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57 pages 1 hour read

Dusti Bowling

24 Hours In Nowhere

Fiction | Novel | Middle Grade | Published in 2018

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Chapters 6-11Chapter Summaries & Analyses

Chapter 6 Summary: “Saturday—10:00 PM”

Matthew drops his jar of water, and it shatters. As the voices approach, he and Gus cling to each other. Suddenly, a familiar voice calls out to Gus, and Gus recognizes that it’s Rossi. Gus calls in return, and as Rossi appears, he notices that she’s accompanied by Jessie. Jessie, apparently, has mentioned Gus’s plan to Rossi, encouraging them both to intervene.

Rossi tries to convince Gus to turn back. When Gus refuses, Rossi and Jessie decide to stay and help. Rossi throws on her motorcycle helmet for protection, and she and Jessie fish out a few digging tools from her backpack. With Matthew supervising, the group begins to dig.

Matthew and Jessie share a few tense words. Jessie traces his ancestry back to José Navarro, and he assumes that Matthew is related to William Dufort. The two briefly scuffle until Rossi interrupts them, admitting that she doesn’t know the mine’s history. Matthew and Jessie each relate a different version of events. When they again come to blows, Rossi wonders why Jessie isn’t willing to move on. Jessie says that his family might be rich if Dufort had not murdered Navarro.

Meanwhile, Gus focuses on digging. Eventually, he strikes a weak point in the wall and chisels a small hole. Gus wonders if he’s discovered a hidden passage. Curious, Rossi widens the hole with her screwdriver. She peers through but sees only darkness.

Suddenly, the support beams split, and the mine crumbles around them. Thinking quickly, the group escapes back down the corridor and just barely avoids the collapse.

Chapter 7 Summary: “Saturday—11:00 PM”

As the tumult quiets, the group catches their breath. The mine is thick with dust, and they struggle to see clearly. Shining his flashlight, Gus notices that they’re surrounded by rubble; a large boulder, perched overhead, has saved them from being crushed.

The group debates the best course of action, aware that their supplies are critically limited. Rossi suggests that they navigate back toward the hollow wall, optimistic that it conceals another corridor. As the smallest of the group, Gus offers to climb atop the rubble and crawl through to the other side. When he struggles to hoist himself, Rossi gives him a push, much to his delight.

Sandwiched between the ceiling and the rubble, Gus squeezes forward. The jagged rocks cut through his shirt and pierce his skin. Gus peers ahead, hoping to discern the far wall. He sees only darkness but still urges the others to join him. Breathing in the thick, dusty air, the group struggles toward the other end.

Chapter 8 Summary: “Sunday—12:00 AM”

The group slides down, finally on the other side. The hollow wall has collapsed in the tumult, revealing an opening. Without hesitation, Rossi climbs through. Before following, Gus checks the supplies in his backpack: Twinkies, water, and his great-grandfather’s pocket watch.

The group follows Rossi through a large tunnel, treading over uneven rocks. As Gus shines his flashlight on the tunnel walls, he realizes that they’ve strayed from the mine. Eventually, the group emerges into a large room, which Gus recognizes as a cave. The air is cool, and the ground is marked by fallen rocks and stalagmites.

Gus compares the stalagmites to the scenery on Thunder Mountain, a ride at Disneyland. Matthew, shocked that Gus has been to Disneyland, asks for more details. Gus, embarrassed, changes the subject, and Jessie shoots him a knowing look.

Despite Gus’s protests, the group agrees to reassess their objective: Instead of hunting for gold, they’ll concentrate on their escape. As they walk further into the cave, the group encounters a rank, overpowering smell. Rossi raises her lantern and discovers hordes of bats hanging from the cave roof. The group trudges through piles of bat guano. Meanwhile, Matthew and Jessie continue to bicker. Eager for a fight, Matthew grabs a handful of guano and hurls it at Jessie. Jessie retaliates, and a battle erupts, startling the bats into flight. As Rossi heads back toward the cave entrance, a bat swoops down and tangles itself in her hair. Gus shoos away the bat and frees Rossi.

The group decides to follow the bats as they flee the cave, suspecting that the bats are seeking an exit. Their path is ridden with treacherous boulders and narrow tunnels, and the group must crawl on their stomachs. As they crawl, they tally their supplies, noting that they should conserve the flashlight batteries.

Rossi reluctantly admits that she’s claustrophobic. Meanwhile, Matthew teases Jessie, deliberately mispronouncing his name. When Gus chimes in, Jessie reveals that Gus’s real name is Fergus. Matthew then targets Rossi and asks her real name, doubting that she coincidentally shares a name with a famous dirt-bike rider. Gus, surprised, begs Rossi for clarification, but she remains silent. Matthew insists that Rossi is untrustworthy and wonders aloud how Rossi can afford her gear and bike repairs since her father is so poor. Ultimately, Matthew accuses Rossi of stealing. Rossi doesn’t respond, and Gus dismisses the accusation. He reminds Matthew that not everyone is what they seem.

Chapter 9 Summary: “Sunday—1:00 AM”

Eventually, the passage expands, and the group stands up. Rossi leads the way with her lantern. Suddenly, Gus notices a series of cave drawings, and he calls the group over to inspect. Awed by the old drawings, Jessie imagines that they were originally carved by Indigenous tribes, ancestors to Rossi.

When Matthew and Jessie turn away, Rossi beckons Gus to look more closely at the drawings: One of the arrows is larger and has been hastily scratched in the wall. Neither can imagine what it means, and they rejoin Matthew and Jessie.

As they explore further, Matthew asks Rossi for riding tips. Rossi observes that Matthew usually slows down when he hits the silt, a slippery patch of dirt. Instead, Rossi suggests, Matthew should speed up to easily glide over the silt. Matthew worries about the safety risks, but Rossi encourages him to be brave.

Meanwhile, Gus and Jessie talk honestly about their friendship. Jessie wonders why Gus abandoned him, and Gus, surprised, insists that Jessie is the guilty party. Gus alleges that Jessie and his new friends had gossiped about him in Spanish. Jessie sets the record straight, explaining that he regaled the group with Gus’s many escapades and that they burst into laughter, impressed. According to Jessie, the group likes Gus and regrets that he’s distanced himself. Ultimately, Gus and Jessie agree that there’s room for both old and new friends. Matthew interrupts their conversation, bantering again with Jessie. Suddenly, when Matthew turns away, he disappears.

Chapter 10 Summary: “Sunday—2:00 AM”

The group runs to investigate. Scanning with her lantern, Rossi realizes that Matthew has fallen into a crevice, crammed between rock walls. Below him is a significant drop.

With his body pinned, Matthew is unable to move, and the group struggles to pull him out. To bolster their strength, they dip into their rations and share bologna sandwiches, saving half for Matthew. However, they’re still unable to free Matthew, and they sit back, defeated.

Breaking the silence, Jessie asks Matthew, facetiously, if this counts as his worst day yet. Matthew, however, names another day: Valentine’s Day in second grade, when the class mocked him for his cards. Realizing that Gus and Jessie are surprised, Mathew explains further: He says that he had stolen the cards, eager to do something kind. When his mother found out, she beat him mercilessly. Matthew says that he befriended Bo to escape further ridicule; he needed a safe place, either at home or at school.

Matthew encourages the group to consider Bo similarly, arguing that Bo’s troubled home life has hardened his demeanor. Jessie, however, insists that individuals are responsible for their own choices, no matter their upbringing. Privately, Gus agrees with Matthew, and he sympathizes with Bo.

Matthew prompts Gus to recount the worst day of his life. Gus remembers that his mom took off when he was a toddler, leaving him with his father. Together, they lived in Reno, Nevada, and his father managed a meager living as a glazier. One morning, his father woke him early and surprised him with a day at Disneyland. Gus loved Disneyland, and his father treated him to rides and cotton candy. Before leaving, Gus visited the gift shop and bought a bag of 17 jewels, which he hoped to trade for real cash.

On the way home, Gus fell asleep in the car. In the morning, he found himself in Nowhere, at his grandmother’s trailer. His father unloaded Gus’s luggage and left him, never to see Gus again. To this day, Gus still has the jewels, but their symbolism has changed: Now, they remind him of his abandonment.

After Gus’s story, everyone is silent, though Matthew manages a joke. Matthew encourages Rossi to share her worst day, but she’s too focused on his escape to listen. Instead, she proposes that they source a lubricant so that Matthew can easily slide from the rocks. Eventually, the group decides to use Twinkies filling to lubricate Matthew. It works, and they free him from the crevice.

Reaching into his bag, Gus checks his pocket watch. The others notice, and Rossi asks to take a look. She realizes that Gus has misread the initials on the front: It reads “W.A.D,” not “W.D.A.” Eventually, the group decides that the pocket watch likely belonged to William Dufort, and Matthew accuses Gus of stealing. Gus defends himself, explaining that the watch belonged to his great-grandfather. Matthew and Gus tussle until Rossi intervenes. She wonders if the accepted history is wrong and posits that a third party might have been involved, aside from Dufort and Navarro. Inspecting the watch, she finds a note stuck in its back case. As she unfolds it, the group is startled by a loud rumbling. Gus shines his flashlight into the darkness and finds two large cat eyes staring back.

Chapter 11 Summary: “Sunday—3:00 AM”

The group recognizes the cat as a mountain lion. Hoping to scare it away, they yell and flail their arms. When the lion doesn’t budge, they scramble up a few boulders. Gus secures his backpack, but he leaves his flashlight on the cave floor. As he hurries, the lion lunges after him, taking his shoe. 

Finally, the group reaches a low rock ceiling and huddles together. The lion scampers up the boulders and lunges at them. Thinking quickly, Gus swings his backpack, hitting the lion in the nose. The lion slips down the boulders and lands on the cave floor. The group shares a ration of Twinkies and warm water.

Matthew questions Gus further about the pocket watch. Gus explains that it was passed from his great-grandfather to his grandmother to his father. According to Grandma, her father had collapsed in the desert, fatally bitten by a rattlesnake, and the watch was found on his person. Gus remembers that his great-grandfather supposedly died the same night that William Dufort entered the mine. Matthew and Gus debate the story’s accuracy, and Rossi hopes that there will soon be enough light to read the mysterious paper.

Suddenly, Rossi feels a draft. She surmises that they’re close to an exit and scrambles down the boulders to explore. Rossi’s hunch proves correct, as she discovers a low, cramped tunnel that stretches about 15 feet toward an exit. The tunnel opening is too small to fit either Jessie or Matthew, so Gus and Rossi offer to escape and fetch help.

Gus leaves his backpack behind, and he and Rossi crawl through the tunnel on their stomachs. As they talk, Rossi admits that she doesn’t care about her bike and hopes only to escape. Gus wonders if Grandma will wake up and call the police. The police, Gus assumes, will investigate the mine and assume that the group died in a cave in, halting any search effort. Rossi, intrigued by such an opportunity, half-jokingly suggests that they abandon Nowhere and travel to Baja, Mexico. Finally, Gus and Rossi reach the exit, emerging onto a rock ledge. They breathe heavily, relieved to have finally escaped.

Chapters 6-11 Analysis

These chapters center one of the novel’s major settings: Dead Frenchman Mine and its secret cave. As Gus, Matthew, Jessie, and Rossi delve further into the cave, they encounter a variety of unexpected obstacles, landforms, and opportunities for adventure. Ultimately, the cave offers the group a place for contemplation and self-discovery.

Aside from Nowhere and its surrounding desert, the cave is the novel’s most prominent setting, and it is the backdrop for most of the novel’s plot and character development. Like Nowhere, the cave presents its own unique kind of danger; instead of rattlesnakes, heat, or generational poverty, the cave imprisons the group and menaces them with a sense of claustrophobia. Indeed, they often finds themselves in tight spaces: Matthew gets stuck between rock walls, Gus braces against a low ceiling, and the group shimmies along “narrow, rocky tunnels” on their “hands and knees, bellies low to the ground” (88). These moments when the cave traps the group and imbues the narrative with a sense of claustrophobia often coincide with major character developments: In close quarters, with no idea if they will ever escape, the characters open up to one another and speak vulnerably about their complicated pasts, introducing the themes of Transcending Family History and Conquering Challenges Through Cooperation

For instance, when Matthew is trapped in a crevice, he revisits Valentine’s Day in second grade, revealing that he’d stolen the cards and that his mother, as punishment, “beat [him] so badly with a belt [he] could barely walk for two days” (110). He also admits that this incident left him with a sense of fear and insecurity and that, to counter this, he decided to join up with the class bully, Bo. While Matthew has always tried to portray himself as fearless and mean, he vulnerably discloses the events in his past that shaped his behavior. This event also brings the characters together as they work collectively to rescue Matthew, using the Twinkies’ filling as a lubricant to help him slip out of the rocks. Confronted with the dangers of the cave, the characters are inspired to cooperate and help each other.

Following suit, Gus speaks about his trip to Disneyland and his father’s abandonment, tearfully wondering if “no one in this world wants [him]” (116). The close space of the cave creates a sense of intimacy that prompts him to reveal an old wound that has affected his life and sense of self. Similarly, as the group crawls through a low tunnel, they reveal their real names and decide that in the outside world, some of them “[pretend] to be something they’re not” (94). In moments such as these, the group’s physical closeness is mirrored by their emotional intimacy; with nowhere to run, the characters abandon their facades and open up to one another. 

Just as the cave’s tight spaces encourage the characters to confide their traumas, its less fraught conditions mirror a return to lightness; as the cave opens up, the group becomes distracted from their situation’s seriousness. For instance, exhausted after a tight squeeze through the rubble, the group stumbles into a wide cave populated with bats and filled with bat guano. Then, Matthew picks up a “handful of the bat poop” and hurls it at Jessie, “forming a poufy poop cloud” (85). The humorous descriptions of this battle provide a moment of levity, evaporating the tension, danger, and suspense that has heightened the group’s passage into the cave. Matthew pushes the scene to maximum absurdity, smearing a handful of guano “right on top of Jessie’s head,” while Jessie, retaliating, pulls him down so that they’re “rolling around in poop together” (86). The scuffle highlights that these characters are young teens who are easily distracted from the larger issues that weigh them down. 

In another instance of these characters’ levity despite their grim circumstances, the group emerges from a tight space and encounters a series of petroglyphs or cave drawings. Jessie presents the drawings as “the work of [Rossi’s] people” (96), and Gus and Matthew find this declaration funny and burst out laughing. After the tension of being stuck in a closed space, the characters resort to humor and allow themselves a moment of pure silliness. In this way, the novel balances comedic elements with the characters’ grief and trauma, and it also points out their resemblance to the cave and its features.

These comedic moments also remind the reader that the main characters are still adolescents; they joke around lightheartedly and fling guano at each other. Despite their young age, they understand the abuse and poverty that haunts their adolescence, and they are capable of surprising honesty. Using humor, Bowling cements the novel firmly within the young adult genre, as young adult novels often approach complex issues through the lens of humor and awkwardness. Just like other young adult characters, from Harry Potter to Percy Jackson, the group yokes together these contradictions.

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