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49 pages 1 hour read

Henry Cole

A Nest for Celeste: A Story About Art, Inspiration, and the Meaning of Home

Fiction | Novel | Middle Grade | Published in 2010

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Chapters 22-29Chapter Summaries & Analyses

Chapter 22 Summary: “Lafayette Returns”

True to his word, Lafayette meets Celeste at dawn. When she asks him to take her home, he replies, “Why sure, honey! But now, just how would you suggest I do that?” (205). Proudly, she unveils the gondola. The osprey enthuses, “This basket is amazing! A work of art! And all by your lonesome? You’re amazing, sugar pie!” (206). His praise makes Celeste blush because this is the first time anyone admired her work. Lafayette carefully grips the gondola in his talons, and Celeste climbs aboard.

Chapter 23 Summary: “Flight”

Lafayette takes off, and Celeste squeals in excitement. She marvels at the creeks, forests, and homes below her as she sees the world from a new perspective. The osprey glides along the river, and Celeste exchanges greetings with a flock of brightly colored parakeets. In a flooded wood, she sees “long, rough-skinned creatures” with snapping jaws (215), which Lafayette explains are alligators. Celeste recognizes Oakley Plantation because of the magnolia tree near the house. The osprey is relieved that they found their destination early in the morning before hunters are about. He observes, “More and more guns shooting into the air these days” (217). Celeste asks Lafayette to take her to the dogwood tree so she can gather some berries. Then he carries her up to Joseph’s window. Lafayette promises that they’ll see each other again soon. Celeste thanks her friend for bringing her home and for the wonderful flight.

Chapter 24 Summary: “A Homecoming and Inspiration”

Being back in the familiar surroundings of Joseph’s room fills Celeste with comfort and joy. Cornelius is relieved to see his friend, and he gratefully gobbles the berries she gives him. Celeste pushes a dogwood twig into Cornelius’s cage, and she insists that he pose and sing for Joseph. The boy awakens and is ecstatic to see that the mouse is back. He gives her kisses and peanuts, and she basks in “the warmth and safety of his gentle hands” (225). At Celeste’s cue, Cornelius hops onto the twig and sings. The beautiful birdsong inspires Joseph, and he sketches and paints the scene with great confidence and enthusiasm. Mr. Audubon stops by the boy’s room and says, “I see my instruction has inspired you. This is beautiful. Your dogwood is perfect” (230). Joseph thanks the bird for the inspiration.

Chapter 25 Summary: “Cornelius Says Adieu”

While the humans are eating supper in the dining room, Celeste chews through the rope holding Cornelius’s cage shut. He admires the painting Joseph made of him and explains to Celeste that it’s time for him to fly south for the winter, but he’ll return in the spring. Celeste did not expect to be parted from her friend, and she sheds a tear. Cornelius thanks her for saving him and says, “You’re a good friend” (238). Celeste watches her friend fly away with a flock of thrushes. Suddenly, her instincts sense a predator. She looks down from the desk and sees the cat watching her.

Chapter 26 Summary: “The Attic”

With the cat in pursuit, Celeste leaps off of Joseph’s desk, flees across the hall, and darts through a knothole at the base of a door. She scales a staircase and finds an attic where various pieces of old furniture and other discarded objects look like “[h]ills and valleys of unimagined treasures” to the little mouse (246). The exhaustion of the past several days creeps up on Celeste, and she curls up inside a feather tick mattress and falls asleep.

Chapter 27 Summary: “A Friend Returns”

Celeste awakens to the screeching of a bird. Mr. Audubon says, “He’ll be a great live model for the osprey painting” (250). He tells Joseph to go to New Orleans for supplies. The boy is reluctant to begin his journey without Celeste because he feels lost without her. After Joseph and Mr. Audubon leave, Celeste hurries into Mr. Audubon’s room and finds Lafayette tied to the bed. The osprey explains that he was shot down soon after he dropped her off but could fly if he were freed. Celeste starts to chew through the leather strap tying Lafayette to the footboard, but she is only halfway done when Mr. Audubon returns. Celeste hides and watches as the frustrated artist struggles to capture the osprey in his drawings. He stamps his feet, throws his pencils, and fumes, “There is no life in this portrait!” (262). After Audubon storms from the room, Celeste examines his sketches and hatches a plan.

Chapter 28 Summary: “Lafayette Strikes a Pose”

Celeste asks Lafayette to trust her and explains that he needs to help Mr. Audubon find inspiration if he wants to stay alive. She coaches him into a daring and lively pose with his beak open and his wings outstretched. When Mr. Audubon returns, he gasps, “Le beau spécimen! You are magnificent!” (271). He quickly sketches and paints the majestic osprey. Satisfied with his work, Audubon thanks his feathery muse and falls asleep. Celeste shares a smile with the surprised Lafayette.

Chapter 29 Summary: “Freedom”

While the artist sleeps, Celeste chews the rest of the way through the leather strap tying Lafayette to the bed. The overjoyed osprey vows to repay her if he can ever be of service. She asks him to visit her, and he replies, “I’ll definitely be keeping an eye on you [...] But it may be a while before I come for a visit. It’s a dangerous world out there” (278). Lafayette flies away.

Chapters 22-29 Analysis

In the novel’s fourth section, Celeste gains a deeper understanding of friendship and strives to mend The Relationship Between Art and Nature. Cole uses imagery and foreshadowing to add significance to Celeste’s flight back to Oakley Plantation. In Chapter 22, a combination of vivid olfactory and visual details emphasize the protagonist’s hope and anticipation: “Even in the predawn light Celeste could see that the entire world was blanketed in silvery droplets. The air was full of the scent of magnolia and jasmine blossoms. Celeste couldn’t wait to try the gondola” (208). In Chapter 23, Lafayette voices his concerns about the increasing violence against birds in the region. Audubon’s artistic ambitions contribute to this rise, and Lafayette’s words foreshadow his capture. The osprey’s words add an ominous undertone to the otherwise beautiful and exhilarating scene.

Celeste’s return to the plantation advances her relationships and the novel’s major themes. For example, Chapter 24 makes it apparent that Joseph still signifies home to her at this point of the novel: “She was ecstatic to be back in Joseph’s room, where things looked and smelled and felt comforting” (221). Additionally, Celeste demonstrates her care for Cornelius by bringing him berries, a symbol of friendship, despite all of the travails she faced. Cornelius’s relief at seeing her shows that she means just as much to him. He tells her, “I’ve been worried sick!” (222). Likewise, Joseph is ecstatic about her return, which shows that he greatly values her companionship.

Rather than having his protagonist choose between her human and avian friends, the resourceful protagonist finds a way to help them both and improve the relationship between nature and art. Painting a live, singing bird is a completely different and far more inspiring experience for Joseph than his previous attempts to draw pinned subjects. The young artist enters a state of flow, and his inner critic is silenced by the music: “This time as he worked there was no eraser needed” (227). Audubon is impressed with his apprentice’s painting of the thrush, suggesting that this influences his decision to paint a live osprey. Celeste further develops the relationship between art and nature when she tells Cornelius, “Now you’ll live forever in a painting” (235). Artists can draw inspiration from nature and in exchange give its beauty a permanence that is absent from the natural world.

The theme of the relationship between art and nature culminates with Audubon’s painting of Lafayette. At first, the artist struggles to create a lively portrait while drawing a bound bird: “This osprey might as well be dead and stuffed like a Christmas goose! The wings are folded like it is in a casket! And the eyes…dull! The neck…stiff!” (262). Just as she did with Cornelius, Celeste coaches Lafayette to display his natural beauty. As a result, Audubon creates a majestic painting, and her friend lives. The painting Cole based this on is Osprey and Weakfish (1829). Although the narrative doesn’t guarantee that Audubon will keep all of his subjects alive after his experience with the osprey, the scene offers some hope that he will be more open to the possibility at least.

Although Celeste succeeds in saving two of her companions in this section, she learns that some aspects of friendship are difficult. In Chapter 25, Cornelius’s departure prompts her to wonder, “Was this a part of friendship, too? The hardship of saying good-bye? Suddenly her eyes blurred” (239). The protagonist’s loneliness grows in Chapter 29 when she frees Lafayette and realizes that they may not be able to see each other again for a while because of the hunters targeting the regions’ birds. Her moving request for companionship, “Would you come visit me?” (278), is eventually fulfilled when Cornelius sends Violet to her at the end of the novel. Celeste’s experiences teach her important lessons about friendship, some of them painful.

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