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56 pages 1 hour read

William Finnegan

Barbarian Days: A Surfing Life

Nonfiction | Autobiography / Memoir | Adult | Published in 2015

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Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary: “Off Diamond Head: Honolulu, 1966-1967”

Moving to Honolulu as an eighth grader, Finnegan found himself part of a disliked minority as an “haole,” or white person, at his new school in working-class Kaimuki. He was felt intimidated by his Hawaiian and Asian classmates and out of place as a newcomer with no friends at the school. Finnegan recalls being bullied by a classmate and not having the confidence to confront him. His parents assumed that the school would provide a good education, since the public schools in California, where the family had previously lived, were always adequate. Instead, Finnegan remembers how his new school days were “occupied almost entirely by the rigors of bullies, loneliness, fights, and finding my way […] in a racialized world” (3).

Despite his difficulty at school, Finnegan was thrilled to be in Hawaii and had high expectations about the surfing scene. He recalls surfing at the Cliffs for the first time, carefully watching how the locals approached the waves. Determined to surf twice a day, Finnegan would arrive at the beach at dawn, surprised by the roughness of the morning water compared to California. None of the other surfers bothered him, so he calls his surfing time “the opposite of [his] life at school” (8).

Meanwhile, at school Finnegan was consistently drawn into fights with his classmates, which he kept a secret from his teachers and parents. Over time he became friends with boys from the “In Crowd,” a racist gang of white boys; their friendship had a protective effect, and Finnegan was bullied less. At the Cliffs, Finnegan befriended Roddy Kaulukukui, a 13-year-old whose brother, Glenn, was Finnegan’s favorite surfer to watch.

Although Roddy went to the same school as him, Finnegan continued hanging out with the “In Crowd,” whose hobbies included vandalism, petty theft, and partying. Finnegan admired Roddy’s dad, Glenn Sr., a surfer who had taken on Waimea Bay, a particularly challenging beach that most surfers would never be skilled enough to try. Roddy, a native Hawaiian, believed in Hawaiian gods such as Pele, the goddess of fire. He helped Finnegan develop his surfing skills and better understand the different beaches and waves. The boys began trying to surf at Kaikoos, but Finnegan found it a bit too “gnarly” and dangerous. The author ponders how different surfing is from other sports, since surfers’ main goal is to ride waves, which they love, but they also must cope with the inherent dangers of being in the ocean. With each passing year, Finnegan was slightly more ambitious about what he might be able to achieve on the waves, and he continued to admire more experienced surfers.

The author recalls how the move to Hawaii benefited his family; he and his siblings fought less and generally loved their new environment. His father worked in the film industry and scouted locations across Hawaii. Finnegan recalls his father’s advice on how to defend himself against bullies and wonders if he’d been bullied as a child too. He describes his dad as “strong as a grizzly” (23), a fervent supporter of the labor movement, and an anti-racist. Meanwhile, his mother was a child of the Great Depression. She grew up in poverty in West Virginia and then lived in Los Angeles and New York. While she disliked Hawaii, finding it intellectually and socially unfulfilling, she was “game” for anything and didn’t complain. Finnegan’s parents knew little about his social life and considered him “Mr. Responsible.” As the eldest child in the family, he was often asked to babysit his younger siblings, which he resented. Finnegan soon became more accustomed to living in Hawaii and stopped comparing everything to his former “baseline” of Southern California and its “edgeless blandness” (27).

Finnegan recounts how, before the arrival of Europeans, Indigenous Hawaiians invented surfing, which wasn’t only a leisure activity but a spiritual ritual. Craftsmen made surfboards from koa or wiliwili trees, both considered sacred, and priests blessed waves before people rode them. Finnegan explains that since Indigenous Hawaiians successfully farmed on terraces, hunted, and made fish ponds, they had an abundance of food, elaborate harvest festivals, and copious free time to surf. All this changed with the arrival of Europeans; explorer Hiram Bingham described Indigenous Hawaiians in insulting terms and denigrated their surf culture, characterizing it as immodest, irreligious, and unproductive. The decimation of the native Hawaiian population because of European diseases, in conjunction with the growth of colonial industries such as sandalwood and sugar plantations, pushed the remaining Indigenous people into participating in a cash economy, which reduced their time and access to surf. Thus, surf culture collapsed and was kept alive only by a handful of native Hawaiians, such as Olympic medalist Duke Kahanamoku. By Finnegan’s childhood in the 1960s, surf culture had expanded into mainstream American culture as beachgoers adopted the sport in Hawaii and California, spurred on by improved mass surfboard manufacturing.

Finnegan attended a meeting of the “Southern Unit,” a surf club that Roddy and Glenn belonged to. Wanting to become a member himself, he volunteered to help the group fundraise door-to-door. Roddy and Finnegan began to socialize at school too, and over time the “In Crowd” kids easily dropped their racist ideas and began hanging out with Roddy and his brother Glenn. Finnegan developed a crush on Glenn’s girlfriend, Lisa, a 14-year-old at his school, and became closer friends with Ford, a local Japanese teen.

The author entered a surfing contest for boys under 14 at Diamond Head Cliffs, and placed second. Despite learning from Hawaiian surfers, Finnegan retained a lot of his “mainland style” of surfing. The author realized that his obsession with surfing made him feel that he was living a “clandestine life” that his family knew little about and that he’d become even more of a daredevil than his dad. His father was quick to leave his unhappy childhood behind and embrace adulthood, first in the Navy and then working on film sets. The author recalls his early childhood in Manhattan, where his dad worked several jobs. While his parents took him to Mass and Catechism, the author later learned that they didn’t strongly believe in Catholic theology, and he quickly stopped attending church when given the choice.

Finnegan felt that his life consisted of two opposing worlds: the land, or “society,” which included school and family life, and the ocean, which had cast an “enchantment” over him. His brother, Kevin, became interested in surfing, which thrilled Finnegan, but after a frightening accident and near drowning, Kevin never surfed again. The author recalls the tense social scene at his school, describing how one older teen, an outcast nicknamed Lurch, fought and choked Glenn until Ford punched Lurch, and all the surrounding kids, including the author, beat him up. After the fight, Lurch attended school irregularly, while Glenn ran away from home and became “wanted” by teachers and even police. Meanwhile, Ford gained the respect of his peers because of his brave and decisive action in the fight. Eventually, Glenn was found and sent to the Big Island to live with his aunties. His father, Glenn Sr., gave Roddy more responsibilities, with which Finnegan sometimes helped. This afforded him the opportunity to explore a new part of the island, and he ventured into rougher surf and had his first frightening experience.

The next year, Finnegan’s family moved back to California, where he kept surfing regularly at Ventura and Malibu before returning to Hawaii the year after. Upon his return, Finnegan sought out Roddy and was saddened to learn that he’d moved to Alaska after his father was transferred there as a part of his Navy work. Now surfing regularly at Waikiki, Finnegan was happy to run into Glenn and amazed at how he was now a “showstopper” of a surfer. Finnegan found that this busier surf scene was strongly influenced by the “summer of love” (54), including its new slang and music, as well as drugs such as LSD and pot. When a “punk” stole his surfboard, Finnegan asked for help from Cippy Cipriano, a tough kid who forwent his usual $5 fee to confront the thief. Finnegan’s parents decided to move the family back to California so that he could attend high school there rather than in the Hawaiian public school system. Frustratingly, Finnegan’s board was stolen, again, right before leaving Hawaii, and he quickly got to work doing odd jobs in California to save up for a new board.

Chapter 2 Summary: “Smell the Ocean: California, 1956-65”

The author looks further back in time, recalling how when he was very young, his family’s friends included the Beckets, who lived in Newport Beach with their six children. Finnegan loved staying with them and spending time at the beach paddle boarding and collecting clams and crabs. He remembers his friend Bill Becket as a quintessentially Californian, “aggressively relaxed” kid. Bill was constantly busy and had jobs baiting fishing hooks for fishermen and working at a raft rental stand. However, he lost the latter job when he used a slingshot to shoot a small rock at a tourist who kept his raft for too long. Finnegan enjoyed going to San Onofre, a small coastal town popular with surfers and other water hobbyists. San Onofre was the best surf spot for the surfboards available then, which were much heavier. The author learned to surf for the first time there via a “monkey see, monkey do” imitation (65).

Finnegan was ashamed to be merely a visitor to San Onofre, since he lived in an inland community called Woodland Hills, which he calls a collection of “smoggy subdivisions.” As liberals and supporters of the civil rights movement, his parents were in the minority in the neighborhood, which legally allowed homeowners to discriminate based on race; Finnegan’s elementary school had only white students. He enjoyed playing in the hills around his home, which were steep and wild. One of his neighbors, Steve Painter, was a few years older than Finnegan and encouraged his interest in hockey and surfing. As inlanders, the boys had little access to the beach but pored over surfing magazines and practiced their skills on skateboards. Finnegan relished practicing surfing and body surfing at Newport Beach and Will Rogers beach, remembering how “[w]aves were better than anything in books, better than movies, better even than a ride at Disneyland, because with them the charge of danger was uncontrived” (71).

On his 11th birthday, the author received a surfboard as a gift; although his arms weren’t long enough to reach around it, he was thrilled. His family bought a small second property in Ventura, and Finnegan spent weekends there learning to surf. He and his friend Rich would spend the whole day surfing in Ventura, where they still felt like outsiders in the local surf culture. The author explains that it can take years of observation to completely understand a certain beach’s waves, tides, and seasonal changes, and surfers must “read” the waves before they can ride them (75). This can be a challenge in a crowded surf environment where people compete to access the waves, though sometimes other surfers help out with signals. Doing this observational work with a friend was very helpful.

Finnegan lovingly maintained his first surfboard but upgraded to a new one when he was 13. His friend Rich attended a new school, and Finnegan stopped seeing him, instead hanging out with Domenic Mastrippolito, a surfer whose rebellious older brother encouraged other boys to fight. While Domenic was more popular than Finnegan, the author remembers how they connected deeply over surfing, becoming “inseparable for years” (80), even staying in touch after Finnegan moved to Hawaii.

The author reflects on how violence was a normal, daily part of his life growing up, in the forms of corporal punishment from his parents, physical punishments at school, and regular fights with other boys. He recalls how, as the eldest, he received the most physical punishments in his family before his parents changed their parenting after experts recommended against corporal punishment, changing American parenting over the course of the 1960s and 1970s. Finnegan didn’t think to complain about violent punishments or the expectation that he’d fight other boys. Surfing had a similar strain of machismo in that dangerous conditions presented a “test of nerve” (84). The author admits that these frightening experiences stand out strongly in his memory of his childhood: “Defeats, humiliations, craven avoidance—burnt into my memory so much more deeply, at least for me, than their opposites” (84).

Chapter 3 Summary: “The Shock of the New: California, 1968”

The author reflects on the “shortboard revolution” of the late 1960s. Popularized by Australian Bob McTavish and Americans Dick Brewer and George Greenough, shortboards were shorter, wider surfboards with a V-shaped bottom and two chine rails. These boards made tight turns easier and helped surfers accelerate more; they were soon popular in the surfing magazines at the time. The surfing subculture became associated with the antiwar movement; many prominent surfers dodged the draft and tried to go “underground” to avoid punishment. The author soon got his own shortboard and would skip family weekends to spend more time surfing with friends at Los Angeles beaches, which were better suited to shortboard surfing. Shortboard surfing required each surfer to have more room, creating “bedlam” on the beaches as surfers competed for access. The author enjoyed outcompeting other surfers for waves and riding barrel waves with his new Mini Feather shortboard. The barrel waves were much more dangerous to surf, and Finnegan remembers his board colliding with his friend’s board while inside a wave, leaving both in a tangled, broken mess.

The author recalls how the shortboard revolution made longboards seem inadequate and even socially embarrassing. Two of his friends intentionally broke theirs to try to claim insurance money to buy shortboards. Finnegan recalls that he didn’t consider this wrong, since his politics were informed by the widespread suspicion of government and policing, and he supported anything that seemed to go against the system, or “the Man.” He attended peace marches and canvassed door-to-door for a liberal mayoral candidate, only to be disappointed at his loss and about politics in general. Despite his liberal politics, Finnegan spent a lot of time with his friend Domenic, whose parents were very right-wing and ran a “loose” household with few rules and a rowdy crowd of friends coming and going.

The author’s father loved sailing and the ocean but was reluctant to fully embrace Finnegan’s obsession with surfing because of its anti-establishment reputation. Nevertheless, his parents had adopted a “laissez-faire” approach to parenting and allowed Finnegan to spend most of his time away from the family, surfing by himself or with friends. Finnegan’s parents rarely drank, but he often drank alcohol with Domenic and soon began experimenting with pot. Because of the easy access to marijuana, Finnegan introduced some of his friends to it, and pot use spread among their classmates. While Finnegan and his friends liked track and field and football, they disliked their conservative coaches and began to skip these sports in favor of surfing.

Chapters 1-3 Analysis

In his first chapters, the author introduces his love affair with surfing and the ocean. Finnegan’s descriptive language vividly portrays the water from his perspective as a young surfer in California and Hawaii. He describes his first experience catching a wave:

I remember looking to the side and seeing that the wave was not weakening, and looking ahead and seeing that my path was clear for a very long way, and then looking down and being transfixed by the rocky sea bottom streaming under my feet. The water was clear, slightly turquoise, shallow. (66)

The author describes the foreign experience of learning how to surf in the new environment of Hawaii, which differed from California. He recalls, “And now I was there, walking on actual Hawaiian sand (coarse, strange-smelling), tasting Hawaiian seawater (warm, strange-smelling), and paddling towards Hawaiian waves (small, dark-faced, windblown)” (4). The “giant” waves in Hawaii, much bigger than those in California, impressed the author, who describes their “shining walls of whitewater and spray” (42). Intertwined with his pursuit of surfing was his development of friendships and dealing with the cliquish pressures of school and society, introducing the theme of Surfing, Peer Pressure, and Bonding.

By relaying his early experiences with the ocean, Finnegan also introduces the theme of Surfing as a Coping Strategy, or how he came to view the ocean as a means of escaping from life’s pressures. He dichotomizes his childhood into the land and the ocean, noting that land included the obligations of family and the social and academic pressures of school. Land was “everything that was not surfing. Books, girls, school, my family, friends who did not surf. ‘Society,’ as I was learning to call it, and the exactions of Mr. Responsible” (40). Conversely, the ocean represented a sort of spiritual “enchantment” as he became infatuated by it like a “sunburnt pagan” (40). He writes, “But my utter absorption in surfing had no rational content. It simply compelled me; there was a deep mine of beauty and wonder in it. Beyond that, I could not have explained why I did it” (40). In addition to the allure of the ocean’s power and beauty, the author embraced the opportunity to escape from the stress and responsibilities of life on the land. He spent so much time on the water that he began to feel separate from his family. He remembers that he felt like “the odd one out,” writing, “My family, I thought, knew less and less about me. I had been leading a clandestine life, particularly since we moved to Hawaii. Much of that was down to surfing” (36-37).

In addition, the author examines the role of race and racism in his childhood. He recalls how his early childhood in an ethnically homogenous white neighborhood in southern California prompted his “unconscious whiteness.” When his family moved to racially diverse Hawaii, he experienced culture shock and was surprised to find himself an ethnic minority as an “haole,” or white person. By contrasting his childhood in white suburban California with that of diverse working-class Kaimuki, Finnegan emphasizes how socially alienated he felt at his new Hawaiian school. This helps convey why Finnegan began to socialize with what he admits was a “racist gang” of kids who offered him some protection from bullies. He later reflects on how his two friend groups eventually “integrated” without any trouble as the white kids of the “In Crowd” quickly accepted Roddy, Glenn, and Ford (31). He remembers, “They saw that my friends were cool guys—particularly, I think, Glenn—and, at least for gang purposes, just let the race thing go. It wasn’t worth the trouble. It was radioactive crap. Let’s party” (32).

The author’s historical explanations and descriptions of Honolulu illustrate how these racial tensions at his school reflected broader problems in Hawaiian society. Finnegan points to the roots of the conflict by explaining how European contact and colonial policies decimated the Indigenous Hawaiian population through disease and then stifled their culture by banning practices such as surfing. Even in Finnegan’s childhood, The Pacific Club still denied membership to people of color, a common form of discrimination across much of the US at the time. This context helps explain the negative attitudes toward white Hawaiians, such as the “unofficial holiday” of “Kill a Haole Day” (21). As he grew older the author became more aware of racist policies in the US and, like his parents, supported the civil rights movement. Their politics set them apart from many of their Californian neighbors and friends. He recalls, “Domenic’s mother, Clara, was an early devotee of right-wing talk radio, and she and I would have blistering arguments about civil rights, the war, Goldwater, communism” (92).

Finnegan remembers the significant cultural changes of the 1960s and the violence at the core of many of them. In addition, the author discusses the presence of violence in his childhood, from corporal punishment, bullying, and fighting to the looming threat of the Vietnam War draft when he came of age. He recalls how violence played a part in his home life and explains that over the course of the 1960s, many American parents began to regard physical punishment as harmful or unnecessary, and Finnegan’s parents phased out the practice with their younger children:

[B]eating children came to seem, at some point, to many people, including my parents, medieval. I liked to tell myself that the old-fashioned thrashings I got had been good for me, that they had made me tough, and I half-believed it […] But their behavior was, as I see it now, not a small part of the ambient, low-grade violence I lived in as a midcentury kid. (82)

At school, Finnegan experienced a different form of violence from bullies, such as the boy who tormented him at his new school in Hawaii. He explains, “I was too scared to say anything, and he never said a word to me […] He would sit behind me, and, whenever the teacher had his back turned, would hit me on the head with a two-by-four” (2). The broader culture was also immersed in violent struggles; Finnegan recalls Robert Kennedy’s assassination and the lengths young men went to, even “upending” their lives, to avoid being drafted into the Vietnam War. By describing the bullying, fighting, and punishments he experienced, as well as broader political problems and the war in Vietnam along with his political activism and support for ending the war, Finnegan emphasizes how violence played a significant role in shaping his experience of childhood as well as his views.

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