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70 pages 2 hours read

Tennessee Williams

A Streetcar Named Desire

Fiction | Play | Adult | Published in 1947

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Character Analysis

Blanche DuBois

Blanche is the heartbeat of A Streetcar Named Desire. She grew up wealthy on the Belle Reve plantation with her sister, Stella. When she arrives at Elysian Fields in her delicate white clothes, she appears “moth”-like (5). We see this image fulfilled over the course of the play, as she is very much a creature of the night. She depends on soft lighting and darkness to conceal her true age, which she sees as one of the hindrances of her life. Her movements are erratic, and she often appears fearful throughout the play.

An ex-English teacher, she is the most formally-educated character in the play, and her dialogue is filled with big ideas and references to literature, art, and history. She has a strong sense of her own opinions and is obsessed with maintaining appearances. She brings a sense of the larger world to the small street of New Orleans, as she rhapsodizes about the travel and, particularly, the ocean

Her past often haunts her. She experienced a fall from grace when her family at Belle Reve died, and she married a man (her first love) who eventually committed suicide. These events are enigmatic to her; she constantly questions how to approach them and how to cope with them. Her plan to hide her past upon arriving at Elysian Fields is thwarted by Stanley, whose relentless attempts to sabotage Blanche drive her to madness. She becomes less and less tethered to reality over the course of the play. The night on which Stanley rapes her signals the beginning of her hallucinations. Her sister, Stella, sends her away to an asylum for mental care. Her inability to connect with other characters in the play is often due to her being a victim of circumstance, and despite her losing touch with reality, she is often one of the most lucid and informed characters of the play.

Stella Kowalski

Stella is 25 years old and Blanche’s younger sister by five years. At the beginning of the play, she tends to be quiet as Blanche dictates conversations and talks over her. Her abusive marriage to Stanley seems predicated on lust and desire, and she enjoys his roughness, how he offers her a different kind of life than the one she was given at birth. At first, Stella is a mostly dismissive of her sister’s lofty monologues and criticisms, although her tendency to care for and fuss over Stella is apparent. As the play progresses, Stella begins thinking and acting more autonomously, even going so far as to criticize Stanley’s sloppy manners and tell him to “[g]o and wash up and then help [her] clear the table” (131). 

She gives birth to her baby girl near the end of the play, just before she decides (or is influenced to decide) to send her sister off for mental care. It is not until the Doctor and Nurse arrive that the weight of things dawns on her, and she sobs as she yells, “What have I done to my sister?” (176). The opportunity for her to change her own life and her sister’s life for the better is thwarted when, at the end of the play, Stanley kneels before her, and the audience is left to assume that life will continue as it was at Elysian Fields.

Stanley Kowalski

Stanley is a grotesque emblem of misogyny, violence, and brute power. Williams describes how “[a]nimal joy in his being is implicit in all his movements and attitudes” (24). He is often drunk, very loud, and wholly stubborn. His word is the final word. He enjoys playing poker with his friends and going bowling, and his clothes are as vividly colored as his personality.

His disdain for Blanche is clear from the start, likely because her outspoken nature challenges and threatens him. When Blanche turns on the radio twice, against his will, he simply throws the machine out the window. Early on he suspects Blanche has cheated him out of money and that he is owed something for Belle Reve. This sends him on a witch-hunt, during which he scrapes up gossip about Blanche’s life in Laurel and uses it against her. He proceeds to share this information with both Stella and Mitch, Blanche’s love interest. On the night that Stella is in the hospital going into labor, Stanley starts an argument with Blanche and rapes her.  

The control he exerts over the other characters in the play reaches far and wide, for, as Blanche says, he is the “executioner” (111). However, Stanley’s character is twice made powerless: on poker night Stella leaves him, and at the end of the play, he clings to Stella as she cries uncontrollably. More than anything, these moments seem to suggest his capacity for complex human emotion, which he constantly refuses.

Harold Mitchell (Mitch)

Mitch is a friend of Stanley’s and the love interest of Blanche. He is introduced in the first scene, talking to Stanley about a potential poker night. He leaves the game early to go home and take care of his sick mother. Blanche picks up on his sensitivity, which sits in stark contrast to his friends. He had a lover pass away, and he shares this with Blanche one evening during a poker game. This moment of intimacy sparks their romance. The conversations he has with Blanche are some of the most emotionally honest and meaningful in the play. He is a close listener and is attentive to how Blanche’s history has shaped her. He tells her: “I like you to be exactly the way that you are, because in all my—experience—I have never known anyone like you” (103). 

Their romance is shattered when Stanley tells Mitch about Blanche’s past. Stanley’s intervention ruins Mitch, and on the day of Blanche’s leaving, he is unable to speak or look up. His gazed remains focused on the table.

Eunice Hubbell

Eunice is the Kowalski’s upstairs neighbor and also their landlord. She is married to Steve. During one of the play’s scenes, she and Steve argue about his infidelity, but they later make up at the local bar. They seem to have an otherwise healthy relationship. Eunice is a supportive of Stella, harboring her when Stanley becomes violent and helping to take care of the baby once Stella has given birth.

Steve Hubbell

Steve is Eunice’s husband and a friend of the Kowalski’s. He is seen at the Kowalski’s flat playing poker twice, and he helps try to sober Stanley on the night of his outburst. Steve speaks the final line of the play, almost identically repeating a kind of poker he’d mentioned in the first poker scene: “This game is seven-card stud” (179).

Mexican Woman

The Mexican Woman is blind and wrapped in a shawl. She appears in the Scene 9, selling flowers and calling “Flores para los muertos” (147). She startles Blanche, who seems to mistake the flowers as symbols of her own death. Blanche and Mitch are in the midst of a confrontational conversation about her past when the vendor is heard wandering the streets, her voice weaving through their discussion.

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