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Louise PennyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
A high-ranking homicide investigator on the Quebec police force, Gamache is a mild-mannered and unremarkable man who seldom draws attention to himself. Multiple characters remark that he looks “more like a college professor than a man who chase[s] killers” (16). Gamache leads a quiet life living in the small, close-knit village of Three Pines. He is devoted to his beloved wife, Reine-Marie, and also very close with his children and grandchildren. Gamache’s professional and personal lives exist in stark contrast; while he enjoys a blissful and peaceful domestic life, he spends his career chasing down violent killers: “Every evening Armand Gamache was reminded that goodness existed. And every morning he drove away, to face the horrors” (11).
Gamache is known for his shrewd psychological insights and his ability to stay calm even in the most high-pressure situations. Gamache often solves problems by controlling his initial emotional reactions; for example, he keeps his cool during the dangerous confrontation with Dagenais and his agents: “While his face was composed, Gamache’s heart pounded” (86). Gamache generally trusts his instincts and intuition, but he is also very self-aware and interrogates those instincts as well. As the plot unfolds, he is able to uncover the elaborate revenge plot that Fleming has designed by using both his intellect and his instincts.
Gamache is capable of deep empathy and forgiveness. When Fiona is charged with killing her mother, Gamache advocates on her behalf, and at the end of the novel, Gamache predicts that “he w[ill] speak, once again, on her behalf” (382). In contrast, Gamache finds it almost impossible to see past the deeply negative impression he formed of Sam as a young boy. He can also hold a grudge against someone who is blameless: He initially tries to prevent Amelia Choquet from being admitted to the police academy because she is the daughter of the man who killed his parents. However, he realizes that she is innocent and supports her ambitions as she becomes a competent and life-saving police officer.
Gamache’s character remains relatively consistent over the course of the novel, but he does develop additional insights into his own nature. Gamache comes to see that he is not always an entirely accurate judge of character: He spends much of the plot insistent that Fiona will never engage in criminal activity again, but this turns out not to be true. Gamache also realizes that he is vulnerable to being manipulated by individuals who appeal to his empathy; he misses the fact that Fleming is hiding in plain sight because “he’[s] been blinded by the love Mongeau felt for Sylvie” (335). In addition to these insights into his own character, Gamache encounters the limits of his self-control. After the confrontation with the guard who colluded to let Fleming escape, Gamache fears “going completely mad and committing murder [him]self” (282). These insights into his own nature ensure that Gamache is still growing and learning, even as a man well into middle age.
John Fleming, the villain in the novel, enacts an elaborate plot to taunt Gamache and eventually kill him and his entire family. Fleming is a psychopath and convicted serial killer; he was sentenced to life in prison but was able to escape. Fleming is essentially pure evil, incapable of feeling any kind of remorse or empathy. He is also dangerous because he is so psychologically astute and capable of manipulating others. Fleming is repeatedly described as capable of “g[etting] into Gamache’s head and ma[king] a home there” (265).
Fleming is motivated by his deep desire for revenge because he believes that Gamache tricked him, which “focused his mania, his rage, on the Chief Inspector” (281). As he eventually explains to Gamache, “I might’ve died in prison, but you gave me purpose. You made me strong” (350). However, even outside of prison, Fleming’s rigidity and obsessiveness “imprisoned him. He would not deviate from his plan” (353). Gamache’s adaptability ultimately allows him to triumph over Fleming’s inflexibility.
Harriet Landers, an important secondary character, spends significant time in Three Pines with her aunt, Myrna Landers, having just received her engineering degree. While Harriet is intelligent, caring, and loyal, she has a history of being anxious and fearful and is sometimes consumed with self-loathing as a result. During her graduation ceremony, she thinks to herself that “if she was the future, they were all fucked” (74). Ironically, she is in some ways right. That is, even as Harriet doubts herself, she is also stubborn and willful, ignoring her aunt’s warnings that Sam is not trustworthy and ending up in danger as a result.
Harriet nearly succumbs to the weaknesses in her character during her fearful flight through the woods at night. Collapsing on the ground, she is “[n]umb. Silent. Paralyzed. Hollow. As she’d lived, Harriet would die” (344). However, only moments later, Harriet finds a well of inner strength and realizes that “if death was coming for her […] she would not die sniveling on the ground” (344). Emerging from the woods a much braver person, she bears the sign of her transformation at the scene in Gamache’s house, where she has contributed to saving Gamache and the others. When other police agents arrive at the Gamache house, they describe Harriet as “a wild woman […] standing in the middle of the room, clutching a tree branch” (378).
Fiona Arsenault, another secondary character in the novel, first encounters Gamache as a young girl, when Gamache investigates the death of Fiona’s mother. Fiona was subject to abuse as a young child, and she and her brother eventually kill their mother in order to save themselves. Her traumatic early experiences leave Fiona vulnerable and also deeply connected to her brother, Sam, who is violent and manipulative. As a mental-health professional observes, “There’s a strong, almost unnatural bond between them” (80).
That bond seems to attenuate as Gamache and his wife take in Fiona and support her to complete a degree in engineering. At the beginning of the novel, she seems to be on the cusp of putting her criminal past and time in prison behind her. However, Fiona longs for a sense of family, connection, and belonging, and these desires lure her into colluding with Sam, and Fleming (her biological father). Fiona ends up lying to hide the fact that Sam has hurt Harriet, sneaking Sam into Gamache’s house, and contributing to the plot to kill Gamache. In the end, Fiona is unable to go through with the plan and acts to save Gamache. Though back in prison at the end of the novel, she has experienced a partial redemption.
By Louise Penny