49 pages • 1 hour read
Jessica JohnsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mackenzie and her mother return home and unload their scavenged finds into the garage. Inside with the rest of the family, Mackenzie asks her mother if she would be willing to call Joli’s mother, Dianne. Mackenzie explains that she was in the middle of a call with Joli when Joli hung up. She was unable to get back in touch with her friend, and she was worried. Mackenzie’s mother calls Dianne, but the call goes straight to voicemail. There is a palpable tension in the room, but Mackenzie’s mother loudly exclaims that she is sure everything is fine. Still, she tells Mackenzie that she’ll reach out to one of Dianne’s friends on Facebook. Mackenzie then asks Kassidy about the night at the gravel pit when Tracey and Sabrina disappeared. Kassidy didn’t think much of the event, but upon further reflection, she recalls that the girls seemed shaken when they returned and that Tracey’s arms were covered in scratches. Mackenzie wonders what could have happened. She is sure now that there is more to the story.
Mackenzie goes online to research dreams, visions, and symbols in Cree tradition. She does not find anything particularly illuminating, but she does find out more about dreams from reading information on sleep cycles. She learns that dreams happen during rapid eye movement (REM) sleep, and she decides to set periodic alarms each night to disturb her REM cycle. She reasons that if she cannot dream, she will not have nightmares. She tries to sleep this way but ultimately finds it difficult and exhausting. At breakfast one morning, her aunties decide that the house is too somber, and someone suggests a trip to the lake. Mackenzie is vehemently opposed to returning to the site of her nightmares, and the family decides to go sing karaoke instead. Mackenzie doesn’t particularly want to do this either, but she agrees.
After dinner, everyone steps outside. Verna observes that a storm is coming. Mackenzie reflects that on the prairie, the weather is “honest.” The heat has been oppressive, and storm clouds are indeed beginning to gather. The women head to the Stardust bar for karaoke, and Mackenzie notices their easy rapport. Family, she thinks, can be so soothing. At the bar, the woman who runs karaoke night passes out slips of paper so that patrons can request songs. Mackenzie’s grandmother loved the Stardust, and Doreen worked here for a few months when Kassidy was young. Mackenzie is bone-tired from her interrupted sleep schedule, and the fatigue and her beer begin to go to her head. As she is talking with Tracey, she begins to feel faint. Before she can get outside for some air, she passes out.
While she is unconscious, she again dreams of the gravel pit. Sabrina and Tracey return from the woods silent, scratched up, and with torn clothing. Sabrina again admonishes Mackenzie for not going into the woods after her. Mackenzie tries to explain that they’d looked for the girls and shouted, but Sabrina’s eyes are angry and piercing. Mackenzie notices that her shirt is torn and bloody. There is a wound near her collarbone that is bleeding. This is the same injury she’d seen in a photograph, but her mother and Tracey claimed not to be able to see (they were sure it was an imperfection in the photo) or identify it. When Mackenzie wakes, she is outside of the Stardust. Her family is gathered around. In her hands, she is clutching a bloody piece of flannel, Sabrina’s shirt. It does not disappear when she blinks herself awake. She is terrified, and surer than ever that Sabrina’s “message” to her isn’t about her funeral at all but about this night at the gravel pit.
Mackenzie and her family walk back home together in the still, dark night. Back at the house, Mackenzie reveals that her dreams have not stopped. She has continued to be tormented by nightmares since returning home. Later, Mackenzie talks with Kassidy and Tracey. She learns that Tracey, too, has visions and strange dreams. She and Sabrina used to dream the same dreams, and after Sabrina died, Sabrina visited Tracey’s dreams nightly. Tracey began drinking to dull her mind and sleep without dreaming, but she remained unsettled by her sister’s visitations.
They talk about the night at the gravel pit. Tracey reiterates that although Sabrina’s clothes were indeed ripped, she hadn’t been injured. She certainly didn’t have a large, jagged cut that bled and caused a scar. The girls postulate that there is more than one way to be injured or scarred and recall the mythical figure of the wheetigo. Known to various Indigenous nations, the creature is an undead monster. Associated with winter (like the unseasonable snow in Mackenzie’s dreams) it is cannibalistic. In some traditions, it preys on animals. In others, it preys on people. The wheetigo is a cautionary figure, used both to discourage greed and keep children from wandering off. They wonder if Sabrina had encountered a wheetigo that night in the woods. Tracey does recall her silence when they returned and that she’d seemed “off” thereafter. She’d never really returned to her old self.
Mackenzie, Tracey, and Kassidy try to look up more information about wheetigos, but they find little beyond what they already know. Their mothers gather with them in the kitchen, and the girls share their idea that Sabrina might have been attacked by a wheetigo in the woods the night that she and Tracey temporarily disappeared. This theory particularly alarms Mackenzie’s mother, and she appears worried. Because all the women in the family experience visitations and visions in their dreams, they understand that Sabrina’s appearances in Mackenzie’s dreams are serious. Mackenzie wonders aloud if Sabrina herself might be a wheetigo. Wheetigos are shapeshifters, and it is possible that a wheetigo took on Sabrina’s form to visit Mackenzie.
Mackenzie’s mother and her sisters decide to ask around about the wheetigo, and they begin a series of visits to friends, family, and neighbors that take days. The girls grow restless and watch over one another at night in case they experience visions or visitations. One night, Mackenzie overhears her mothers and aunties talking. They theorize that oil companies lured the wheetigo to the area. Wheetigos are motivated by greed, and who better embodies greed than oil companies? They think it’s possible that many wheetigos were lured to the area by the oil companies and once the companies left, they roamed the woods, attacking whomever they could find. Sabrina might have been a casualty.
Mackenzie is angry that her mother and aunties have not shared their information with the girls, and she heads back to the bedroom. She tells Kassidy and Tracey what she’s overheard. The girls see the wisdom in the idea that oil companies drew the wheetigo to their area, and they wonder if Sabrina was indeed a casualty of the situation. They talk further about the oil companies, noting the way they used Indigenous communities, promised jobs, and then packed up and left when the oil dried up. Their town is beginning to decline in the absence of oil money, and many businesses have closed. As they are talking, Mackenzie gets a series of texts from the ghostly number claiming to be Sabrina. They ask why she hasn’t “followed” Sabrina to the lake. The girls vow to find out more about what happened to Sabrina that night in the woods.
This section of chapters is plot-driven and action-packed. The author uses foreshadowing and suspense to create narrative tension and show her characters’ heightened anxiety. Mackenzie’s nightmares take place mostly in and around their family’s favorite campsite. Near to the campsite is a large gravel pit which teenagers frequent during family gatherings in the woods. Mackenzie begins to wonder if her dreams might be about one particular night when Sabrina and Tracey were lost in the woods and not about Sabrina’s death. Tracey too contemplates this theory and thinking back, she recalls, “That night she came out of the woods, something was different. She was strange right up until she died” (169). At this point in the narrative, the author has not revealed what happened in the woods nor has she confirmed Mackenzie and Tracey’s theory, but she establishes increased suspense by introducing several key questions.
In moments that contrast with a heightened sense of tension and suspense, the author provides a series of family scenes that showcase ordinary daily life for Mackenzie, her mother, aunties, sister, and cousin. The women play cards, cook meals, and sing karaoke together. These scenes become another way that the author engages with the theme of The Affirming Power of Family and Community. It is evident that Mackenzie’s family is affirming and that, despite the stress of Mackenzie’s unexplained dreams, their lives resemble those of other close-knit families. These scenes also highlight Mackenzie’s gradual return to her family. Family members have already processed her absence and shared the ways Mackenzie’s actions hurt them, allowing them to bond and reconnect. This process is key for Mackenzie’s healing and central to the narrative’s focus on the affirming power of family and community.
Against the backdrop of happy time spent with family, however, Mackenzie’s dreams intensify. The Sabrina figure begins to accuse her of abandonment, and she wakes from each nightmare feeling worse and worse. She does learn more about her family’s history with prophetic dreams and visions, and this shared trait further cements their bond. Because Kassidy, Tracey, her mother, and her aunts all have had similar experiences, Mackenzie feels even more deeply rooted within her family tree, further demonstrating The Affirming Power of Family and Community. In this section, it is evident that no matter what happens going forward, she will never cut herself off from her family again.
This set of chapters is the first to discuss the wheetigo, the shape-shifting creature of legend that plays a role in many different Indigenous traditions and is a key part of Cree mythology. Mackenzie has long suspected that her dreams are rooted in something other than unresolved grief, and because of the deathly pale, angry version of Sabrina that her nightmares present, her family members begin to agree with her. When she reveals that she wonders if Sabrina might be a wheetigo taking on the shape of Sabrina, Kassidy, and Tracey find the hypothesis easy to believe. They further speculate that Sabrina was attacked by a wheetigo on the night when she disappeared in the woods, and when they speak to their mother, they become even more convinced. Because wheetigos are important within Cree legend but also across other Indigenous traditions, Johns establishes a point of narrative connection between Bad Cree and other oral histories, stories, and works of literature. The author links this novel both through myth and thematically to other narratives that focus on the impact greed has on individuals and communities, helping her situate her novel within an established genre.
The author uses the wheetigo specifically to engage with the theme of The Impact of Extractive Industry on First Nations Communities, with wheetigos representing the result of avaricious oil companies that prey on communities and individuals. Mackenzie and the girls note the adverse impact oil companies have had in High Prairie: The jobs they offered were often temporary, and the prosperity they promised to the community was largely undelivered. They caused environmental damage and left as soon as the oil dried up. What little benefit they provided to the community was short-lasting and not particularly impactful. All the issues that Mackenzie, Kassidy, and Tracey discuss are rooted in the lived experiences of actual First Nations and Indigenous communities throughout the Americas. Indigenous horror, as a subgenre, employs horror tropes and supernatural elements to explore real issues Indigenous communities face, and this novel’s depiction of the extractive nature of oil drilling places it squarely within this tradition.