48 pages • 1 hour read
Sarah J. MaasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Feyre arrives near the shared studio space Ressina invited her to, hesitating while holding her supplies. Rhys senses her distress from afar and reminds Feyre that it is her choice to go to the group painting session. Feyre realizes that she knows what she wants and winnows, or transports herself, into the abandoned studio space she learned about from Ressina. She is nervous about painting in front of people and realizes that she needs to paint alone first. She sets up lights and prepares the space to work.
Feyre’s painting spills out of her as she allows herself to return to her passion. She spends hours in the studio working on this first painting since the war ended, and when she is done, she observes the final product. She draws her own monstrous “true self,” which she observed in the Ouroboros mirror that she stole in the previous novel to get the Bone Carver to fight for them in the war. She decides to let the image dry in the space overnight; she will return to claim it and then hide it away the next day.
Rhys arrives in the Spring Court, the territory of Feyre’s previous lover and now personal enemy, Tamlin. Rhys tells himself not to bait or break the other High Fae man, even though he sees that he could. The court is abandoned by all except Tamlin (and occasionally Lucien), and the house is falling into disrepair from neglect and Tamlin’s anger. Rhys speaks of the border and his disappointment that Tamlin isn’t monitoring it to prevent fae from attacking humans, but Tamlin says that he has no soldiers or sentries. He refuses to house any of Rhys’s soldiers when Rhys offers them. They exchange insults, and Rhys’s anger gets the better of him. He baits Tamlin and says that he brought everything he is now experiencing onto himself. When a furious Tamlin tells Rhys to leave instead of attacking, Rhys knows that Tamlin is broken and perhaps even waiting for someone to kill him. Rhys leaves.
He finds Feyre out in Velaris; she sees how disturbed he is. He feels hollow and disappointed in himself after reacting to Tamlin as he did. Feyre comforts him, but Rhys admits that part of him wanted to kill Tamlin. He realizes that he will stay angry with Tamlin if he doesn’t cool down away from Feyre, whose presence reminds him of his hatred of Tamlin. He decides to shop for her Winter Solstice and birthday presents. None of the jewelry seems right for this holiday, but the jeweler brings out several pieces that Rhys knows would be perfect for Amren, his second-in-command. He buys them all, reminded of how much Amren sacrificed for them in the final battle against Hybern.
Feyre and Cassian start the festivities before the official Winter Solstice, drinking Rhys’s best wine and decorating the house. As more of Rhys and Feyre’s chosen family arrive, Feyre enters the kitchen to check on her sister Elain, who is helping cook the evening meal. She broaches the topic of their other sister, Nesta, but Elain unhappily tells Feyre that Nesta said that she should live her life separately and that she will not join them for the Winter Solstice. Feyre sees the pain this causes Elain.
The sisters carry their food to the dining room, where everyone gathers. When Cassian starts eating before Elain joins the table, Azriel’s emotional distress related to his mother rears up, and he forces Cassian to wait for Elain to be seated.
Amren’s discussion of her adjustments to becoming High Fae, including needing food rather than blood for sustenance, and her joke about how she should have chosen to be a man instead of a woman, lead Elain to ask if it would be possible for Amren to go back to what she was before, an unknown but powerful creature. Amren is direct and wonders aloud if Elain asks out of curiosity or interest in her own future. She states outright that Elain can never be human again. The others use jokes to diffuse the tension and comfort Elain, and Feyre decides that she will do anything to keep Elain happy. She seeks out Nesta after dinner. She and Rhys find her in a seedy bar, but Rhys waits outside to avoid making her feel cornered.
Feyre finds Nesta playing cards with several wealthy High Fae men and reflects on how, since the war, Nesta has taken to finding men to take home after spending her evenings drinking. The men give the two sisters privacy, and Feyre asks why Nesta did not come to dinner. She asks what it would take to get Nesta to come celebrate the Winter Solstice with them; she brings up their father, but Nesta’s temper flares, and she tells Feyre to leave. Before Feyre takes two steps, Nesta reminds Feyre that her rent is due soon. Feyre claims that she’ll only give her the money for rent if she comes for the Winter Solstice. She feels Nesta’s glare as she leaves.
Rhys asks his cousin Mor to take a walk with him, deciding to address his agreeing to let her father visit Velaris in exchange for support during the war. As they observe the grand houses destroyed by Hybern’s attack, Rhys apologizes for his actions, but Mor agrees that he had to do it so that they could defeat Hybern. She claims that she will not leave the city to avoid his visit, knowing her father would see it as a sign of weakness. Rhys, however, explains that he needs her help visiting other courts to convince them that they should become full allies and warn them off attacking humans. It would require her to be away while her father is in Velaris. She wonders if this would mean that her father wins, but Rhys asks her to at least consider it.
This section of A Court of Frost and Starlight provides rising action for several characters, primarily Feyre and Rhys in relation to taking care of themselves, which highlights the theme of Healing After Trauma and Loss. Rhys often cares for others above himself, so the lingering tension with his cousin Mor unsettles him on her behalf even more than his own. Rhys finally faces the issue, taking advantage of a rare moment alone to invite Mor on a walk and discuss his decision to allow Mor’s father, Keir, to visit Velaris. Rhys and Mor’s relationship receives some resolution when Mor admits that Rhys made the right decision; she knows that he did it to save them all. Their ability to reconcile reveals The Power of Love and Friendship in Overcoming Adversity, but the moment also reveals Mor’s lingering inner conflict. Being around her father and Eris is difficult, but she also hates the idea of looking weak to her father after everything he has done to hurt her. Rhys gently reminds her that she must decide whether being absent from Velaris would mean that her father wins. He also asks her to act as an ambassador to quicken discussions of peace among the fae, and his offer triggers her desire to get away and see the world. This is the inciting incident for Mor’s later journey, when she will return to her private estate to allow herself time to regroup and heal. This personal journey, foreshadowed in this section, is motivated by the Winter Solstice, highlighting the theme of The Importance of Tradition for Community.
Rhys also experiences the rising tension of his own healing journey when he confronts Tamlin. Although he visits Tamlin to request that he monitor his borders and prevent other fae from invading human lands, he loses his temper and cuts Tamlin down verbally, despite Tamlin’s obvious brokenness. As he winnows away from the Spring Court, he feels as if “a strange sort of hollowness [takes] root in [his] stomach” (93). He acknowledges to Feyre that he wishes he had behaved better, and this moment sets the stage for his later gentleness with Tamlin. While Tamlin and Rhys are long-standing rivals, and worked against each other politically prior to the war, Tamlin also wished Feyre happiness with Rhys when he realized that her love for him was real. Tamlin is a complex character who, though outside of the main characters, is the most alone in the wake of the war.
Feyre’s narrative experiences rising action through both her personal journey and her conflict with Nesta. Her first private painting after the war and the three trials she faced releases something in her, allowing her to find a sense of momentary peace. Even picking up the brush is a moment of tension for Feyre, and she describes the fear she feels at facing what she might paint:
I’d barely been able to hold the paintbrush steady enough to make the first few strokes. From fear, yes. I was honest enough with myself to admit that. But also from the sheer unleashing of it, as if I were a racehorse freed from my pen, the image in my mind a dashing vision that I sprinted to keep up with (85).
Her journey of healing after trauma and loss takes another step forward, just like Rhys’s and Mor’s journeys when they finally confront the cracks in their relationship. Feyre’s first painting sets the stage for her continued healing and for her discovery of her purpose as a healer of children through art. Additionally, the image that she paints of herself in the Ouroboros represents the harsh way she views herself in the present while also suggesting her willingness to confront this self-image and heal.
Feyre attempts to use the power of love and friendship in overcoming adversity to help her sisters heal, but only Elain seems to make progress and benefit from the support of the wider group of friends. Still, Elain is wounded by the fact that she was made High Fae against her will by Hybern. Angry at how Nesta’s rejections affect Elain—and missing her sister herself—Feyre confronts Nesta. Nesta rejects friendship and the potential for healing from her own painful memories, and the tension between the sisters ramps up as Nesta reminds Feyre of the painful fact that she blames Feyre for Elain’s and Nesta’s ruined lives and transitions into being fae: “The words hung unspoken. But you and your court dragged us into this world. Took that joy away from her” (116). This exchange explains the source of Nesta’s tension, as Nesta and Elain were taken from the human world by Hybern to hurt Feyre, who was growing more powerful alongside Rhys. Finally, Feyre uses Nesta’s rent money as a last resort to coerce her sister into joining them for the Winter Solstice.
By Sarah J. Maas
Community
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Family
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Forgiveness
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Friendship
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Grief
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Guilt
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Marriage
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Memory
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Mortality & Death
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Novellas
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Pride & Shame
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Romance
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The Future
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The Past
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Valentine's Day Reads: The Theme of Love
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