53 pages • 1 hour read
Chinua AchebeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When the Festival of the Pumpkin Leaves arrives, it appears “that Umuaro had never been more united in all its history” (67). Conflict appears resolved, as no one “would carry poison to a ceremony of purification” (67).
Ugoye, Ezeulu’s younger wife, was hesitant to attend the festival, preferring “to pray for the cleansing of her hut which Oduche had defiled” (67) with his acts. Matefi leaves without her, and she walks to the market with Akueke. The two discuss how Matefi’s “badness whistles” (68) in anger at those around her.
All women arrive to the market with pumpkin leaves in hand, adorned with jewelry that displays their husbands’ wealth. Nwaka’s five wives cause a “big stir” with “enormous rollers of ivory reaching from the ankle almost to the knee” (69). On the side of this scene, Obika discusses his concern, with a friend, that his new wife has not returned since her first visit.
The Ikolo drum, beat by Obiozo Ezikolo, sounds a roll call of all six villages, and people “hurry through their drinking before the arrival of the Chief Priest” (70). The drum beats constantly, calling on important men, but it ends with calling for Ulu, who is “the deity of all Umuaro” (70).
When an ogene sounds from Ulu’s shrine, the Ikolo pounds “an endless flow of praises to the deity” (70). The villagers create a ring, with women on the inside, where they wave their pumpkin leaves and say prayers to Ulu. As he approaches the circle, Ezeulu reenacts “the First Coming of Ulu and how each of the four days put obstacles in his way” (71).
The chapter turns to a retelling of Ulu’s story. By the time it ends, Ezeulu has entered the center of the marketplace circle. He puts his staff in the ground, then pulls it out and runs around the marketplace while women ululate. His messengers follow him until they end up in Ulu’s shrine. At this moment, the Ikolo sounds its final beat. The crowd knows that “their Chief Priest was safe in his shrine, triumphant over the sins of Umuaro which he [is] now burying deep into the earth” (73).
The women, village by village, run through the marketplace. After all six villages have their turn, “the pumpkin leaves that had lain so thickly all around were smashed and trodden” (73). After the running, Akueke finds her sister, Adeze, who has married into another of the six villages. Ugoye joins them. They talk through Oduche’s struggles and share news and gossip from across the village. Akueke tells her sister that she will return to her husband’s family.
The narrative returns to the British camp in Chapter 8. Mr. Wright is making progress on a road to connect Okperi to Umuaro. He wants to expand his workforce, which he is fond of because they are “loyal as pet dogs” (76). Because he cannot reach his desired ends, he decides to “use unpaid labor” (77) recruited from the nearby villages for the project.
The two groups most recently admitted to manhood in Umuaro are conscripted, but they do not get along. They arrange to work separately when possible. Moses Unachukwu, who knows English, translates for all the groups, despite that he is much older than them. Wright distrusts him, an “uppity native” (78), yet he is thankful for the help. Moses’s reputation rises as he demonstrates his skill in English.
The day after the festival, Obika and his friend miss their shift on the road after drinking too much palm wine. They had taken up, and lost, a drinking challenge thrown by an older man. Obika’s friend struggles to wake him up, and the commotion wakes Ezeulu. Ezeulu laments Obika’s behavior, which is “like a heavy load on his father’s head” (80).
Once the two boys awaken and begin their walk to work, they agree that they had been given wine with “potent herbs in it” (80). But when they reach the road, the “feeling of openness and exposure” that it gives makes the boys “alert” (81). They hear the crew singing a song to mock them, which angers Wright, but Wright only grows angrier as he sees the young men approaching: “His face smoked with anger” (82). Wright whips him.
The men mock Obika for inciting this violence with a swaggering walk. Wright yells at them to quiet down and, through Moses, tells the crew not to be late so that the road will be finished by June.
The young men meet to argue over whether or not Moses should stay on with them. They are suspicious that he incited Wright to whip Obika. Moses says that he will go, but they urge him to stay; as the group works to quiet the tension, someone shouts: “We have not come here to abuse ourselves!” (84).
When they consider stopping their work, Moses reminds them that “the white man would reply by taking all their leaders to prison at Okperi” (85). He says that “there is no escape from the white man. […] As daylight chases away darkness, so will the white man drive away all our customs”(85), meaning power given by their god.
One young man, Ukpaka, explains that the white man “is like hot soup” and suggests a strategy of fighting them: “[W]e must take him slowly-slowly from the edges of the bowl” (85).
The story of Obika’s whipping travels through the six villages of Umuaro. Ezeulu feels certain that Obika incited the white man, and he is distressed. When a white man arrives to speak with him, Ezeulu is disappointed that it is not “his friend, Wintabota, the Destroyer of Guns,” but a man who is “short and thick, as hairy as a monkey” (88).
When he sees that Obika, his good-for-nothing friend Ofoedu, and Edogo, his eldest, accompany the man, he asks Edogo what the cause of the whipping is. Obika avoids the question. In anger, Ezeulu warns him: “This is only the beginning of what palm wine will bring” him, adding that “the death that will kill a man begins as an appetite” (89).
After their father warns Obika, Edogo returns to his compound, which is built deliberately small while he waits “until he [can] inherit his father’s place” (90)as eldest son. He works on a door that he is carving. As he carves, he reflects on his infants’ mysterious struggle to survive. After the first died in infancy, now the second has fallen ill after just months.
Edogo also thinks about his father, Ezeulu, and his tendency to treat “his grown children like little boys” (91). He also thinks about the recent transfer of Ezeulu’s favor from Obika to Nwafo. Edogo wonders if he sees in Nwafo “at last a successor to the priesthood” (92). None of the other children wanted to be Chief Priest, and Edogo recognizes that Ulu, not his father, would ultimately choose the successor. He begins to worry that he could be selected for the role.
While Edogo thinks these thoughts, Ezeulu confides in Nwafo. He speaks about Nwafo’s coming marriage and offers Nwafo advice. As he speaks, Ogbuefi Akuebue, who is “one of the very few men in Umuaro whose words gained entrance into Ezeulu’s ear” (94), arrives.
Ezeulu greets Akuebue with customary kolanut and chalk. The kolanut has six lobes, a sign that “the spirits want to eat” (95). The two men enjoy snuff together, too. Edogo arrives with palm wine. Oduche arrives, but due to his new religion, he abstains from drinking. The speak of Oduche’s upcoming trip to Okperi, where he will undergo a test of his “knowledge of the holy book,” but Ezeulu explains that he is “not sure that [Oduche] will go” (98).
In his absence, the male group discusses Obika’s beating at the hand of the white man. Ezeulu expresses his uncertainty that Obika didn’t hit the white man first. When Edogo stands up for his brother, Akuebue tries to defuse the situation. He warns the boys that “those of you who think they are wiser than their father forget that it is from a man’s own stock of sense that he gives out to his sons” (99). Young people are bold in ignoring their fathers’ wisdom.
Akuebue also tells Ezeulu that he is “too hard on Obika” (100). His compound needs “people of all minds” (100), including the foolish.
The authority of Ulu, the deity of the six villages of Umuaro, stands firm in these chapters. When the time comes for the Festival of the Pumpkin Leaves, it appears “that Umuaro had never been more united in all its history” (67). Despite Oduche’s recent transgressions against Ulu, the deity seems unaffected and still destroys the sins of the villagers. At the same time, Ezeulu’s desire to ensure traditional ways may get in the way of the deity. Edogo worries that he sees in Nwafo “at last a successor to the priesthood” (92) and will force that role upon him, even though the deity could have other opinions.
This resistance to authority also bothers Ezeulu and his friends when he notices it in his sons. Akuebue warns the sons that “those of you who think they are wiser than their father forget that it is from a man’s own stock of sense that he gives out to his sons” (99). Ezeulu needs, more often now, to assert his authority as father; when Oduche explains that he will travel for a Christian religious ceremony, Ezeulu is “not sure that [Oduche] will go” (98).
Moses tells the young men who work on the road for the British officers that “[t]here is no escape from the white man. […] As daylight chases away darkness,so will the white man drive away all our customs” (85). In this sense, “customs” refers to power given by their god. The fear that Moses’s ideas might be true motivates Ezeulu’s desire for control over the village and its future as well as control over his sons.
By Chinua Achebe