logo

53 pages 1 hour read

David Foster Wallace

A Supposedly Fun Thing I'll Never Do Again

Nonfiction | Essay Collection | Adult | Published in 1997

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter 3Chapter Summaries & Analyses

Chapter 3 Summary: “Getting Away from Already Being Pretty Much Away from It All”

Wallace writes about his trip to the 1993 Illinois State Fair when Harper’s magazine tasked him with writing about the fair; he grew up in rural Illinois but admits that he didn’t really miss it. A friend and former lover, an Illinois resident who he refers to as Native Companion, accompanied him to the 1993 fair. After he collected his press credentials the previous week, Wallace and his friend arrived for the first day. Several rides and livestock tents were already open, though the fair hadn’t yet become busy. This plays on Wallace’s nostalgic recollection of his childhood, a “radically self-centered” (89) time when the world seemed built for his personal enjoyment. He visited the horses, cows, and swine (but avoided the poultry due to a long-standing phobia). Next, they visited the carnival-like games and rides. Two fair workers grinned while offering Native Companion a ride on the Zipper, “a kind of Ferris Wheel on amphetamines” (98). The men fooled around with the ride, at one point halting Native Companion’s cart upside-down in such a way that Wallace became convinced that they were “ogling her nethers” (99). While he was angry (though he said nothing), Native Companion dismissed his concerns. Wallace wondered whether this was “just the sort of regional politico-sexual contrast the swanky East-Coast magazine is keen for” (101).

Wallace and Native Companion then explored the fair’s various food stalls. The variety of food was an embarrassment of riches created by “Illinois’ complete lack of ethnic identity” (103). After eating, they watched livestock shows, which “earnest, nervous, pride-puffed” (105) farm kids attended. Wallace found the judging parameters for the livestock competitions obscure and baroque. By late afternoon, he had sweat through three shirts. The various stimuli overwhelmed him, prompting him to realize that he viewed the fair differently than the locals. Unlike those on the dense, urban East Coast (Wallace counted himself among this crowd, despite his upbringing), the rural Midwesterners spent most of their time in vast, empty spaces, so the dense hyperactivity of the fair was a “neat inversion” of Wallace’s idea of getting away from it all.

The following day, Wallace intended to “hit the Dessert Competitions” (111). He ate so much that he had to seek medical help, thus essentially wasting an entire day. The next day, heavy rains fell, turning the fair into a bog. Wallace explored the fair as the weather cleared. He was fascinated by the violence at the Illinois State Jr. Baton-Twirling Finals, where many spectators were brutalized by wayward batons. After, Wallace visited the Expo Bldg., a large interior air-conditioned space where stalls sold products “AS SEEN ON TV” (118) to a very different crowd of people than those attending the agriculture and livestock parts of the fair. Wallace scrutinized the church booths and dwelled on the “populist evangelism of the rural Midwest” (122), nearly getting into a philosophical debate with one churchgoer, against his better judgment. Wallace thoroughly enjoyed the Prairie State Cloggers Competition, in which misshapen married couples tapped out highly synchronized, captivating routines, each better than the last. Wallace almost missed the United States Auto Club (USAC) 100 race and, by the time he arrived in the stand, the confusion of smoke and noise made him wish he was back at the clogging competition. As the day ended, Wallace watched a boing competition involving various age groups (16, 14, 12, and 10).

In the evening, Wallace thought about the “strong digestive subtheme” (131) that ran through the fair. Food was consumed and excavated in a constant cycle as people vomited after using the fairground rides. Wallace did not enjoy the adrenaline-inducing rides and, for the first time, felt “truly lonely” and removed from his Midwestern roots. He watched a fellow East Coast attendee approach one of the fair’s most extreme rides. Wallace wanted to watch the man experience the violent ride but, at the last moment, lost his nerve. He refused to “be a part of this, even as a witness” (137).

Chapter 3 Analysis

Focusing on the theme of Irony and Society, the essay “Getting Away from Already Being Pretty Much Away from It All” depicts Wallace’s prodigal return to the American Midwest. Having grown up in this environment, he moved to the East Coast and, in the ensuring years, lost his sense of connection to the world of his youth. Thus, Wallace approaches the state fair as an outsider. Divorced from the cultural values of his youth, he experiences the fair as alien and strange. The more time he spends there, however, he realizes that it is he who has become alien and strange: His Midwestern roots are undeniable, even if he no longer recognizes this world. As a result, Wallace’s depiction of the dizzying strangeness of the fair underscores his unique expression of alienation, thus alluding to the theme of Alienation and Detachment. He no longer belongs to this world but he cannot truly leave it behind and make anywhere else his home. He feels caught between two worlds, a product of both and an inhabitant of neither. This tension between Midwest and East Coast identities, between Wallace’s youth and his present, and the odd sensation of being an outsider in every place, illustrates the extent to which alienation dominates his worldview. His account of returning to the place where he grew up thus brings his preoccupation with the alienation from society into sharper focus.

In this context, Native Companion plays an important role. Wallace has been away from the Midwest long enough to lose his connection to the region, so his friend becomes a beacon of authenticity. She still lives in Illinois, a relic of the past that Wallace left behind. She is still culturally attuned to the society of the Midwest, for better or worse. The strangeness that preoccupies Wallace has no effect on Native Companion, and she likewise shrugs off the sexual harassment to which the fair employees subject her. The harassment annoys Wallace on her behalf, again illustrating their difference in disposition. His concern is not wholly sincere, however, as he immediately begins to think about how to incorporate her aloofness into his essay as a point of cultural juxtaposition. Like the two ride operators, he objectifies his friend, even if his intentions are not sexually motivated. Wallace’s overintellectualizing of Native Companion delineates his separation from this world. The essay never names her, reducing her to the rawest of identities. She is native and she is a companion, a narrative device that Wallace commodifies in his pursuit of an artistic vision as alien to the other fairgoers as the clog dancing seems to him.

A recurring point of interest for Wallace is the role of consumption in US society. In the previous essay, he discusses the role of the viewer as a consumer of television shows. In this essay, he focuses on the role of the viewer as a consumer of culture at the state fair in the form of vast quantities of food, livestock competitions, sales stalls, and carnival rides. People consume these as forms of entertainment, and the entire economy of the fair operates on the ability to satisfy consumptive desire. Consumption is a cornerstone of American culture, one that unifies television viewers and fairgoers. While the specifics of consumption may vary, Wallace draws out the similarities among the various types of consumption practices across the nation and the commonality of the profit motivation in those who peddle goods and experiences for those consumers.

blurred text
blurred text
blurred text
blurred text