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56 pages 1 hour read

Karina Yan Glaser

A Duet For Home

Fiction | Novel | YA | Published in 2022

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Part 1Chapter Summaries & Analyses

Part 1: “Sunday, September 30”

Part 1, Chapter 1 Summary: “June”

Content Warning: This section discusses the death of a parent, problematic parenting and parental neglect, bullying, gun violence, murder, and the trauma of unhoused people. The term “homeless” is reproduced in quotations only.

A marshal evicts June Yang, Maybelle Yang, and their mother, Mrs. Yang, from their apartment in New York City’s Chinatown. Ever since Mr. Yang died, Mrs. Yang has been completely inert and does not take care of her daughters. June packs the family’s belongings in trash bags, and they go to the Emergency Assistance Unit (EAU)—a New York City agency that helps displaced families find shelter immediately. At the dispiriting EAU building, the Yangs fill out paperwork and sleep in the hallway before they are placed in a shelter called Huey House, which is located in the Bronx—a borough in New York City.

Maybelle thinks that Huey House looks like a prison, but June tries to stay optimistic. Marcus, a large man who looks like a wrestler, is the head of security. He notices June’s viola case and tells her that Huey House doesn’t allow musical instruments. June’s father bought her the viola with the money he saved from delivering Chinese food, so June doesn’t want to part with it. Marcus agrees to hide it in his office, warning that if Ms. MacMillan, the person in charge, sees the instrument, she’ll throw it away.

Part 1, Chapter 2 Summary: “Tyrell”

To earn community service credits, students from the affluent Manhattan school, Cressida School for Girls, come to Huey House to celebrate the September birthdays at the shelter. They sing a generic happy birthday song and distribute birthday cake and presents before retreating to their phones. Ms. Iris Hunter, the pink-haired head librarian at Cressida, arrives late with a bag filled with “priceless” and “dangerous” surprises.

Tyrell Chee and Jeremiah Jones watch the proceedings with amused detachment. They have lived at Huey House for three years, so they know what to expect. They moved in at about the same time and also attend the same school. They’re best friends, but Jeremiah is big and has cornrows, while Tyrelle is skinnier and has straight hair. Jeremiah has a crush on Lulu Vega—a 16-year-old girl who lives at the shelter with her mother and Abuela (grandmother). Lulu often helps the staff, and Tyrelle has a crush on her too. He likes her hair. Once, he tried to touch it, and Lulu threatened to kill him.

Part 1, Chapter 3 Summary: “June”

When June signs in, the time is 4:40 pm, prompting her to think about her parents’ superstitions about the number four. June’s parents are from China and speak Cantonese. In Cantonese, the word for “four,” sei, sounds similar to the word for “death.” June’s parents have given their daughters names with eight letters (Juniperi and Maybelle) because Cantonese speakers pronounce the word for “eight” as baat, which sounds like faat, the Cantonese word for “fortune.” However, when June began preschool, a teacher shortened Juniperi to June.

Maybelle adores dogs, and she shows Marcus a photo of their dog, Nana, who is staying at an animal shelter. Marcus says that Ms. MacMillan forbids dogs; he says Ms. MacMillan’s name as if she were Cruella de Vil.

Part 1, Chapter 4 Summary: “Tyrell”

Ms. Gonzalez, the family service director, appears and wonders if Ms. Hunter is scaring the children. Tyrell likes Ms. Gonzalez and calls her Ms. G. The other children like her too. One child with a runny nose hugs her.

Ms. Hunter’s surprise involves gifts of picture books about dragons, pigeons, monsters, and Egypt, so Tyrell doesn’t want them. Next time, Ms. Hunter promises to bring books that Tyrell and Jeremiah will like.

Part 1, Chapter 5 Summary: “June”

Ms. MacMillan, the director of Huey House, introduces herself to the Yangs, explaining that it is her job to ensure that the residents obey the rules: Curfew lasts from 9:00 pm to 5:30 am. If an adult has a job that requires them to work beyond the curfew, that adult must get permission from HQ. June doesn’t know what “HQ” stands for but soon learns that it means “headquarters” and refers to the company that operates the shelter. Ms. MacMillan also stresses that drugs, pets, instruments, and alcohol are prohibited. Meals are provided in the basement cafeteria, and food isn’t allowed in the rooms.

On Ms. MacMillan’s desk, June notices a confidential document about Housing Stability Plus (HSP). She reads the first paragraph and learns that the program will begin with an official announcement in October. The policy encourages shelters to move families into homes subsidized by HSP as quickly as possible.

Part 1, Chapter 6 Summary: “Tyrell”

Tyrell enjoys a green Pixie Stix as he watches Lulu and Jeremiah clean up the conference room after the birthday celebration. Lulu chastises Tyrell for not helping, and she notes that the Albert family is moving out tomorrow. Lulu believes that her family will move soon, but Tyrell thinks that he and his mother are “permanent residents.” He and Jeremiah plan to stay at Huey House until they’re 18 and then get an apartment together.

However, Jeremiah wouldn’t mind moving sooner. He wants a kitchen, but if Tyrell’s mother had a kitchen, she might start a fire. Jeremiah wants to start his homework—a reading response to the middle grade novel Roll of Thunder, Hear My Cry (1976), but Tyrell thinks that they should go through with their plan to get revenge on a condescending girl named Maria Castro.

Part 1, Chapter 7 Summary: “June”

June officially realizes that her family is staying at a shelter for unhoused people and is appalled to learn that her family’s room is on the fourth floor. The room contains “yellowed” sheets, brown blankets, and dirty mattresses. June checks for bedbugs before helping Maybelle unpack her dog books and dog stuffed animals. June has packed cookware for her mother, but her mother remains unresponsive, and June wants to throw the wok at her. Just as June is wishing that her father were still alive, Ms. Gonzalez, the head of family services, knocks on the door.

Part 1, Chapter 8 Summary: “Tyrell”

Maria often taunts Tyrell by making the sign of the cross whenever he comes near her, and Tyrell and Jeremiah previously struck back by putting hair dye in her shampoo and turning her hair purple. Recently, Maria told Ms. MacMillan (whom Tyrell calls MacVillain) that Tyrell wrote “Huey House Sucks” on the front desk, even though he was not the culprit. Now, to get revenge on her for making this false accusation, Jeremiah rearranges the cranberry juice dispenser so that it will spray Maria when she uses it.

Abuela, Lulu’s grandmother, spots Jeremiah and Tyrell in the cafeteria. She tells Tyrell about the Yangs and wants him to be nice to them. She also tells Tyrell about a former resident who recently moved with her mother. Ms. MacMillan and HQ pushed them to use HSP, and they wound up in a house with a broken pipe, a broken faucet, and mold.

Part 1, Chapter 9 Summary: “June”

June is unsure whether to open the door for Ms. Gonzalez, and Maybelle thinks that Ms. Gonzalez might be a bad person, so June agrees to speak to Ms. Gonzalez in the hallway. She tells June that the bus leaves at 5:30 am. June’s school in Chinatown starts at eight, but the bus must drop off all the students at Huey House, so it leaves early. June feels faint and teary, so Ms. Gonzalez comforts her with a hug and Girl Scout cookies.

Part 1, Chapter 10 Summary: “Tyrell”

Mamo is the head cook at Huey House, and Tyrell and Jeremiah respect her watchful eye. She keeps them sharp. They think of her as preparing them for their dream jobs—detectives for the New York Police Department. After dinner, Tyrell wants to watch the new season of FBI 10-0, but Jeremiah thinks that they should do their homework first. Jeremiah is a positive influence on Tyrell. When they entered Huey House, they transferred to the closest school, and thanks to Jeremiah, Tyrell is now a decent student.

Now, Jeremiah puts the finishing touches on the dispenser, and they wait for Maria to get her cranberry juice, knowing that she is always the “only person” who drinks it. Jeremiah’s mother plays with another person’s baby, but Tyrell’s mother isn’t as warm. Tyrell describes his mother as being selfish and combative.

Part 1, Chapter 11 Summary: “June”

In the cafeteria, Maria scolds Mamo for only serving meatloaf surprise and cream corn. Mamo serves June heaps of meat. Maybelle is a vegetarian, but because she is distracted by her new surroundings, she doesn’t notice the cuisine. June asks Maybelle if she wants milk, water, or cranberry juice.

Part 1, Chapter 12 Summary: “Tyrell”

During dinner, Lulu highlights a large textbook. She sits next to her mother, Ms. Vega, who is training to be a hairstylist and practices her skills on the house residents. She is the one who buzzed Tyrell’s hair on the sides, leaving it spiky on top. Tyrell says hi to Lulu, but she ignores him. Jeremiah suddenly declares, “Abort mission.” Tyrell sees that the Yang sisters are about to use the cranberry juice dispenser. He screams “Stop!” but the girls pull the spout, and the cranberry juice splatters their white shirts.

Part 1, Chapter 13 Summary: “June”

June isn’t an “optimistic” person anymore, so she’s not fazed by their room at Huey House or the cranberry juice on their shirts. She already understands that circumstances can always get worse. In their room, she listens to Maybelle cry and plead to see Nana at the Mott Street Animal Shelter in Chinatown. If June had her viola, she could play Maybelle a lullaby and help her fall asleep easily.

June reflects on the recent events that have diminished her rosy outlook. Six months ago, the police knocked on her door to tell her that her father had died. While delivering food, he skidded on the ice and fatally collided with a truck. Devastated, her mother stopped going to work at the dim sum restaurant called the Flying Dragon Banquet Hall. Two days ago, the marshal arrived and evicted June and her family.

Part 1, Chapter 14 Summary: “Tyrell”

Tyrell and Jeremiah try to find out June’s room number so that they can apologize to her and Maybelle, but Stephanie, the woman at the front desk, won’t tell them what it is. They surmise that she might be angry at them for changing her “Be Back in Five Minutes” sign to “I’m Checking Facebook—I’ll Be Back Never” (82). The boys miss FBI 10-0. Before going to the chapel to do homework, they go to the alcove at the end of the fourth-floor hallway and listen to a person named Domenika play the violin on the first floor of her brownstone next door.

Part 1 Analysis

Part 1 introduces the narrative structure, which alternates between Tyrell’s and June’s perspectives to form a more complete picture of life at Huey House. Although both characters are struggling to deal with fraught living situations, they both deliver their stories with a tone of wry humor. For example, June makes offhand jokes about her situation, and Tyrell and Jeremiah adopt an amused attitude toward the Cressida girl and implement relatively harmless pranks. Likewise, June thinks of Marcus as “a guy who belong[s] on one of those world wrestling shows” (16). By employing a third-person limited perspective throughout the novel, the author limits the narrative to June’s and Tyrell’s respective viewpoints, and this approach provides a more nuanced view of both characters’ frustrations, misconceptions, and moments of inner growth. This pattern is particularly noticeable in Part 1 when June highlights her overwhelmed state as she tries to deal with a cascade of new people and rules. By contrast, Tyrell refers to himself and Jeremiah as “permanent residents,” and his chapters therefore take on a cool, wise tone that still manages to imply that he has important lessons to learn.

From the very beginning, June must work to embrace Diverse Definitions of Family and Home, and the central traits of many characters at Huey House help her shift her worldview little by little. Several Huey House employees contribute to this process. For example, although Marcus looks like an intimidating wrestler, he reveals his allegiance to the residents by agreeing to store June’s viola for her. Similarly, although Ms. MacMillan imposes her tyrannical rules to ill effect, June and the other residents benefit from the kindness of Ms. Gonzalez. Even June’s peers in the building help her find positive aspects in her situation; although Tyrell engages in impish pranks, he and Jeremiah are upstanding residents who find creative ways to support June and help her fit in.

Despite these positive developments, however, June continues to struggle with The Choice Between Blaming Bad Luck and Taking Action to improve her life, and she initially provides mostly negative portrayals of Huey House. Upon their arrival, June and Maybelle do not think of the other residents as a family, nor do they think of the shelter as a home. When Maybelle asks, “Is this like jail?” (15), it is clear that the girls see their circumstances as an unfair punishment. The inhospitable tone continues with the descriptions of the “yellowed sheets” and the “mattresses [that] d[oes] not look clean” (53). Likewise, the long bus ride to school and the cranberry juice incident ostensibly confirm the hostile atmosphere, and because June feels powerless to change her situation, she attributes her predicament to bad luck, drawing upon the many different manifestations of the unlucky number four to support her views.

Although June is far from confident about the future, she is not without hope, and the preservation of the viola symbolizes this shift in perspective. Because Marcus keeps the viola safe for her from the very beginning, the narrative implies that June’s heartfelt interests and purpose are merely postponed, not lost altogether. The sounds of the violin being played next door further emphasize this idea, and these details foreshadow the fact that June will soon become fully immersed in The Power of Classical Music once again. Because the violin music comes from outside the shelter, the narrative suggests that infinite possibilities await the characters in the outside world.

These early chapters also foreshadow the upcoming conflicts around HSP— the real-life early-2000s program that gave shelters money to move residents out, regardless of the state of their new homes or their readiness to live independently. In Chapter 5, June first spots the HSP-related document, and this brief mention hints that HSP will play a pivotal role in the following chapters as the impending policy directly impacts the characters’ lives. Additionally, these early hints will soon be followed with more explicit exposition to help readers understand both the political implications and the real-life consequences of the program.

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