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41 pages 1 hour read

Frank McCourt

Angela's Ashes

Nonfiction | Autobiography / Memoir | Adult | Published in 1996

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Key Figures

Frank McCourt

As the author and protagonist of this story, McCourt’s tone remains balanced throughout most of the narrative. His upbringing is miserable, and he and his family constantly suffer the consequences of poverty. There is illness, which sweeps away Frank’s siblings and nearly himself and Angela. There is hunger, and the depths of desperation Frank sinks to when he is older and learns how to steal. There is the omnipresent alcoholism of his father, which only worsens the family’s circumstances. One might expect Frank to turn this memoir into a bitter screed against the wealthy or against English discrimination, but he does not. Instead, his manner remains tempered, and while the book is meant to elicit sympathy, that is not its only purpose.

Instead, McCourt wants the reader to recognize how far he has come in life. He paints himself as an innocent, naive child for most of the book: It takes him almost 13 years to learn how babies are born. However, Frank has an inner drive that keeps him pushing forward despite the unbearable misery all around him. Perhaps it is thanks to his father and the values he instilled in Frank (although he could not live up to these himself) that Frank developed this drive at a young age. This ambition is perhaps his most defining characteristic.

Frank does evolve over the memoir, however. In some ways, especially in the later chapters, the book is a coming-of-age story. Many of Frank’s adolescent experiences are not markedly different from the experiences of those of a higher social class. He feels peer pressure; he endures the tumult of puberty and the physical changes that it brings; he tries to figure out who he is and what his life is about; he seeks to satisfy his curiosity about sex. Frank struggles like any adolescent would, but through these struggles, Frank’s mind is open, and he absorbs the lessons they offer him. With each passing chapter, Frank gains wisdom, and while the adult Frank paints the younger Frank as a dolt at times, his ability to learn from his experiences indicate that he is not a dolt at all.

Angela Sheehan

Angela’s life is largely the product of the choice she makes during her fateful meeting with Malachy at the beginning of the story. From the moment she meets Malachy and conceives Frank, her life is out of her control. In marrying, she gives away much of her agency and instead is always at the mercy of what other people do. Angela is not by any means a meek or subservient woman; she is not afraid of Malachy and often lashes out at him, insults him, or commands him to stop talking. However, she is helpless in the face of his alcoholism, and she depends on him for food and other provisions.

Angela is generally resilient and seeks to make the best of her circumstances, especially with regard to her children. She teaches Frank how to care for his appearance and stands up for him when the Christian Brothers school slams the door in his face. She also sacrifices her own pride and seeks welfare from those who think it is a sport to humiliate the poor. At one point she essentially turns into a beggar so that her children can eat. Frank mentions that Angela considered going to England to work in the wartime factories, but she did not because she knew that orphanages were notoriously cruel.

Nevertheless, Frank tends to be more openly hostile toward Angela, especially in response to her antics with Laman Griffin in the loft, than toward his father. At least at the time, Frank sees only the sin of adultery; he does not acknowledge the possibility that Angela was once again sacrificing her pride for the sake of her children. As the memoir ends, the status of Frank and Angela’s relationship is ambiguous, but the fact that he titled the book after her provides a hint about his feelings; without denying the bleakness of Angela’s life (the word “ashes” suggests death), the title is nevertheless an homage to her.

Malachy McCourt

The man with the “odd manner” from Northern Ireland, Malachy is absent for most of the second half of the book. His most defining characteristic is his alcoholism, and his tendency to drink away his wages is at the root of his family’s struggles. Early in the book, Malachy seems much more inclined to stave off his alcoholism, especially when his daughter is born. The sobriety never lasts long however, and at every critical moment, Malachy finds a way to get drunk, including on the eve of his son Oliver’s burial.

Malachy is not an unsympathetic figure. When the family arrives in Limerick, his accent reveals him as an outsider: a presumed loyalist and Protestant. He suffers discrimination when searching for work, and Angela’s family hates him because he is from the North. Malachy’s life, like Angela’s, is a truly hard one.

Eventually, Malachy heads off to England to work in the wartime factories; from this point onward, he (and his wages) is less and less present in the family’s life. Nevertheless, Frank handles the portrayal of Malachy in a way that highlights the man’s humanity and his big heart while also showing how ill-equipped he is to handle his responsibilities. It is safe to deduce from the text that Malachy wants to be a good father and a good man. He is literate, a skill that Frank admires and absorbs. He is a proud man and has a very healthy love of his country. When he is not drinking, he is a quiet, mild-mannered individual. Frank seeks his counsel often, and Malachy is always ready to give it. Whether these traits redeem Malachy in the reader’s eyes depends on how the reader views Malachy’s alcoholism.

Grandma Sheehan

The matriarch of the Sheehan clan, Grandma has the most prominent presence of all the secondary characters in the book. Like many residents of Limerick, Grandma is prejudiced against Protestants and people from Northern Ireland in general. She is also highly judgmental, especially toward Malachy. She is at times bluntly honest, almost to the point of cruelty to her daughters and grandchildren. Malachy is afraid of her, and she openly mocks Frank for being too much like his father. Grandma is the kind of person who begrudgingly provides charity, and any generosity that she does show comes at the expense of criticism. She believes in a reward-based faith in which a person’s suffering—even her daughter Angela’s—correlates to their sinfulness.

Grandma also speaks some of the book’s funniest lines—a fact that has much to do with her stingy and begrudging manner. For example, as Frank reaches for sugar to use for his breakfast, Grandma says to him, “Go aisy with that sugar. Is it a millionaire you think I am? An American? Is it bedecked in glitterin’ jewelry you think I am? Smothered in fancy furs?” (128). The comedy here plays upon Grandma’s gruff demeanor, her stinginess, and her contempt for her daughter’s family being dependent on her. Nevertheless, her support is invaluable to the McCourt family. It is Grandma who pays for their return to Ireland; it is Grandma who provides support upon their arrival in Limerick; it is Grandma who organizes, plans, and pays for Oliver’s wake. While Frank looks at his grandmother with a kind of fearful apprehension, without her very meager support, the family would be entirely destitute. Like the other adult members of the family, Grandma is a flawed and complicated person. Her bigotry and outdated ways of looking at the world may stand out to modern readers; Grandma lacks sensitivity and doesn’t care what others think of her. However, her actions tend to reveal someone with a bigger heart than her grumpy words indicate.

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