” (169). Gram purchased an outfit for her at a market in Oaxaca, and the clothes make Naomi look like one of the local girls. This self-image boosts her self-confidence and sense of cultural identity. She wears those clothes again on La Noche de los Rábanos, where she continues the León family tradition of participating in the contest for over 100 years. On the night of the celebration, her father laments that the family tradition has been broken as he missed a year because he didn’t participate. His pride is evident when he learns that Naomi was a part of the second-place winning team. Hearing her father express love and approval for her true identity bolsters Naomi’s self-esteem even further. Participating in a contest that her family has made a tradition for over a century makes Naomi feel like she belongs to a culture, tradition, and family that she enjoys.

Another aspect of Naomi’s self-identity requires her to find her voice as she begins to become her true self and feels as though she truly belongs. Several low moments for Naomi involve her inability to speak up. When Owen is bullied, she becomes angry with herself, thinking, “Why couldn’t I speak up and defend Owen or myself?” (68). She is also tongue-tied when Skyla forces her to thank Clive for the gifts they’ve received; she’s barely able to speak the words. Naomi’s soft voice and reticence come from the trauma she endured as a young girl; when the children first arrived at Gram’s, Naomi had selective mutism for two years.

Part of Naomi’s becoming requires her to push through paralyzing fear and speak her mind. Skyla’s abuse serves as a major catalyst: When Skyla tries to shun Owen and kidnap Naomi, Naomi’s finds her voice and says all the things she hadn’t been able to say to Skyla to defend herself and her brother from her mother’s abuse. She does the same in the court hearing. Faced with the threat of losing Gram and Owen, Naomi’s words spill over, and she gives the judge more than enough information to make a ruling in Gram’s favor. In the final pages, those closest to Naomi at school remark about her transformation by recognizing how she uses her voice. Mr. Marble remarks, “I can already tell you are a different girl since you went to Mexico. Before you were a mouse, but now you have the countenance of a lioness” (243). Naomi has become “Naomi the lion,” referencing the novel’s title and Blanca’s nickname for Naomi.

The Power of Positive Thinking

One of the first things readers learn about Gram is that she believes in the power of positive thinking. In Naomi’s words: “Gram said that when you thought positive, you could make things happen, and when it did happen, it was called self-prophecy” (6). Naomi struggles with Gram’s philosophy because she is a self-professed worrier. Throughout the novel, Naomi León learns to adopt Gram’s philosophy. In the process, Naomi learns that “self-prophecy” requires both positive thinking and bold action.

When Skyla arrives, both Naomi and Gram react in their typical ways. Naomi spends the first night after her mother’s return worrying. She describes her mental state: “the other part of me was wringing my hands like a contestant in the Worrywart Olympics” (25). Naomi and Owen realize Gram is a little worried too, when she leaves the trailer with rollers on her head and she and Fabiola miss watching Wheel of Fortune for the 744th night in a row. Despite her worries, Gram gives Skyla a chance. After Skyla skips the children’s conferences and leaves them at school for hours, Naomi questions why Gram let Skyla back into their lives. Gram reveals that she “hung her hat on the prospect that [Skyla] had pulled herself together” (79). After Skyla reveals her plans to take Naomi to Las Vegas, Gram realizes positive thinking might not be enough. She decides to take bolder actions to keep the family together: She takes Skyla to court, and after the meltdown, drives five days to Oaxaca, Mexico, in hopes of finding Santiago León.

Throughout the second half of the novel, Gram struggles to manage her worries about the bold actions she must take to keep the Outlaw children. Gram begins to worry more, and Naomi takes up positive thinking. She declares, “if finding my father was my only hope, then I was going to latch onto every positive, forward-thinking, universe-tilting notion to fulfill that prophecy” (137-38). On their first day in Oaxaca, Naomi notes a trickle of hesitation in Gram’s voice as if she were “trying to convince herself of her own cheerfulness” (152). Later, Gram openly shares her worries that Skyla might get custody of the children anyway because Gram may not have been above the law when she took them to Mexico. As days pass without finding Santiago, Gram crumbles, saying “practical matters seem to be closing in on [her]” (195). She tries to prepare Naomi for the “slim notion” that the children may have to go live with Skyla (195), but Naomi won’t hear of it. She shows that she’s become fully committed to positive thinking by confronting Gram with her own words: “it will not come to that [...] Let’s just plant that in our brains” (195).

In Oaxaca, Naomi adds bold action to her positive thinking. When the adults are out of hearing distance, she and her brother secretly make calls to every León listed in the phone book. Even though they get in some trouble, Naomi and the children are vindicated when a caller leads them to their father’s aunt Teresa. When Santiago finally appears, he runs to the aunt’s house, and she confirms her visit with his children. The revelation that they are looking for him and need his help encourages him to reunite with them. This sequence of events with positive outcomes and character development show that both positive thinking and bold action lead to “self prophecy.”

Family: Ideal Versus Reality

Although Naomi León lives a satisfying life with Gram and Owen, she still often wonders what life would be like if she had grown up with her mother and father. At the Spray ‘N Play, Naomi’s messy family history unfolds both in the present and through Gram’s recollections of the past. Looking out the window, Naomi watches a family walk down the street and wonders “would that have been us?” (76). Ryan highlights the idealistic nature of Naomi’s fantasy with the details: “a little boy perched on [the father’s] shoulders,” the girl in the stroller, “happily holding a stuffed doll” (76). The family laughs together and the parents pause to kiss. Naomi also keeps a list of the type of woman she hopes her mom would be. All three are idealistic fantasies of the perfect mother. One type serves as president of the PTA, and another “would visit [Naomi’s] class on Career Day and talk about her important job in a big office in San Diego” (40). The final archetype would greet the kids at the bus stop, “wearing a green-stained apron and holding a bouquet of flowers” (40).

When Naomi’s mother Skyla arrives, she is the antithesis to every ideal mother that Naomi imagines. She treats Naomi as she’s her new best friend: buying matching outfits, braiding hair, talking about makeup, and bragging about her new boyfriend, Clive. Skyla insists that the children never call her “mom,” and she makes it clear she doesn’t like or want to care for Owen. She vacillates between abusing the children and trying to win their love with gifts. Skyla shatters Naomi’s hopes for the perfect family even further when she reveals her ultimate plan is to split them up by taking Naomi to Las Vegas and leaving Owen behind. Skyla’s actions show Naomi what aspects of love and family are essential. By threatening to take away the people and places she holds most dear, Skyla forces Naomi to see the value in what she already has.

After Skyla’s disruption, the idealistic view of a nuclear family is dispelled by showing that Naomi León’s family includes people who take care of one another, create safe places together, and share their lives both in good times and bad. Fabiola, Bernardo, and their extended family in Oaxaca do all three with the Outlaws. To escape Skyla’s kidnapping attempt, the children run to the only other safe place they know: Fabiola and Bernardos’ house. Gram, Fabiola, and Bernardo have created a family-like atmosphere that makes the Outlaw children feel safe and loved for who they are. The safe home they created echoes when they travel to Mexico, where Fabiola’s sister, Flora, and her family host their impromptu visit for the holidays. To Naomi, Flora and Pedro’s home in Oaxaca feel exactly like their home in Lemon Tree. It’s modest, includes outdoor and indoor living spaces, and sits in the center of a lot filled with natural grass and tropical trees. The added wall around the property makes Naomi feel so safe that she audibly exhales with relief.

With her illusions about the perfect family shattered, Naomi faces reality with determination to find her father. While she maintains high hopes and still daydreams, her idea of acceptable reality still undergoes transformation in Oaxaca. Flora and her husband share their home with their daughter, Graciela, and Graciela’s son, Rubén. When Naomi notices that Rubén’s father is not around, she asks Graciela if she ever feels like she wants to, “leave Rubén with Flora and Pedro and go and look for your life?” (180). Graciela stops brushing Naomi’s hair and turns her around to look her in the eye. She responds, firmly and lovingly that the life she is trying to find is with her son, not despite him. In this tender and sensitive moment, the novel illustrates that a nontraditional family is just as valuable as any other family.

The children’s reunion with their father also creates a more loving reality of parenthood for Naomi. Santiago’s love, tenderness, and wisdom stand in stark contrast to Skyla’s disregard, disrespect, manipulation. It also contradicts the court’s normal ruling to award custody to the mother—as their father indicates his support for Gram, they’re given a fighting chance against Skyla’s plans. In the end, Gram wins full custody of the children in court. In her final reflection, the future that Naomi imagines reveals that she has learned to value the family has—past and present. When Skyla first arrived, Gram reminded the children that some things can be good and bad all at once. The family “unraveling” that Naomi describes in “A Rabble of Yesterdays” ultimately results in a larger, more closely knit family for the Outlaw children.

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