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55 pages 1 hour read

Anderson Cooper, Katherine Howe

Astor: The Rise and Fall of an American Fortune

Nonfiction | Biography | Adult | Published in 2023

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Themes

The Myth of the American Dream

The book’s Introduction recounts how Brooke Astor loved to tell the tale of John Jacob Astor as a “uniquely American” saga of a fortune made through hard work, daring, and sheer grit: He “came here with nothing, carved an empire out of the wilderness, and then helped build a great American city” (6). In the Epilogue, the authors reject this “American self-made myth that we have all imbibed for so long. The immigrant who arrived with nothing (he did not; remember the flutes), who saw a world in the process of its remaking (it was already made), who leached value from the labor of all the successive waves of our arrivals and our dreams” (277). They reject the common idea of America as a land of opportunity where any person can come, work hard, and make it rich without any support or exceptional luck, and they reject the idea that one particular immigrant, John Jacob Astor, helped build the country in a positive way. This is a “myth” that they imply people have heard too long.

They attack the myth in three ways: by showing the advantages that John Jacob had, by highlighting the number of immigrants who worked hard without achieving riches, and by portraying high society as inherently parasitic. John Jacob was not the first member of his family to leave Germany. He found a home and a good job selling musical instruments with his uncle in England right after he left Germany, and those flutes and pianos were part of his initial seed money. In addition, his older brother in New York helped him get settled and gave him an initial $100 to begin his trading. To be fair, none of this made him rich to begin with, and many other immigrants had the same advantages. Furthermore, as Cooper and Howe note, John Jacob gained his initial edge over other fur traders through his willingness to travel into the wilderness in difficult conditions and his effort to learn various Indigenous American languages. He also had the business acumen to realize when it was time to shift from the fur trade to Manhattan real estate. Cooper and Howe acknowledge these aspects of his story that fit the American Dream mythos but emphasize the ones that don’t fit.

What ultimately distinguished John Jacob from later immigrants was timing. New York was, in one important sense, a world in the process of being remade. When John Jacob started buying Manhattan real estate, he could buy undeveloped land for relatively low prices. In their chapter on “the other” John Jacob Astor, Cooper and Howe emphasize that later immigrants no longer had that option, at least in New York City (their historical analysis is largely limited to this one city). This other John Jacob Astor came to New York in 1862 and appears to have worked hard his entire life, rolling cigars, without ever getting rich. The factory owners, faced with a glut of immigrant labor, could offer scanty pay (a dollar a day), while tenement owners (most notably the Astors) could demand exceptionally high rents as immigrants struggled to find shelter on the overcrowded island of Manhattan. The story of this other John Jacob Astor directly contrasts with the myth of America as a “beacon of equal opportunity” (179) that the first John Jacob Astor seemed to illustrate. This later immigrant found few opportunities and thus illustrates, per the book, that the immigrant stories in which a daring man pulls himself up by his own bootstraps are “fantasies” and the far more common immigrant story is that “[n]ot all bootstraps go up, no matter how hard you pull” (180). Through this second man’s life, as well as several other examples, the authors aim to show that the American Dream is often a delusion.

As in the theme of Social Privilege Deriving from Exploitation, the book links this failure of the American Dream to the rapaciousness of the rich. As in the 1862 immigrant’s experience, the rich leveraged their resources to underpay and overcharge the economically disadvantaged to line their own pockets. While this John Jacob worked hard to die in poverty, Jack Astor lived a life of leisure, sailing yachts for fun rather than doing anything productive, yet remained rich. Cooper and Howe devote little attention to whatever business work the later Astor men did and emphasize instead how even smart business ventures like the Waldorf-Astoria Hotel were driven in part by petty spite and made successful by others whom the Astors hired as managers. Riches remained with the family even without the hard work that the American ideal believes should underlie a fortune.

The Corrupting Influence of Wealth

One would have expected the first John Jacob, of all the Astors, to have achieved happiness. From an immigrant background with a handful of resources, he became a wealthy and respected pillar of one of the greatest cities of a new nation. Nevertheless, according to Cooper and Howe, “even John Jacob Astor lived with regret” (35)—not about the people he’d crushed or having to travel so much in his children’s early years, but rather about not realizing the potential value of Manhattan real estate earlier so that he could have made even more money. As he aged, he became paranoid and even greedier, squeezing economically disadvantaged tenants for every last penny. He was not unique in being corrupted by wealth. Cooper and Howe argue that the vast Astor fortune made most of the Astors into unlikeable, petty, paranoid, and unhappy people.

The book opens by describing Cooper’s encounters with Brooke Astor, last of the rich New York Astors, who gained her fortune by marrying the “dreadful” Vincent Astor—and, Cooper notes, “dreadful” was his mother’s term, reserved for the worst people. Vincent’s flaws could be blamed on his unhappy childhood, but the unhappiness of this childhood was, the authors assert, a result of the corrupting influence of money: “By the time of Vincent’s birth in 1891, money had wreaked its inexorable influence on the Astors. His parents’ marriage was famously unhappy” (215). When the authors return to Brooke at the end of book, they insist that she could not have been happy with Vincent and married him in a sad, controlling marriage just for money. Wealth ruined them both, even though they gave most of their fortune away to charity. Her story ended on a tragic note when her son—whom she had partially abandoned to gain Vincent’s wealth—took advantage of her to enrich himself.

In between the first and last Astor, few of the family seemed to find happiness. Several expressed interest as young men in scholarship or careers outside general oversight of the family fortune but discovered that pursuing such interests was not socially acceptable. Thus they succumbed to the unhappy prison of meaningless parties and a sterile business office. Like the original American Astor, John Jacob, William Waldorf Astor fell into paranoia, sleeping with two revolvers by his bedside and equipping his English manor with a button to automatically lock all the doors and windows “like something a Bond villain would have in his lair” (124). This unnatural investment in security, according to Cooper and several quoted visitors, passed the line of mental soundness. When an affair late in life ended in a broken heart, Will Astor lost interest in his old hobbies and retired from his early pursuits. The book characterizes the infirmities, challenges, and slowing down that accompany old age as symbols of corruption among the Astor men and women rather than an occasion for sympathy. For example, the text dwells on the details of the first John Jacob drooling as he lost the ability to chew food and links his later greed and paranoia with that physical decline: His “wealth began to exert a warping influence, shifting the contours of his mind just as age and time etched themselves on his body” (36).

While the authors emphasize how the riches that the Astors desperately wanted to protect and grow failed to lead to happiness, they acknowledge some exceptions. While William Backhouse Astor Sr. originally didn’t want to go into the family business, he settled into a routine drama of business and a stable marriage without drama. It was a mundane and dull life, but the book floats the possibility that he embraced routine without rebellion simply because he “was happy.” When discussing William’s great-grandchildren at Rokeby, the text focuses on their dramatic orphaning and the mental aberrations of Archie Chanler but acknowledges that Margaret Chanler and her descendants carved out a happy life at Rokeby, which they still own—though, significantly, most of the Astor fortune bypassed them. The authors almost completely ignore the British branch of the Astor family after William Waldorf Astor’s unhappy final years despite how many of his descendants have flourished. However, the general picture they paint offers many examples to illustrate that the oppression the Astors used to gain and maintain their fortune and status not only caused others misery but failed to consistently bring the Astors joy or happiness.

Social Privilege Deriving from Exploitation

The book’s Introduction ends with the warning that the Astor fortune “begins—as great fortunes often do—with blood” (8). “Blood” seems at first to refer merely to how John Jacob Astor made his money from the practice of harvesting animals for their fur, little different than a person or company that sells meat. As the authors trace the Astors’ story, however, they continually emphasize how the family’s wealth and status depended on continuing to exploit the economically disadvantaged. Class conflict is one of the book’s central motifs, in which the Astors’ callous disregard of the struggling tenants whose money filled the family’s coffers exemplifies how the American elite systematically benefit from exploiting the vulnerable, including economically disadvantaged people and immigrants.

Although his initial success involved hard work and personal risk, John Jacob Astor built his American Fur Company empire by gaining local monopolies on supplies that squeezed out the competition. Those doing the hard work of trapping had only Astor’s trading posts nearby to buy supplies at high prices and sell furs relatively cheaply. Indigenous Americans fell into debt buying alcohol and other goods at dramatically inflated prices. His later Manhattan real estate empire rested on subcontracting land to speculators who built shoddy, packed apartments, knowing that that it was not worth their time to build something of quality since ownership would revert to the Astors. This resulted in squalid, claustrophobic living conditions for those living in the Astor properties. The authors dramatically capture the moment when the “dying” John Jacob, then perhaps the richest man in America, rejected his rent collector’s plea for mercy on a struggling woman in temporarily dire straits and gleefully asserted that she’d pay if pressed the right way: “‘She will pay,’ Astor shouted, ‘You don’t know the right way to work with her’” (37). The book characterizes this determination to squeeze the disadvantaged for every penny as the hallmark of the Astor fortune. Of course, the Astors and their peers did not readily admit to the sources of their wealth, which is one explanation for Caroline Astor’s insistence that a person be separated by several generations from the source of the family’s wealth to be admitted into high society. In fact, it was socially improper for an American gentleman to do anything productive, even if (like several of the Astor boys who went abroad) they had interest in scholarly pursuits like archaeology that were acceptable for European nobility. Her nephew, William Waldorf, discovered that even that wasn’t enough in the older British society, where he was still mocked as the descendant of a common butcher and trapper more than a century after John Jacob made his fortune. Nevertheless, they despised those they considered beneath them. Cooper opens the book by recounting his memory of Brooke Astor treating him cordially when he was with his well-heeled mother but looking straight through him and refusing to even acknowledge his existence when he wore a waiter’s uniform at the same establishment.

The book emphasizes the Astors’ callous indifference through the generations in part via the authors’ choice to intersperse their account of the opulent Astor lifestyle with stories of social conflict that played out near the family even though the Astors often had no direct involvement. This history of the Astor family therefore includes long sections on the Astor Place Riot, the New York Draft Riots, the fate of immigrants like “the other” John Jacob Astor, and how the Astor Hotel became a secret haven for gay men to connect or hook up. The story of “Mrs. Astor’s Bar” and the gay subculture deviates from the class conflict emphasized in the rest of the book and has no direct involvement in the Astor family’s story; however, the gay men involved were extorted, and their using “Mrs. Astor’s Bar” was ironic given her infamous list of Four Hundred people fit for a “society” that looked down on the gay community. Implicitly, all the expressions of outrage from average Americans (as in the Astor Place Riot and the New York Draft Riots) are an indictment of the rich Astors, who seemed indifferent to their fellow citizens.

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