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Leo TolstoyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The author spends much of A Confession in a state of despair regarding his failed search for meaning in life. His efforts to arrive at meaning through rational processes and the acquisition of knowledge occasionally appear to bear fruit but quickly disappoint Tolstoy again and again. He went through prolonged bouts of depression and suicidal ideation, writing that killing oneself is the honorable escape from the absurdity of life in Chapter 8. It is not until the last quarter of the narrative when Tolstoy engages with faith in a new way that his despair seems to lift, although it always finds ways to interrupt his moments of clarity.
Tolstoy continually contrasts himself and other people of his “class,” meaning the educated and relatively affluent Russians of his time, with working-class people, and finds the elite class to be leading inferior lives. The elites are “parasites” (69) who refuse to face discomfort, while common laborers endure their lot in life without complaint. Most importantly, elites wander through life aimlessly while poor workers live rich lives full of meaning. A pivot point in Tolstoy’s narrative comes when he decides to abandon his class and take on the life of a simple laborer to discover meaning.
In Chapter 7, Tolstoy compares the fable of the dragon to his existential crisis. In this fable, a man is hanging on a branch over a pit with a hungry dragon at the bottom. Two mice are slowly gnawing away at the branch. The man’s only solace is drops of honey on the leaves of the branch, which he enjoys while his life is in increasing peril. In terms of Tolstoy’s narrative, we can imagine that the dragon represents death; the branch is our life on Earth; the mice represent time passing; and the honey is everything in life that distracts us from our demise. Notably absent from this scenario is any sense of meaning.
Tolstoy’s A Confession both celebrates the rational mind and rebukes reason when it comes to apprehending the meaning of life. The author is deeply committed to rational thought and does an impressive job delineating the proper role of the sciences. He also exhausts all possible paths to meaning using his reason. However, he is equally committed to casting reason aside when he realizes that it blocks his path to a meaningful life. His ultimate quest at the end of the book is to determine where the limits of reason can be found and where the mysterious and inexplicable parts of life begin.
Tolstoy concludes A Confession with a dream that summarizes the struggles he describes in his narrative. The author dreams that he is lying in a bed made of woven cords. He pushes away some of the cords until he begins to sink. He finds himself perched on top of a huge height and becomes terrified of slipping. An abyss opens above and below; the abyss below is terrifying while the one above provides strength. Tolstoy realizes he has been secured by one cord running down the center of his body that is attached to a floating pillar. He hears a voice say, “See that you remember,” and he wakes up
This dream leaves more room for interpretation than the dragon fable. The cords that fall away from the bed may represent human knowledge that fails to discover meaning, while the single supporting cord may represent faith, which is attached to a pillar representing the unknowable mysteries of God or something similar. The abyss below is likely the pit of meaninglessness that Tolstoy constantly fights, while the abyss above could be God or perhaps the life of the honest and simple peasants.
By Leo Tolstoy