36 pages • 1 hour read
Flannery O'ConnorA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The grandmother wears a fine hat for the family car trip, completing her outfit and indicating that she is a lady in case anyone should find her body after a crash. In her mind, her status as a lady is of utmost importance—far more than comfort. Emphasizing this view is the fact that she calls on her identity as lady in an attempt to escape murder at the hands of the Misfit.
After the car accident, the hat is damaged, mirroring how the grandmother’s belief in her status as a lady is damaged. Now, she is sitting at the side of the road just like the Black boy she saw earlier in the story and whom she looked down on. She eventually drops the hat into the ditch, abandoning her fine ideas of herself. This act symbolizes how her identity as a good lady was a flimsy façade that she had built up for herself. Once tested, it falls apart. The Misfit recognizes this façade in her but does allow that the grandmother was good once her life was threatened.
The plantation house that the grandmother wants to visit symbolizes the Southern past. It is a very real relic of an outdated and lost past. Still, she wants to go and visit this remnant of her past and goes so far as to trick the children into wanting to go by lying about exciting features in the house. The grandmother eventually realizes with horror that she has made a mistake about the plantation’s location. The family, then, is driving toward a delusion rather than a real house.
The plantation symbolizes how attempts to recapture the past—especially the Southern past—are pointless. In fact, the events are foreshadowed when the family drives past a plantation cemetery near the beginning of the story and the grandmother tells the children that the plantation itself is gone. Chasing this phantom past is what results in the family’s crash and eventually their deaths. The author concludes, then, that an inability to adapt to changing society can be fatal.
The monkey is Red Sammy’s pet, who is chained to a chinaberry tree by the service station. The monkey jumps into the tree to escape the children and is last seen sitting in the branches eating fleas.
Although its appearance is brief, the monkey, in many ways, symbolizes The Misfit. Like the criminal, the monkey does not know why it is chained up and imprisoned. Like The Misfit, it is assumed that the monkey would run away if it were able to get free from its chain. Both are also imprisoned by “good men”—the grandmother calls Red Sammy a good man, and The Misfit was locked up by men of law. In its final appearance, the monkey sits, unconcerned, eating fleas, mirroring The Misfit’s lack of concern later as he murders the family.
When the Misfit first appears, his car is described as “a big black battered, hearse-like car” (Paragraph 69). This description indicates immediately that The Misfit has arrived bringing death with him: The car is a hearse, and The Misfit is the driver. The car also moved slowly, coming lazily around the bend before rolling to a stop, but its progress seems inevitable, just like the approach of death. From the moment the car appears, the sense of inescapable doom continues to escalate throughout the rest of the story until everyone in the family is dead.
By Flannery O'Connor