47 pages • 1 hour read
Michael MorpurgoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lizzie pauses in telling her story and mentions she wishes she had her photograph album, which she left at home. Karl and his mother volunteer to bring it to her. Lizzie shows them a compass she keeps in her bedside table. Holding it lovingly in her hands, she tells them that she first saw the compass “the day we found him lying there in the barn” (97). Lizzie then resumes telling her story.
When Lizzie sees the enemy airman, she hates him and wishes he were dead until he opens his eyes and looks at her: “I knew right away that he was no more of a killer than Papi was” (98). Speaking German, he identifies himself as a Canadian in the RAF that bombed Dresden. Infuriated, Mutti raises the pitchfork as if to kill him, but Lizzie stops her, reminding Mutti that she and Papi always said that killing is never right. The airman says he does not blame Mutti for hating him and sincerely apologizes for the bombing; he did not know the whole city would be destroyed, and he hates what countries at war do to each other. He was the only survivor when his plane was shot down. He introduces himself as Peter Kamm; he is 21 years old with a Canadian father and Swiss mother, and he grew up speaking English and German.
Leaving Marlene in the barn, Mutti breaks a window to get into Lottie and Manfred’s house; she, the children, and Peter go inside, where they find food and Lizzie builds a fire in the stove. Peter offers to help build the fire, but Mutti makes him sit at the kitchen table, telling him not to speak to Karli and Lizzie and vice versa. Mutti carries the pitchfork with her as she prepares dinner. When she goes to the barn after dinner to check on Marlene, she gives the pitchfork to Lizzie and tells her “to use it if [she] [has] to” (105). However, Lizzie and Karli are not afraid of Peter; they both like him and enjoy listening to him speak. While Mutti is gone, Karli shows Peter his juggling skills, and Lizzie explains that Karli is “a bit of an actor” (105). Peter says that Karli reminds him of himself at Karli’s age and that acting “was all [he] ever wanted to do” (107). Before the war, he had “just gotten started in Toronto” (107), and he plans to return as soon as the war ends.
Returning from the barn, Mutti finds Lizzie at the sink and Karli sitting on the floor with Peter in front of the fire; Peter is showing his compass to Karli. She is furious with Karli for talking to Peter, and she assumes Peter is trying to ingratiate himself with her children. Karli has never seen a compass and excitedly shows it to his mother: “Look, Mutti! […] Peter has a compass […] he’s only got to point it in the right direction, and it will take him all the way home” (108). Mutti tells Karli that Peter is not going home and scolds him for talking to Peter. She then turns to Peter and tells him she will turn him over to the police at the first opportunity. She points out that if Peter runs away, he will either freeze to death or the Abwehr will capture him. Mutti demands that Peter give her the compass: “Without it you are not going home, you are not going anywhere” (109). After a few long moments, Peter stands up and silently gives Mutti the compass.
Lizzie does not understand or approve of Mutti’s hatred for Peter, even though he wears the uniform of the enemy; Mutti was always a pacifist, and Peter is “trying […] to be kind and conciliatory and helpful” (110). Lizzie also has feelings about Peter that trouble her and make her feel guilty. Unable to talk about them, she goes to the barn and tells Marlene that she loves Peter, “this airman, this enemy” (111), whom she has known for less than 24 hours. Marlene listens as Lizzie pours out her heart, and Lizzie learns that “[t]o be a true friend, you have to be a good listener, and […] Marlene was the truest of friends” (112). Physically exhausted, Mutti, Lizzie, and Karli sleep upstairs the rest of the afternoon and all night; Mutti blocks the bedroom door with a chair because she does not trust Peter. Peter sleeps downstairs in a chair by the stove.
The following morning, Lizzie finds Peter at the kitchen table studying a map. The American forces, he says, are near Heidelberg, about 200 miles away. Since he, Lizzie, and her family are all going west, Peter thinks they should travel together. Guided by his compass, they could stay off the roads crowded with refugees, travel by night, and rest during the day. Overhearing the conversation, Mutti is adamant about staying at the farm. When Peter says he thinks they would have a “better chance” staying together and helping one another, Mutti coldly says, “We do not need you, we do not want you” (115). She then directs Lizzie to take Marlene to the stream for a drink.
At the stream with Marlene, Lizzie hears Mutti screaming and Karli shrieking from the direction of the lake. Rushing to the lake, she sees that Karli, who cannot swim, has fallen through a hole in the ice, his head bobbing up and down in the water. Peter is holding Mutti to keep her from going after Karli, and she is screaming and struggling to break free. Peter tells her to stay there, saying he will reach Karli. Seeing Lizzie, he shouts for her to bring him a rope. After finding one in Manfred’s tool shed, Lizzie races back to the lake; Peter is out on the ice trying to pull Karli from the water. Lizzie and Mutti walk toward him on the ice until he tells them not to come any closer. Lizzie throws one end of the rope to Peter and wraps the other around herself. When Peter gets the rope around Karli, Lizzie and Mutti pull on the rope. Peter lifts Karli’s lifeless body from the water, carries him into the house, and lays him on the floor.
After removing Karli’s wet clothes and covering him with a blanket, Peter pumps Karli’s chest and breathes into his mouth again and again. Karli does not respond: His skin is gray, and his lips are blue. Lizzie and Mutti hold each other and sob, certain that Karli is dead, but Peter refuses to give up. He continues CPR until Karli regains consciousness, water pouring from his mouth as he sputters and coughs. Peter rests on his knees, his hands covering his face. Lizzie wants to “hug him tight and never let go” (120). As Mutti holds Karli in her arms, kissing him over and over, Lizzie kneels in front of Peter, takes his hands in hers, and sees that he has been crying too. When their eyes meet, she knows that Peter shares her feelings.
To dry out, Peter changes into some of Manfred’s clothes. Mutti makes soup for dinner. She is quiet, lost in thought, and something is different about her. She no longer tells the children not to talk to Peter, and the pitchfork is gone. As they all sit down to eat, someone knocks firmly at the door. Lizzie is sure it is the police and sees that Peter is afraid.
Three German soldiers come into the room carrying rifles. One of them, a sergeant, interrogates Mutti while the others look around the room. Mutti remains calm, saying that the house belonged to her sister and that she, her daughter, and her two sons are now living there. The sergeant says they are searching for a parachutist from a British bomber that was shot down. They found the plane’s wreckage not far away, and they know “one of the bastards [is] here somewhere” (124). Mutti tells the sergeant that she has not seen anyone and that she and her children just arrived from Dresden. The sergeant replies bitterly, “There is no city anymore […] There is no Dresden” (124). He adds that if they find the enemy soldier they are looking for, they will not take him prisoner: They will shoot him and explain later.
One of the other German soldiers calls to the sergeant from outside, amazed that there is an elephant in the barn. Mutti explains that she worked in the Dresden zoo and that they managed to save Marlene. While the sergeant goes to see Marlene for himself, the third soldier guards Mutti, Lizzie, Karli, and Peter, who sit at the table, their fear growing. When the sergeant returns, Mutti assures him that Marlene is not dangerous and that she has not seen an airman or a parachutist. The sergeant asks to see everyone’s papers (identification documents); Mutti says they have none since they were outside when the bombers came and “just ran.” Taking down everyone’s names, he asks Peter how old he is; Peter says he 21. The sergeant then asks why he is not in the army; when Peter hesitates, Karli says, “He gets asthma like me […] When he gets out of breath, he gets asthma” (126). Mutti backs up Karli’s improvised story. Satisfied with Mutti’s answers, the sergeant and the other two soldiers leave, talking about the elephant in the barn.
After making sure the soldiers are gone, Mutti sits down at the table, “her face drained of all color” (127). She and Peter look at each other in silence for a few moments. Reaching into her pocket, she takes out Peter’s compass and returns it. Peter tries to thank Mutti for saving him; in response, Mutti tells him, “From now on, no more sorrys, and no more thank-yous. What is done is done. The past is behind us. You are family now, one of us” (128).
Mutti also tells Peter that he was right about their traveling west together and helping each other; however, Peter no longer thinks it is a good idea. Being caught with him would put Mutti, Lizzie, and Karli in great danger: “[The Germans] will shoot you if they ever find out who I am” (129). Convinced they must stay together, Mutti argues that Peter speaks “good German” and that in Manfred’s clothes, he looks German. Peter sees another problem in traveling together: Marlene will draw attention to them, so they should leave her in the barn with plenty of hay and water. Mutti will not even consider this: “Where we go Marlene goes […] She is part of the family too” (129).
With matters settled, they spend the rest of the day preparing for the trip. Studying his map, Peter estimates they can reach the Americans in four or five weeks. They pack all the food they can carry in rucksacks, a blanket secured over the top of each one, and have one last meal at the farm. That night, wearing all the warm clothes they need, they lead Marlene from the barn and set out into the darkness with Karli riding on the elephant’s back. Lizzie and Peter, the compass in his hand, walk together ahead of the others.
Part 3 traces the evolution of Mutti’s feelings about Peter from the time Lizzie finds him in the barn until he, Mutti, Lizzie, Karli, and Marlene leave together on the perilous journey west. Initially, Mutti despises Peter and wishes she could kill him. Her hatred for Peter is visceral, expressed bitterly in her words and actions; she projects all her fear, outrage, and suffering following the bombing of Dresden onto Peter, seeing only his RAF uniform and not the young man wearing it. However, after Peter risks his life to save Karli, Mutti recognizes Peter as a courageous, compassionate person. Peter is no longer the enemy soldier she holds prisoner at the farm; he has become one of her family, and she risks her own life to protect him from the German soldiers who hunt him and plan to kill him.
Lizzie’s feelings about Peter also evolve in Part 3. The first time she sees him in the barn, she hates him and wishes he were dead, but looking into his eyes quickly convinces her that he is not a killer. She even likens him to her father—a remark that serves as both praise and a reminder of the toll the war is taking on everyone involved. Bringing Peter into the farmhouse, Mutti is afraid of him but Lizzie is not. She likes listening to him talk about himself when he was a boy. Peter is “so full of spirit, so determined” that Lizzie even falls in love with him (107); riddled with guilt for loving an enemy soldier, she is nevertheless certain she will love him until she dies, and the complexity of her feelings is a sign that she is growing beyond childhood. In retrospect, Lizzie’s holding Peter’s compass so tenderly at the end of Part 2 indicates that she was right about her love.
The compass, a symbol in the novel, plays a significant role in Part 3. Peter and Karli’s relationship begins with Peter showing Karli his compass and explaining how it works. His and Mutti’s relationship also evolves via the compass, which Peter needs to escape from behind enemy lines. Taking it away from him illustrates Mutti’s determination to see that Peter is captured; rather than resist Mutti or hurt her, Peter hands it over, understanding what giving it up means. Mutti returning the compass to Peter marks the beginning of their new relationship. After giving the compass back, Mutti asks, “Can that compass thing really guide us to the Americans?” (128), to which Peter responds, “Yes, all the way, if we can keep going, if we get lucky” (128). Qualifying his answer to Mutti’s question creates suspense regarding what will happen after Peter leads them away from the farm at the end of Part 3.
By Michael Morpurgo
Action & Adventure
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Animals in Literature
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Coming-of-Age Journeys
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Family
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Juvenile Literature
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Memorial Day Reads
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Mothers
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War
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World War II
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