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Mary Jane AuchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As a dynamic protagonist, Rose develops from a determined yet fearful newcomer to a confident and courageous young woman who embraces her new life in the United States despite the hardships she finds there. When she first arrives in New York, Rose is largely optimistic about her future, though she knows it will not be without challenges. Seeing the Statue of Liberty, her “heart swelled with hope and fear at the same time” and she believes that she has been “brought to America for a purpose” (9). However, this hopeful sentiment partially stems from her knowledge that any future in Ireland would offer few opportunities, while the United States offers her a chance at the unknown. This dynamic is evident when she states, “A whole new world was stretchin’ out before me, and I wanted a chance to savor it before I was weighed down with babies like Ma” (15).
Rose starts exhibiting her new freedom by dropping the “Margaret” as her first name, since it is a common appellation. Although she does not yet have the marketable skills that her mother does, she has the determination to stay and become an “American workin’ girl” (172). However, her first venture into the working world opens her eyes to her new status as a “greenhorn.” Raised to keep her head down and avoid trouble, she ends up getting taken advantage of by her first employer, Mr. Moscovitz, and she bites his nose when he assaults her. Though her nerves cause her to vomit when Gussie brings her back to confront him and get her money, she rises to the occasion. Seeing the bandage on Moscovitz’s nose, she feels a strength she didn’t know she possessed and even harangues him about trying to kiss his workers. She tells Gussie and Maureen later, “It felt good to be doin’ the yellin’ at someone else instead of takin’ it for a change” (146-147). This confrontation helps Rose to conquer her fears and take a bold step into a larger world.
Rose initially meets the strangeness of her new factory job with trepidation. Though she practices on a sewing machine for a week, the slightly different and larger machines at Triangle intimidate her. She recalls her day at the flower-making shop and how the other girls laughed at her for her clumsiness and mistakes. Of that time, she notes, “I had always been popular, and now I was the outsider. I didn’t like the way it felt” (75). After she stabs her finger with the needle at Triangle, she wants “to run out of the room and keep runnin’” (164). However, Rose responds to friendliness and kindness; just as Tessa at the flower-making shop made her feel welcomed and showed her the way, Gussie now calms Rose’s urge to flee. Once Rose befriends Bellini and Klein, she puts her fears and worries aside and embraces a fun, new American life.
In the fire, Rose is initially paralyzed by fear. Once again, she must draw on her inner strength and courage, dousing herself with water and running through the fire to the elevator. As she leaps for the elevator cables to get away from the fire, she proves to herself that she has the strength to overcome even the most traumatic of circumstances. Instead of returning to Ireland, she vows to stay and take up Gussie’s work with the union. As she declares, “The fire had changed me. Like a piece of iron in a blacksmith’s forge, I had come out reshaped, stronger” (245). Having survived one of the worst disasters in American history, Rose Nolan is no longer afraid. She has renewed determination to face her future.
From the start, Maureen shows that she is the type of person who speaks her mind, though she is too young to fully understand the consequences that words can have. At the immigration center on Ellis Island, for example, she talks back to an officer who orders the family to take seats farther away from the clerks’ counters. Ma warns her, “That’s the kind of trouble yer smart mouth is goin’ to get us in America” (27). To prevent such outbursts when they are trying to avoid conflict with Uncle Patrick’s family, Rose finds herself telling only partial truths or letting Maureen hold more positive outlooks because “[w]hen she got upset, she often said more than she should, and that could make things even more uncomfortable than they already were” (54). However, there are only so many insults and taunts that a person can take, and Maureen’s anger boils over into an attack on Hildegarde, which leads to the family being ousted from Uncle Patrick’s home. However, the incident also reveals that her elders sometimes respect her honesty, as both Rose and Ma wanted to smack Hildegarde, too.
However, Maureen’s headstrong nature comes close to getting her into serious danger. Described as someone “who had some objection to every rule [her parents] laid down” (111), Maureen objects to having to go to school instead of getting a job. Even Gussie soon realizes that Maureen needs to be kept busy so that she will not get into trouble. Despite swearing to Ma that she would go to school and despite Gussie’s warning about the ways in which many employers exploit children, Maureen starts work at Triangle. Her stubbornness is too much for Rose to overcome, so she relents: a decision that Rose comes to regret when the building goes up in flames. It is unclear if Maureen will now agree to return to school, but her clear-eyed pragmatism shows when she tells Rose that even though the rest of their family will most likely never come back to America, she wants to stay. She has experienced the worst day, so in her mind, things can only get better from there.
Rose’s description of Ma’s habits and attitude in Ireland reveal a far truer depiction of the character than can be gleaned from Ma’s limited experience with New York City. When Ma first appears in the novel, she is already suffering the consequences of a difficult situation that she didn’t want to choose in the first place. Her view of America is, therefore, tainted before she arrives, and her sentiments worsen when immigration agents deny Joseph entry and she finds herself separated from her husband, who must return to Ireland with the baby. Although she is a skilled seamstress, her life revolves around her family, and she cannot endure being separated from her husband and son. One point of tension between Rose and Ma occurs because Rose does not want to marry young and dedicate life to having children, as Ma did. Ma is insulted that her daughter eschews that choice. However, when Rose hears Uncle Patrick and Ma discussing the old days in Limerick, she wonders if the maternal path was entirely of Ma’s choosing.
Though Rose and Ma sometimes disagree, Rose realizes that “[t]hough Da was the head of the family, it was Ma who could make me feel better when I was sick or frightened” (26). However, because Ma is separated from her husband and baby and must find her way in a strange land where even her brother-in-law considers her faith to be an outdated custom, she flounders and begins to despair. A key turning point occurs when she doesn’t reprimand Rose for talking harshly to her during their collective attempt at flower-making. As Rose remarks, “At home she was always so sure of herself, but here she seemed afraid” (65). In a sense, Ma is stuck in the past, yearning for the way things were in Ireland. As a result, this strong woman and mother of four spirited children crumples without her familiar supports. Returning to Ireland potentially marks the permanent split in the Nolan family, for neither Rose nor Maureen believe that Ma will ever be willing to return to America.
One aspect of Gussela Garoff’s character precedes her appearance in the story: her outspokenness. When Rose and Maureen try to rent Mr. Garoff’s room and Maureen speaks sharply to the old man, he tells them that he already has a “girl with a big mouth” (121). Unlike Maureen, however, Gussie’s outspokenness is not borne of impetuosity but of a fighting spirit to make the world a better place. She says of herself, “Father thinks I should keep quiet, but when I see something wrong, I want to change it” (139). To that end, she is deeply involved in labor union activities, including the large protest marches that occurred two years earlier. During those strikes, a police officer broke her arm, but her jailers wouldn’t let her out to get it fixed, so she still has a lump on that arm. She tells this to Rose in confidence, not wanting to upset her father, a man of a different generation who believes in keeping his head down and staying out of trouble. Gussie doesn’t mind trouble, however, and goes with Rose to face her corrupt employer, saying “I haven’t had a good fight in a while” (141). Her courageous approach and innate sense of justice make her a good union organizer. Early on, Rose realizes that Gussie had “a way of convincin’ ye to do things ye feared” (142). When she goads Rose into standing up to Moscovitz, she tells the protagonist that if she doesn’t face him, she will be just another “meek little greenhorn” (143) that employers can take advantage of.
Not sharing her arrest story with her father is one example of how Gussie shows her caring. She protects her father’s feelings by not broadcasting the fact that she is the one who earns the money to support them, as he can no longer find decent work. She respects his pride and desire to be the provider, even though it is no longer the reality. Likewise, she protects Rose’s feelings by not telling her that her decision to miss work and help Rose confront Moscovitz caused her to suffer a demotion and a pay cut. Rose feels guilty enough about this when she hears it from other workers, but after Gussie’s death, Rose believes that her actions indirectly got Gussie killed, because she was relocated to the ninth floor upon her demotion. Jacob, however reassures her that Gussie was too headstrong to control.
Rose also has criticizes Gussie for being too serious, describing her as “pretty, but […] so earnest, she had made a permanent crease between her brows, addin’ ten years to her face” (173). Not until the fire does Rose realize the full importance of Gussie’s work to “fight a battle we cannot lose” (153), and to honor Gussie’s passion, Rose takes on her friend’s desire to “make conditions better for everybody, no matter where they work” (180). Rose pledges herself to work only in union shops thereafter. Gussie ultimately dies a hero, having saved both Rose and another woman. The memory of her dedication to safe and fair working conditions for everyone lives on in the people she has inspired, particularly Rose.
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