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69 pages 2 hours read

Maureen Johnson

13 Little Blue Envelopes

Fiction | Novel | YA | Published in 2005

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Character Analysis

Virginia “Ginny” Blackstone

Ginny is the 17-year-old protagonist of 13 Little Blue Envelopes. She is a reserved, cautious individual, often preferring to go unnoticed and disliking being the center of attention. Ginny is characterized by her clothing choices; for much of the novel, she is backpacking around Europe, which means that she has very few clothes with her. The clothes that she has are unfashionable and practical; she based her selections off advice she found in a travel guidebook. Most notable are her white sneakers, which she remarks upon often, contrasting them to the high heels she notices other women wearing on the fashionable streets of London, Paris, and Rome. Ginny dislikes that her shoes squeak and that they mark her as different from the residents of the cities she is visiting. When Ginny thinks of her looks or her clothes, it is often in comparison to others. She describes herself, for example, as “taller, curvier […] bigger” than her Aunt Peg (32). These frequent comparisons reflect Ginny’s shyness and insecurity.

Ginny experiences a personal transformation over the course of 13 Little Blue Envelopes that is, among other things, Ginny’s coming-of-age story. As Ginny travels around Europe by herself, she learns to be more independent and to trust in her own instincts. She also finds confidence in herself as someone who is interesting and worth getting to know. At the opening of the novel, Ginny thinks to herself that cool, interesting things only happen to her when she is with her Aunt Peg (because, she thinks, Peg is the interesting one). By the end of the novel, however, Ginny has made friends on her own and has had many adventures that Peg never planned for her. This grows her confidence and her self-esteem. She writes, “I’m still me…I still find it hard to talk sometimes. I still do incredibly stupid things at inappropriate moments. But at least I know I’m capable of doing some things now” (320).

Ginny is an archetypal student. Young and inexperienced, she follows the advice of Aunt Peg, her mentor, in search of answers. Peg’s “lessons,” in the form of her letters and travel tasks, are often obscure and riddlelike, forcing Ginny to think creatively and problem-solve to find a solution. Ginny often makes her best discoveries when she isn’t explicitly trying to sniff something out, like when she accidentally finds Peg’s key behind a painting or when she realizes that she should tell Richard that Peg loved him because of how she feels when Keith admits that he has feelings for her. These type of organic, unforced realizations further Ginny’s growing confidence in her own instincts and underscore her characterization as a cautious, thoughtful person; Ginny is not an assertive problem solver who barges into a mystery and finds the solution through brute force. Ginny needs time to think things over and likes to be sure of an action before she takes it.

Aunt Peg

Aunt Peg is Ginny’s aunt and mentor, and she is also Ginny’s foil. Where Ginny is cautious and shy, Peg was a risk taker (often to the point of being irresponsible), and her eccentricity often led to her being the center of attention. As foil, Peg motivates Ginny to do things that she would not otherwise do, thus spurring Ginny’s self-discovery and maturation.

Aunt Peg died from a brain tumor prior to the start of the novel. Before she died, Peg wrote Ginny a series of letters. The events of the plot are kicked off when Ginny receives the first of Peg’s letters. The letters establish Peg as a type of mentor for Ginny; Peg has created a series of challenges for Ginny in the form of a trip around Europe. Through these challenges, Peg hoped to help Ginny discover more about herself while also explaining the last years of her life to Ginny.

Peg was an archetypal artist. She was a creator and is celebrated for her vibrant, imaginative paintings. She was spontaneous and energetic and is characterized as having an artist’s intuition, an ability to know and understand things that others may not notice: “She had a weird way of knowing things, an uncanny sense of timing. When Ginny was a kid, Aunt Peg had always managed to call whenever Ginny needed her” (93). Ginny meets several of Peg’s friends as she travels around Europe. All these friends comment on this intuitiveness, this “uncanny sense” that Peg had; Peg’s artistic vision and her trust in her own intuition are central to her character.

Peg also embodies the negative character traits often associated with the artist archetype. She was flighty and impractical, often running away from difficult situations or boredom rather than confronting her issues. As the novel goes on, Ginny remarks more on Peg’s flaws:

Every once in a while, Ginny remembered that along with being charming and whimsical, Aunt Peg could sometimes be a little flaky. She was the kind of person who absentmindedly stirred her coffee with her pinkie and was surprised when she burned herself or left the car in neutral instead of park and laughed when it was occasionally in a different place than where she had left it (133).

Peg’s flaws help Ginny realize that Peg was human too, which is an important step in Ginny’s maturation process; she transitions from idealizing Peg as the epitome of cool and interesting to loving Peg in a more nuanced and reasonable way.

Richard Murphy

Richard is Peg’s husband and, as such, is Ginny’s uncle. Ginny does not learn this until Chapter 32, toward the very end of the novel. Richard lives in London and works at the famous department store, Harrods.

Richard is reliable and generous; he allowed Peg to live in his house rent free after he found her crying while she was shopping at Harrods. Richard also bails Ginny out of a few scrapes, most notably buying her a plane ticket to London from Greece after her backpack gets stolen.

Richard is a father figure for Ginny in the novel since Peg’s “rules” forbid her from contacting her own parents during her travels. His characterization as a stable, trustworthy father figure is established from Ginny’s first encounter with him, when he opens the door wearing a suit and tie. Ginny is surprised to find that his house is “just a house—not an artists’ colony, or a commune, or any kind of sociological experiment” (27). Because of Peg’s history of making friends with unconventional people, Richard’s normalcy surprises Ginny. His practicality is echoed in his “plainly decorated” home with “low-pile carpet” and “simple furniture in flat navy blues and blacks” (27).

The plainness of his home also reflects Richard’s loneliness. Richard loved Peg, nursed her while she was dying, and is now grieving her loss. His house reflects his quiet bachelor lifestyle now that Peg is gone. Richard’s grief and loneliness are demonstrated by the fact that he kept Peg’s room—painted in bright colors and decorated with a wild collage of found objects—as she left it. This “small, sunny bedroom” is the brightest spot in Richard’s home (27). Richard experiences a healing transformation in the novel by developing a relationship with his niece, Ginny. Through Ginny, Richard learns that Peg loved him as much as he loved her.

Keith Dobson

Keith is Ginny’s love interest in 13 Little Blue Envelopes. Keith lives in London, where he is a theater student at Goldsmiths College. As the novel opens, Keith is performing a play that he wrote and directed called Starbucks: The Musical. Keith is described as wearing a “wide, slightly evil grin” when the show starts (60). His character’s name is Jittery Grande. Ginny notes that he isn’t a “particularly good singer, but this d[oes]n’t stop him from belting away […] he own[s] the place” (61). This farcical performance characterizes Keith as playful, rebellious, and outgoing.

Keith experienced some turbulence in his teenage years. He tells Ginny how he “started getting into pubs” when he was 13 and how he stole a car out of heartbreak after splitting up with his high school girlfriend (74). These experiences contrast with Ginny’s quiet and orderly high school experiences and highlight how Keith is more willing to bend the rules than Ginny is. This contrast is particularly apparent when Keith steals a small toy from Mari’s home in Edinburgh. He grins and jokes when he reveals the theft to Ginny, stating, “I nicked a little toy […] It’s nothing” (119). This action furthers Keith’s characterization as a bit unruly.

However, Keith’s unruliness does not mean that he is inconsiderate. He is thoughtful in caring for his roommate, David, while David is fighting with his girlfriend. Keith is also kind to Ginny in his lightly teasing way. Keith welcomes Ginny into his home when she needs a place to stay and pats her back while she cries about Aunt Peg. Keith demonstrates his loyalty and care for Ginny when he reacts to her telling him about Peg’s sudden disappearance; he responds with frustration, angry that Peg would leave Ginny without a word. Keith’s loyalty and kindness lead him to develop a strong relationship with Ginny, as he joins in on some of her travel adventures and is by her side while she solves the final mystery of Peg’s letters. 

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