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Reyna GrandeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Cory invites Reyna to lunch after the winter break. Keen to show him her reality as a single mother, she brings Nathan along on the date. Cory goes over to Reyna’s house after the meal. He stays for hours, asking if she likes Scrabble and sharing personal information about his family. Reyna learns that Cory’s parents divorced when he was three years old and that his mother raised him alone until she remarried. Although Cory did not see his father often, he bears no resentment toward him or his mother. Reyna hopes her son feels the same way when he grows up. Cory stays at Reyna’s house until dinner time, at which point he asks her out again. Reyna calls her mother to babysit Nathan while she and Cory go to a Thai restaurant. They go hiking together the following week, scaling rocks and jumping into the creek along the way. Reyna wishes she and Cory were more than friends.
Reyna invites Cory over for dinner on his birthday. She spends hours cooking chicken mole, the national dish of Mexico, while he and Nathan play games in the dining room. Reyna is pleased to see Cory and Nathan enjoying each other’s company. Cory asks if Reyna received any news about her manuscript, which Jenoyne sent on a second round of submissions to editors. He remains upbeat when she tells him she has not heard from her agent in weeks. She imagines having dinner with Nathan and Cory as a family every night before reminding herself that Cory has a girlfriend.
In the weeks following the birthday dinner, Reyna finds it painful to spend time with Cory. She wants more than friendship, but he seems uninterested in pursuing a romantic relationship with her, pulling away when she tries to kiss him during a movie. Reyna apologizes and wonders if this is the end of their friendship. Mago tells Reyna that Cory is using her to ease his loneliness and suggests giving him an ultimatum. Reyna follows Mago’s advice. She shares her feelings with Cory over the phone and tells him to make a choice. Cory and his girlfriend break up the following day. He tells Reyna he is falling in love with her before leaning in for a kiss.
Reyna’s father briefly lives with her after selling his house in Highland Park and buying one in Adelanto, which is too far to commute to work. Reyna offers her father Nathan’s room, but he insists on sleeping in the unfinished garage. He behaves the same way Reyna did when she lived with Diana, keeping to himself and spending as little time at home as possible. Reyna is hurt when her father makes no effort to connect with Nathan. Nevertheless, the two share pleasant moments together, notably, when he builds a pergola over her patio, which they call a casita, or “small house.” He shares personal information with her, explaining that he ran away from his abusive parents at the age of 17 and learned construction to survive. Reyna recommits to breaking the cycle of domestic violence and child abuse.
As the pergola rises, she thinks about the dream house her father wanted to build for his family in Iguala, which prompted him to move to the US to look for work. She wants to ask her father about his rage, his sadness, and his regrets. More important, she wants to know why he abused his children, when he was himself the victim of abuse. Reyna wants her father to stay with her in the long term to rebuild their relationship. A few days later, however, he announces that he and his wife are moving into their own house in Los Angeles. Reyna realizes that her father once again built her a house—the pergola—but she was the one who built a home.
In a momentous event in Reyna’s career, she receives an offer from an editor with a big publishing house in New York City. Jenoyne relays the changes the editor wants her to make to the manuscript. Reyna is dismayed to learn that he wants her main protagonist to be a US-born Latina, rather than a Mexican immigrant. Her hopes drop further when Jenoyne tells her the editor is not interested in immigrant stories but rather in “Chic Lit,” books about middle-class Latinas who have assimilated into US culture. Reyna hangs up and cries. She calls her agent the next day and declines the offer. Cory tries to comfort Reyna with an outing to her favorite seafood market, but she is too depressed to enjoy the date. A few weeks later, she receives a call from Jenoyne about an offer from Atria Books, a division of Simon and Schuster. The editor, Malaika Adero, reportedly loves Reyna’s manuscript and does not want significant revisions.
Reyna travels to Mexico with Cory to celebrate her book deal. Although she wants him to understand her roots. Doubt creeps in during the taxi ride to Reyna’s aunt’s house. Reyna worries Cory will be put off by the poverty of Iguala. She also fears he will get food poisoning. Reyna’s aunt, uncle, and cousins greet them with enthusiasm, but Cory’s limited Spanish hinders communication. Reyna’s aunt serves chicken mole, giving Cory a drumstick while everyone else gets chicken feet. Cory is surprised by the meatless tamales, but he compliments the food and makes a show of enjoying the meal.
The sleeping arrangements push Cory further out of his comfort zone. Metal springs poke through the mattress, while the pillows are filled with old clothes, rather than foam or feathers. Reyna shows Cory how to fill the bucket for the outdoor toilet and warns him to shake his shoes before putting them on to avoid being stung by scorpions. Cory compares the conditions to camping. The next day, Reyna takes Cory to her father’s old house and to the cemetery to pay their respects to Abuelita Chinta. Reyna’s aunt prepares pigeon for dinner, a delicacy in Iguala. Infatuated by the dead birds, Nathan shoves one at Cory and calls him papa. Reyna and Cory visit her uncle Gary the next day. They leave behind clothes and money, but Reyna wishes she could do more. Cory moves in with Reyna upon their return to LA.
The cycle of poverty and abuse remains a key theme in Chapters 34-38. Reyna grew up poor, just like her parents and grandparents. Chapter 35 describes the poverty her father faced as a child, which influenced his behavior as an adult. Reyna is concerned when her father moves into her unfinished garage, a room that is “nothing but studs and stucco, barren and dark. It was not a finished room, not comfortable in the least” (272). Her father brushes aside her worries, claiming he is used to worse. Indeed, her father grew up in a shack and slept on a straw mat laid directly on the dirt floor. He was so accustomed to hard floors that he continued to sleep on them, even after he immigrated: “In the U.S., he had never gotten used to beds. Often, through his years living with my stepmother, she would wake up to find him sleeping on the hard, unforgiving floor. It was one of the ways his childhood still haunted him” (272).
In Chapter 36, Reyna learns that her paternal grandparents beat her father, prompting him to run away. Reyna now understands that domestic violence affected both sides of her family. She knows that domestic abuse is often passed down, with the abused later becoming abusers, but she is determined to break the cycle:
I thought about the abuse he had grown up with, and the abuse my mother had experienced. This was our history, a history of violence where abused children turned into abusive parents. I was trying to break that cycle with my son, though I had come dangerously close to hitting him, and through the years there would be a few times when my upbringing got the better of me. This inherited violence was something I didn’t want and fought hard to crush (274).
Reyna continues to deal with the fallout of being abandoned as a child, speculating that her parents’ repeated abandonments exacerbated her trauma. With Cory, however, she learns that parental abandonment does not necessarily leave children with permanent emotional wounds. In Chapter 34, Cory tells Reyna that his parents divorced when he was three years old. She learns that his mother raised him alone until she remarried, that she gave him a loving home, and that he rarely saw his father. Despite being abandoned, Cory bore no resentment toward his father: “I still struggled with my resentment toward my own parents for having left me […] Cory seemed good at letting go of what he couldn’t control and couldn’t change […]” (261). Reyna sees Cory’s “no trauma, no drama” (261) attitude as a positive trait. She hopes Nathan will grow up to have a similar outlook.
Cory supports Reyna’s journey toward self-acceptance. This is especially evident in Chapter 38, when Reyna takes Cory to Iguala to celebrate her book deal. Reyna worries that Cory will break up with her when he sees her hometown. He tries to reassure her by claiming her book prepared him, but Reyna knows that reading about poverty and living in poverty are two entirely different things. Her insecurities arise when she remembers that Cory’s ex-girlfriend took him to her hometown of Cyprus, where they swam in the Mediterranean, ate fresh figs, and sunbathed in the Cypriot sun. Iguala is just the opposite. Reyna organized the trip in hopes of solidifying their relationship, but doubt creeps in when they arrive: “What if instead of bringing us closer, this trip tore us apart? What had I been thinking, bringing this middle-class gringo to a place where there were no luxuries, not even the simplest things he was used to?” (282).
Reyna’s fears dissipate when Cory seamlessly adapts to life in Iguala. He doesn’t bat an eye at the town’s crumbling infrastructure or her aunt’s dilapidated house. He gamely eats spicy green mole and meatless tamales. He utters his first complaint at bedtime, when the springs poke through the mattress and the pillow feels “hard as rocks” (285). Although Cory can’t believe people live like Reyna’s relatives, he ultimately thanks Reyna for bringing him on the trip. Their time in Iguala allows Cory to see a new side of Reyna, strengthening their relationship.
Reyna’s blossoming relationship with Cory coincides with a major career breakthrough: a tentative book deal from a publisher in New York City. However, Reyna declines the offer when the editor asks for substantial changes to her manuscript. She objects to making her protagonist an American-born Latina, rather than an immigrant. More important, she resists turning her book into a feel-good story about a middle-class, well-integrated Latina. Reyna remains committed to telling stories that reflect her reality, even if that reality makes white, middle-class readers uncomfortable. She agonizes over the offer but ultimately decides to stand firm. The decision pays off. A few weeks after declining the book deal, Reyna receives an offer with no significant revisions from Malaika Adero at Atria Books.
By Reyna Grande
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