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Reia takes a long bath, and the woman watches as Reia dresses. When she sees the scars from Orpheus’s magic on her abdomen, she realizes that Orpheus and Reia have had sex. The woman reveals that she has also had sex with Orpheus and that she is Katerina, Orpheus’s first companion, kept alive by Jabez’s magic. Jabez is part demon and part elf, which is shocking to Reia as she did not think elves were real. Katerina tells Reia that she hates Orpheus for stealing her from her home and that she had sex with him because she thought he’d eat her if she refused. Reia realizes that Katerina never got to know Orpheus and only viewed him as a monstrous Duskwalker, not as a being full of empathy and kindness. She lets Katerina speak negatively about Orpheus and feigns gratitude for the rescue and the food Katerina offers her. Katerina leaves and informs her servants are waiting outside the door if Reia needs anything, which hinders Reia’s ideas about escape.
After a restless night, Reia has an awkward brunch with Katerina and Jabez. She talks with Jabez about his past: He came to this world through a portal from his home world that was inhabited by elves and demons. He was the result of a non-consensual encounter between an elf and a demon. As the only hybrid, he was reviled, so he left and brought demons to this world with him. He created the Veil to eventually return and destroy the elves. He returns to his home world to frequently eat elves and grow stronger. He hates the Mavka/Duskwalkers because they refuse to join in his fight against the elves.
Jabez senses Orpheus arriving in his territory, and Katerina reveals her plan: She’s going to kill Orpheus by crushing his skull, a solution she discovered after torturing another Mavka nearly to death. Reia starts to smell like fear, and Jabez realizes she cares for Orpheus. Reia reveals that she does care for Orpheus and wanted to be intimate with him. Katerina berates her for wanting to be with someone she considers a monster and argues that Orpheus would choose her over Reia. Reia disagrees, but Katerina makes Jabez grab Reia. She tells Reia that she must watch Orpheus choose her over Reia and then die. Then, Jabez will eat Reia.
Orpheus arrives at the castle and encounters Katerina in the throne room. She tells him that she never wanted to leave him and that Jabez tricked her into leaving. She says Reia has taken her place with Jabez so Katerina can return to Orpheus. Orpheus continues to ask about Reia and realizes that even if Katerina wants him again, he does not want her, especially after she breaks one of the bells off the antlers that Reia made him. He turns to see Reia running at him, looking angry. Reia tackles Katerina, who had been holding a dagger over Orpheus’s head. Reia bit Jabez’s hand and elbowed him in the groin to escape. Orpheus realizes that Katerina lied and intervenes in the fight between her and Reia.
Jabez starts to fight Orpheus while Reia and Katerina sword fight. While Jabez is distracted fighting Orpheus, Reia stabs and kills Katerina. In a rage, Jabez attacks Reia, stabbing her with a dagger. Orpheus uses magic to defend them, conjuring a symbol he has never seen before that covers them in a protective dome, magic stemming from Reia’s blood. Jabez, unable to enter the dome, removes the scent-cloaking spell so the smell of Reia’s blood will tempt Orpheus to eat her. As she starts to die, Orpheus grieves, saying he does not want another human or to lose Reia. Reia then gives him her soul, realizing she does want to spend eternity with him. She tells him that she loves him and falls unconscious.
Orpheus watches as Reia’s body disintegrates in his arms. Thinking she’s gone, he attacks Jabez, demanding her back. Jabez says that he does not have her and that she is dead. Orpheus returns home to search for her but still cannot find her. He grieves her loss and smells her in their home. He plans to search until he finds her, even if it takes eternity. As he roars in grief, he thinks he hears her voice.
Reia wakes in the forest, unsure of why she has no physical body. She floats above the forest and looks down to see Orpheus, who has a flame between his antlers and seems unable to hear her. She wonders if she’s a ghost as her hand goes through him when she tries to touch him. After thinking that she wants her body back, she sinks into the ground and becomes physical. A demon tackles her and eats her.
When she wakes again, she is no longer physical. She appears before Orpheus to try to explain her situation, but he thinks she isn’t real. She encourages him to go home so she can safely turn physical again. As Orpheus returns home, she realizes she’s a phantom, a spirit capable of being physical or nonphysical that is anchored to someone. Reia realizes she is anchored to Orpheus, and the flame atop his head is her soul. When they get to their home, Reia becomes physical and explains that she is real and has become a phantom. She makes Orpheus hunt and chase her before they have passionate intercourse. Afterward, Orpheus asks Reia to make him a new bell for his antlers.
Reia and Orpheus have sexual intercourse again. Afterward, Reia asks Orpheus if he loves her, as he did not say it back when she said it as she gave him her soul. Orpheus says he does not know since he’s never been in love. Reia tells him that she thinks he does love her, and when Orpheus describes how he feels about her, she agrees she feels the same. He then tells her that he loves her.
Reia wakes up and sees the Witch Owl outside in her human form. She approaches the Witch Owl, who shares the truth of the Mavka with her: They are her children. The Witch Owl used to be human but now is a phantom like Reia, and she mated with the void, a spirit of darkness. When Mavka are born, they are not fully conscious until they eat a human, and the gender of the first human they eat determines their gender. The Witch Owl confesses she helped Orpheus find love but warns Reia to be careful to not become pregnant as she is now part-human and part-spirit like Orpheus, so they are biologically compatible. Orpheus must learn the magic to keep her from conceiving a child. When the Witch Owl leaves, Reia returns to the house and shares the new information with Orpheus. She tells him that she will not have sex with him until he figures out the magic to prevent pregnancy. She then gives Orpheus the new bell decoration she made for him.
Orpheus hunts for a deer for Reia. He misses her even though he’s only been gone for a day. It only took him a week to figure out the pregnancy prevention magic, and they were intimate again soon after. As Orpheus thinks about bringing Reia flowers, she appears behind him, apparently summoned by their anchor bond. She accompanies him as they hunt and then reminds him of his promise to kill the people who tormented her in her village. He redirects toward her town, and Reia asks him to only kill Chad, the man who spearheaded her torment, and feed him to the other Duskwalker so he can gain more humanity. Orpheus agrees and plans to use his next protection spell on their home instead of the human village. As Reia smiles at him, he thinks she is perfect.
The final chapters explain Katerina’s backstory, the origin of the Mavka, and the magic behind the soul transfer to turn Reia into a phantom. They tie up the narrative while setting up the rest of the Duskwalker Brides series: The Witch Owl describes the other Mavka that exist in the Veil and her desire for them to find love and companionship. The themes of the narrative are also mostly resolved. The Role of Redemption and Forgiveness in Forming Relationships is complicated by Katerina. Reia and Orpheus forgive each other for the pain that they’ve caused each other, but Katerina does not forgive Orpheus for kidnapping her. The differences between Katerina’s and Reia’s experiences as Orpheus’s companions are steep. Katerina was kidnapped from her home, forced to live in a cave at first, and accompanied by a less-human Orpheus, as he had not eaten as many people. Being with Orpheus is a better option for Reia than eternity in the dungeons of her village, and Orpheus’s house is well set up for her. Reia begins to understand Katerina’s perspective: “[S]he couldn’t blame Katerina for what she’d done. She thought she was surviving, but she had never allowed herself to see Orpheus for who he really was. She had wanted to see a mindless beast of a monster, and she’d made one” (444). Reia understands why Katerina feels the way she does about Orpheus, but her own perspective still clouds her view of Katerina. Katerina cannot forgive Orpheus for hurting her, and so they cannot build a relationship, making Orpheus’s affection for her one-sided.
Katerina partially breaks the gift that Reia made for Orpheus, demonstrating her attempt to destroy Orpheus and Reia’s relationship. When Reia repairs it for him after her transformation into a phantom, their relationship is repaired and made stronger, as now Reia is anchored to Orpheus. Her soul even rests between his horns, near the gift that he wears. The location of her soul near the gift that represents their relationship is significant. In giving Orpheus her soul, she further solidifies their relationship and her bond with him.
The Tension Between Fear and Acceptance in Identity Formation recurs in Katerina’s shaming of Reia for having sex with Orpheus. She tells Reia she does not have to be “ashamed” of their relationship because she assumes that Reia felt coerced into it. When Reia reveals she wanted to have sex with him, “disgust” appears on Katerina’s face. However, Reia is not afraid of her opinion like she would have been in the past. Prior to her having sex with Orpheus, Reia refers to herself as a “pervert” in her thoughts five times throughout her various perspectives. She harshly judges herself for her attraction to Orpheus and her sexual desires because they fall outside the norm. Here, though, Katerina’s judgment does not upset Reia. Instead, Reia is overwhelmed by her anger at Katerina for wanting to kill Orpheus. She has also come to terms with her feelings about Orpheus, later displayed by her offering her soul to him and her confession of love for him. Reia no longer fears not belonging because she belongs with Orpheus. She’s made her own home with him and carved out her place in the world. Her loneliness also abates because of Orpheus; he offers her an unconventional family to replace the family she lost.