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59 pages 1 hour read

Jamaica Kincaid

Annie John

Fiction | Novel | YA | Published in 1985

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Symbols & Motifs

The Breadfruit Tree

The breadfruit tree can grow quite large and produce several of the grapefruit-sized fruit, contributing to its representation as a symbol of personal growth and abundance. The fruit itself is a staple food for many cultures because when it is cooked, its texture approximates bread and its flavor is similar to a potato. It also has a high water content, which is helpful for those living in tropical climates, and it is rich in Vitamin C and potassium. The breadfruit tree and its fruit appear multiple times in Annie’s story. When Annie’s mother tricks her into eating the healthy food, Annie can “tell that it [is] the much hated breadfruit” (83), though her mother tried to disguise it as rice. Even though it is good for her, Annie finds it unpleasant, just as she dislikes her mother’s attempts to prepare her for life as a respectable young lady. In this way, the breadfruit is symbolic of Annie’s mother’s efforts to parent her daughter responsibly and lovingly, for although her intentions are good, her daughter dislikes the fact that these efforts have changed their relationship. Thus, the fruit illustrates the theme of Misinterpreted Parental Love.

It is also significant that the breadfruit tree is native to New Guinea and was spread to other warm climates during the colonial era. Therefore, it symbolizes the spread of the ideas and standards that the English imposed on the parts of the world they colonized. Annie’s mother has largely accepted English cultural authority, and she tries to teach Annie to respect this authority just as she cajoles her to swallow the odious breadfruit. The breadfruit motif therefore emphasizes the damage that these lessons and strictures cause to their relationship and to Annie’s identity, as her once-beloved mother tries to coerce her into accepting the English cultural tyranny to which she, herself, has submitted. Thus, the breadfruit highlights The Dangerous Effects of Oppression.

Annie’s Mother’s Hands

Annie’s mother’s hands perform many activities that signify her love. They cook, bathe, launder, and embrace. In short, they nurture Annie and are a source of comfort until Annie watches these same hands care for people other than herself. This shift first occurs when she realizes that her mother’s hands have bathed and dressed little Nalda in preparation for her funeral. This is Annie’s earliest memory of having to share her mother and of knowing that her mother’s hands do for others what they do for her. As a result, she “[can]not bear to have [her] mother caress [her] or touch [her] food or help [her] with [her] bath. [She] especially [can’t] bear the sight of her [mother’s] hands lying still in her lap” (6). This occurs during the “paradise” era of Annie’s childhood, when she feels herself to be the center of her mother’s world, and her mother’s care of Nalda subtly signals that while Annie may be very important, she is not the only person of importance in her mother’s life. Seeing her mother’s hands still in her lap is an indication that her mother cannot and will not always physically care for Annie in the same way she does now, something Annie is loath to consider.

A few years later, after Annie’s mother has adopted more overt methods to prepare her daughter for adulthood, Annie is especially disturbed by the sight of her mother’s hand as it caresses her father. She runs home from Sunday school to show her mother an award that she believes will compel her mother to behave affectionately toward her again. However, as she finds her parents in bed and watches her mother’s hand make circular motions on her father’s back, she describes the hand as being “white and bony, as if it had long been dead and had been left out in the elements” (30). Seeing her mother caressing another is so upsetting that Annie once again associates her mother’s hand with images of death. In a sense, the mother of Annie’s childhood is indeed dead in the sense that Annie’s mother now has a new responsibility to prepare this child who is almost a “young lady” to embody a more mature role in society. When Annie’s mother allows Annie to watch her absorption with her husband, she sends the message that her husband is the most important person to her. When she uses her hands to care for anyone else, Annie finds it upsetting because she longs to be the center of her mother’s world as she once was. Thus, her mother’s hands are a symbol of comfort to Annie, and when they are used to comfort someone else, Annie begins to associate them with betrayal.

Names

By choosing specific names, parents confer unspoken expectations and identities upon their children. Similarly, Kincaid employs specific names—or the pointed lack of names—to assign symbolic roles to her characters. For example, Annie doesn’t reveal her father’s name until the final chapter because he has no identity to her other than being her father; his name simply isn’t important until she recognizes that he has an identity that exists beyond his role in her life. Though she briefly alludes to her mother’s name earlier in the novel, it is only in reference to the fact that they share a first name. In the last chapter, just after Annie explicitly discloses both her parents’ names, she says, “And so now there they are together and here I am apart” (133). Now that she sees them, finally, as separate from herself, as belonging more to each other than to her, she acknowledges their names and their independent identities rather than simply seeing them through their relationship to her. That Annie and her mother share a name suggests that young Annie will never be able to dissociate herself completely from her mother, as they are forever linked and have more in common than Annie herself is willing to admit.

Likewise, despite Annie’s apparent closeness to the “Red Girl,” she never reveals her friend’s given name. This lack of a name implies that the Red Girl’s personal identity is not important to Annie or Annie’s development; instead, she is important to Annie because of what she represents. The Red Girl, as her name hints, stands out from the crowd and refuses to conform to society’s standards or expectations. Her red hair literally prevents her from fitting in, while her willingness to sacrifice social acceptance for freedom does the same in a figurative sense. If she were she provided a name, like Gwen, the appellation would detract from the symbolism of her character.

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