49 pages • 1 hour read
Shea ErnshawA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Bee goes to the birthing hut to convince Colette to leave with her. She lies to Colette and Faye, saying she can ensure they don’t get the pox by listening to the tree. Colette agrees, and Bee tells them to gather their possessions. She goes to Levi’s house to leave a dried daffodil she once saved as a symbol that she no longer loves him. Levi comes back and catches her. When she tells him she is leaving Pastoral, he locks her in a closet. While inside, her sight returns, and she finds books. Some of the titles relate to mind control, illusion, and hypnosis.
Travis and Maggie arrive at Levi’s house to find the truck keys. They hear Bee shouting for help upstairs.
Travis and Maggie free Bee from the closet, and she tells them the pox was never real but rather a product of Levi’s lies and manipulation.
As the three run from Levi’s house, they realize the birthing hut is on fire. Travis rescues Faye, Colette, and the baby from inside. Parker comes from the guard post when he sees the fire. He says he won’t let them leave and pulls his gun. Travis attempts to wrestle it from him, and Maggie is shot. Bee goes back to confront Levi, and Faye tells Travis and Maggie to get as far past the boundary as they can while she tries to stall others who come.
Bee meets Levi in the garden. She remembers him practicing hypnosis on her and taking her sight. He admits to creating the lie about the pox, and she realizes he has been killing members of the community to make them believe it. He threatens to kill her and say it was the pox, then begins to strangle her. She takes out her knife and stabs him to death.
Part 3 of the novel is by far the longest section, but it does not include extensive action for the three protagonists. While significant community events occur, Calla, Theo, and Bee are primarily occupied with gathering clues, trying to recall their real memories, and grappling with their internal character struggles. They make significant progress and develop as characters while unraveling the mystery, but they do not take much direct action. By contrast, Part 4 involves all three characters moving rapidly and actively toward the climax. For Calla and Theo, this involves their escape from Pastoral; for Bee, her confrontation with Levi. Part 3 concludes with the final decision that the group will leave Pastoral, and Part 4 opens with the actions each character takes to enact their plan. In terms of narrative structure, Part 3 concludes with one of the novel’s primary twists about the main characters’ identities. Importantly, the chapter titles in Part 4 do not shift to “Maggie” and “Travis,” but remain as “Calla” and “Theo.” Thus, Ernshaw suggests that although the characters have learned their real identities, they have not yet processed what that means or the extent to which they identify with the past versions of themselves.
Part 4 begins with the novel’s other primary twist: The “rot” is not real, and Levi has been hypnotizing them. Both details are catalysts that quicken the narrative’s pace. This pacing enables the narrative structure to mirror the characters’ experiences. While Calla, Theo, and Bee have been fairly stagnant within Pastoral for much of the narrative, the reveal of the new information spurs them into action. Deceit has kept them docile, and without its influence, they can move quickly. This is symbolized in Bee regaining her sight; while her understanding and literal sight were clouded through Levi’s manipulation, she can finally see clearly enough to make her own choices. With this, Bee’s character arc reaches its climax when she confronts and stabs Levi. Ernshaw connects their confrontation with the theme of The Power and Darkness of Fairy Tales through Bee’s realization that he is “a monster” and the thing they should have feared all along. Part 4 ends with Bee’s triumph over Levi and provides an emphatic conclusion to the novel’s rising action and climax. The fact that the narrative does not include a description of Calla and Theo progressing through the forest to the gas station contributes to the narrative effect of their departure from Pastoral. Like most of the characters, the reader is not able to immediately follow them out of the community.